Greek Electronic Producer Tasos Petsas Releases His Latest Single – “Untitled”

Tasos Petsas a Greek creator of electronic music, this week released his new single called “Untitled” via FM Records. For the first time the sound of his music is house with an addictive and nostalgic rhythm that manages to “hypnotize” you from the first minute. As the creator intended, the track brings together the memories of the past, the everyday life of the present, and the expectations of the future. And because he doesn’t have any title for all of these events, he called it “Untitled”. The track has already reached the #1 spot on the Gr-Top 100 and it’s

BEEA: “Ride Or Die” – Classic soul tropes are juxtaposed with modern pop touches

Slick, soulful, and melodic – this stuff is made for the radio. BEEA is a world class singer and performer, and she’s miles beyond some of her pop star peers, currently on the scene. Her brand new track “Ride Or Die” showcases her voice and passionate delivery, which keeping things intense and emotional. Aside from the song’s sonic and stylistic consistency, one notable difference between the material here and BEEA’s peers is the rawness of Brazilian beauty’s vocals. The frayed edges of the singer’s voice, are played as assets here. Her voice feels lived-in and wizened and she turns in

Baltimore 80s Tribute Band The New Romance Invited Back To China To Perform Exclusive Business Gala

It has been said that with enough talent and determination that music can take you anywhere. Well, for Baltimore’s highly-acclaimed 80s tribute band The New Romance that means half away the world twice. The group has revealed that they have been invited back to China to perform at the illustrious Starworld Casino in Macau, China as the headlining act for The British Business Association of Macau Annual Ball on June 22 and June 23. The New Romance, who describe themselves as not just a a tribute to the 80s, but an authentic concert experience, specializes in recreating the sounds of

BWH Music Group Releases the Hottest Album of the Summer – ‘That Summer, Vol. 1, by Various Artists’

You don’t have to go the ocean to hear the best songs this summer!  BWH Music Groups June, 2018 release titled That Summer, Vol. 1 by Various Artists is the hottest indie release of the summer and perhaps the entire year. This extraordinary compilation album features 15 songs by internationally acclaimed and award-winning artists in multiple genres.  Featured artists include: Skinny Fresh, Coastal Club, C.K. & The Rising Tide, Frank Migliorelli and The Dirt Nappers, Ed Roman, Jeremy Parsons, Cole, Nina Amelio, Jenny Vinatieri, Erick Blu, 0 hype feat. Chris Chand, AntoineRNB, Natalie Jean & Levi Moore, Luna Keller, and

THE BAND OF THE HAWK: “BOHUP VOL.2” FLEXES ITS LYRICAL PROWESS

When it comes to groups that are uniformly considered to be underground rap royalty, few acts eclipse The Band of the Hawk. Whether its impact, bodies of work, or just pure creativity, few unsigned groups in hip-hop come close. Though they individually continue to release great music, as a group the quality and consistency of their projects has undeniably been coherent and consistent. Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam better also known Band of the Hawk are now back with their latest work – the 2nd installment of

Bad Bullet invites the listener to gain power with their grunge / alt-rock debut album “Use The Energy”

Austrian Newcomers Bad Bullet introducing their brand new Album Use The Energy. Use The Energy is pure energetic Rock for Fans of Nirvana, Foo Fighters, Blink 182, or Nickelback. Released on June 2018 via NRT-Records, Bad Bullet combines Grunge, Alternative Rock and Metal and creates their unique Style. The Band amongst guitarist and songwriter Gernot Neumann, Lead singer & Rhythm Guitarist Manuel Schlogl, Drummer Steven Scheer and Bassist Michael Jursche, show their versatility as musicians and songwriters. Positive Lyrics (Never Give Up, Free or Follow Your Dreams) but also mean themes (Last Chance, Judgement Day, War Never Changes or Poison

Union Five has a groove-centric sound

Rhythm is as important as melody throughout the amalgamation of tracks on the self-titled album by Union Five. This is evidenced by the alternating emphasis on one aspect or the other – and often the fusion of the two elements, which enlivens the musicians as they play. In turn, this spontaneity commands attention because surprises abound within each track. At a given juncture the band may slow the growing momentum of the music, giving itself and the listener time to ponder what has preceded, in preparation for what is to follow. But this moment is often fleeting, as temperate paces

The Keymakers: “Burning Me Up” – smooth romantic rhymes dressed in satin

After dropping their critically debut single, “Good For You” during September 2017, the brothers Rome Alexander and Rederic who form the musical project The Keymakers, are back with their third, and brand new project – the single “Burning Me Up”, released on the 6th of June 2018. This track obliterates, all of the commercialized trash that is cluttering the airways and giving listeners ear-infections with tired materialistic and blasé content. The Keymakers dish out smooth romantic rhymes dressed in satin and steel voices that resonate with ear-worming falsetto tones. While R&B dominated the charts through most of the mid-90s, it

Bulat: “Still So Far Away” – Immediately easy on the ears, there’s something quietly intense and absorbing here

