BlackMayo is a platinum hip-hop Producer and Artist!

Generating over 55 million views from his credits alone Bloomington, Indiana’s, BlackMayo ​is a name to know.​ BlackMayo, is a platinum hip-hop Producer and Artist best known for his hit producing Lil Mosey’s single “Pull Up”, which has reached over 30 million views on YouTube since its release. He initially began to make a name for himself by posting and later selling type beats on YouTube, and has since gained popularity through producing songs such as the single “Valentino” by 24kGoldn that has amassed 22 million views on YouTube. Other artists he’s worked with includes house hold names such as

INTERVIEW: Minneapolis based Christian emcee F’RAEL

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About The Release Flyguytk releases an anthemic, grand, and powerful trap/jazz single ‘Religions,’ featuring BigMoneyAce. The release features a groovy beat with a vocal performance that will grasp the listener. ‘Religions’ will hook the listeners in with the lyricism and mesmerizing instrumentation. The single delivers an uplifting progression, a driving bassline, and a raw, uplifting vocal by the artist. Undoubtedly, the single has the ability to resonate with the listener as it contains a unique style and sound that will have people playing it over and over. Flyguytk does an outstanding job of keeping the track refreshing and engaging through

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When it comes to passionate electro-driven tunes and seductive dancefloor Latin rhythms, few European-based artists can match DEEPSYSTEM for prolificacy and quality. “Dame Locura” is the latest single brilliantly put together by Socoliuc Andrei Marian, Joel the Alien and Murariu Andrei Ionut. This song once again proves that DEEPSYSTEM remains a power player in the globalization of the Latino music, as it continues to showcase his colorful flow and spirit as a beacon in the European movement. DEEPSYSTEM has expertly curated his status by bringing new audiences into his world without compromise, as he still sings and raps in Spanish

Kindle Flame – “Get In My Bag” – an exceptional flow and a gift for conveying emotion through personal experience

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NOAH ARCHANGEL & THE BAND OF THE HAWK – “THE MASCHINE WARS: SONGS OF SOLOMON”

The Maschine Wars: Songs of Solomon is a journey more complex and original, yet more accessible than anything Noah Archangel & The Band of the Hawk may have released before it. The fact that it exists at all is testament to the projects perseverance, raw talent, and prophetic direction with which Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam steer the good ship Band of the Hawk aka BOHUP, to the richest musical waters; plucking out those worth bringing along on their musical voyage and creating records greater than the sum of their parts.

In terms of perfection of a sound it’s hard to imagine that Songs of Solomon could do much more. Everything you could want in electronic-based urban music is here with equal amounts of hip-hop and cinematic orchestrations thrown in for good measure. This is an album that perfects a certain style of music.

The Maschine Wars: Songs of Solomon draws its strength from consistency and its fluid track list, notwithstanding its mammoth 22 song duration. The emotional power the record manages to achieve when in reality it is a sequence of luscious electronic beats, sprinkled with raps, is perhaps what is most impressive.

Time will tell if this is a definitive moment for the project, but at this point it seems the realm of electronic and urban music is open for Noah Archangel & The Band of the Hawk to be part of the next big visionaries of their genre.

The album is dense with fresh ideas which battle for elbowroom every few beats, impatiently vying for your attention, before launching each track on another unexpected tangent. Its testament to how good the vast majority of the ideas are that the whole thing doesn’t buckle beneath the weight of its own creativity.

Armed with such an agenda, Noah Archangel & The Band of the Hawk attempt to pull The Maschine Wars: Songs of Solomon apart, treating string laden flashes, bass booming and beat-driven percussion as landmarks in their hyper-lucid vista of hard bop and cinematic-laden ambiance.

From the theatrical black hole of the opener Old Gods and the New to the percussive mono-thematic onslaught of Wendy & Lisa, through to the piano-driven musical epiphany of Transpressions of Trismegistus, or the soulfully sampled soliloquy Those.hoes.over.there., Noah Archangel attempts to redesign the urban album; experimental but conventional, seemingly improvisational but well thought-out, and preoccupied with achieving its vanguard. Which it does.

The Maschine Wars: Songs of Solomon, therefore operates as one whole thematic piece, but with each track serving as a parcel really capable of existing outside of this medium if it has to. As the album moves through various sections and suites, it can create jarring transitions brief passages of reflection that beg for more listening.

In particular tracks such as: Kundalini (feat. Yeaux Majesty), Nebuchenezzar (feat. Juskwam), No Fools (feat. Stx) and the single Black Lotus (feat. Yeaux Majesty, Juskwam & DJ Thruvo), needs your attention, being lyrically driven.

With a plethora of feelings crammed into mere moments on each track, The Maschine Wars: Songs of Solomon makes for some serious listening, both in tone and execution. It’s a defining work a mark of excellence!

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