Bulat is a singer, songwriter, guitarist, and actor who was born in Russia, raised in England, and is now based in California. His music mixes folk, rock, reggae, and Latin influences with his own unique way of writing both vocal and instrumental songs. He started put learning to play songs by Green Day, Blink 182, and Red Hot Chili Peppers, before going on to study music technology and commercial music production. His most recent release is the 3 track Ep “Still So Far Away”. Whether you’ve been on board with Bulat since his earliest releases and cottoned on to him

Marcel Heah: “Travelogue” – beautiful and deceptively simple elements

More like personal sketches for piano than traditional, structured songs, the music of Melbourne-based Australian artist Marcel Heah plays like a poetic soundtrack to the world’s tangible and intangible elements, and nowhere is this more brilliantly enacted than on his album, “Travelogue”. There are wondrous, beautifully understated melodies here, but what’s amazing is Marcel’s intense inspiration that spills from his spirit and flows straight to the keys. He uses simple techniques that are not meant to impress the most intellectual of music critics but are woven to bring any listener with an open heart to emote. Affecting and full of

Steve Lieberman the Gangsta Rabbi: “Psycho at the Hospice Gates” – more than just bad-ass

Give Steve Lieberman the Gangsta Rabbi his due: His pretty relentless. For more than 30 years, the spirited Jewish punk has worked tirelessly to make his music count for something more than cheap thrills and mindless rebellion. And our anti-hero’s new album, “Psycho at the Hospice Gates”, shows no cracks in the armor. Actually it shows completely new armor! If you’ve been following any of our magazines – print, digital or online – over the last couple of years, you probably have heard of Steve by now. The man, better known as, The Gangsta Rabbi has a terminal illness, but an indeterminable passion for his craft. Oddly, these two conditions are as complementary as they are contrasting, together they somehow fuel the embers of the fire that is Steve Lieberman’s every day existence.

Steve Lieberman sings, plays guitar, hybrid guitar/bass, bass, tenor trombone, bad-ass distorted bass trombone, flutes, talabard, pocket Theremin, clarinet, melodica, and beat machines. But probably not how you’re used to hearing them being played. Steve has long forgotten the sweet, classic subtleties of some of these instruments – his anarcho-punk is vital, vibrant and visceral, urging every sound possible to come forth – harmonic or dissonant. Though it has to be said at this point that “Psycho at the Hospice Gates”, is Steve’s most melodic and accessible album to date.

Steve Lieberman

And that’s saying something for a rabid punk who has always beaten his own path with absolute distinction, and total disregard for the acceptance of others. Is Steve perhaps thinking, “There’s more to life than this?” or is he simply reaching out to the profane before it’s too late? Either way, 34 albums into a fruitful career, and this album still finds Steve Lieberman the Gangsta Rabbi chiseling away at the ills that irk him.

Opener “HEY, PETE TOWNSHEND!” starts swinging out the gate with both fists clenched: “when I was a kid, I didn’t want to be like you, I wanted to be you!” Right from the start Steve shows that he can still put up a fight, only now he is landing his musical punches more cleanly than ever.

By the time you press play on “DOROTHY”, it’s clear that this album comes from an artist who clearly still believes in his core punk ethos, but is tailoring his sound for wider appeal while keeping that initial integrity intact overall. However, as much as Steve tries to keep “Psycho at the Hospice Gates” fire simmering, rather than raging, there are moments when his anarchic primal instincts dominate.

As on the raucous “THRASHED ABOUT BY THE AMERICAN YOUTH”, “(LOSING MY MIND) IN THE PSYCH WARD”, “CRANK THAT KOSHER BOY” and “I WISH THAT I WAS HOT 1”. Thirty years into his career, it’s incredible an artist can still make songs so loud and relevant.

“Psycho at the Hospice Gates” seems to be Steve’s battle cry, with songs that encompasses plenty of his beliefs and his circumstances, but also encourages individuality and never settling for less. This guy sounds as vital as always, regardless of his personal condition.

Clearly an artist like Steve Lieberman the Gangsta Rabbi already has a loyal cult following. He is old enough to be an artist you heard about during high school, but this new album is reason to catch up. This isn’t a throwback record or something to be overlooked. It’s a record made by an artist who just takes an ulterior look at his existence. Who is still making the music he wants to make, and who isn’t getting any less relevant as we head into a totally different and artificially constructed musical era.

“Psycho at the Hospice Gates” is a great anarcho-punk record from an extremely polarizing artist. If you like the genre, you’ll love Steve Lieberman, if you dislike the genre, you’ll hate Steve Lieberman – It’s as simple as that. Music appreciation, however is not how it is played, but how it is perceive it.

The Western world has a vast musical heritage that has evolved over many centuries; however, some Asian, Polynesian, African and Near-Eastern musical traditions have thrived for thousands of years, and most types of Non-Western music are founded on concepts quite different from those of the Western tradition.

Non-Western music rarely uses dynamics as an independent concept, and often uses micro-tonal melodic intervals. In general, harmony is not as important in non-Western idioms, and in fact non-Western music may have no harmony at all. Since harmony is not an important consideration, non-Western music is often either monophonic or hetero-phonic. Are you sure you’re judging Steve Lieberman’s music by the ‘correct’ criteria, or are you just stuck on strict Westernized pop concepts which more than half of the world are not able to appreciate, or even understand?

OFFICIAL LINKS: WEBSITE – SOUNDCLOUD – FACEBOOK

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.