SKOWT A Brand New Platform Connecting Unsigned Musicians To The Industry

SKOWT is a brilliant new venture that helps give recognition to unsigned musicians around the world. SKOWT helps connect unsigned artists with the biggest target markets most relevant to their needs – streaming music fans, event/media companies and A&R/Licensing Managers. The platform is highly interactive with artists from a wide range of genres represented. The platform is free to register on and provides for a much better and faster introduction of new music to fans – while at the same time creating a chart which quickly gives insight into the most listened to tracks, helping A&R/Licensing Managers as well as

Bitter Lake: “Frozen Landscapes” has both atmosphere as well as pummeling force

Ambient and Symphonic metal often run into walls of mundane sameness that conflict with intended results. No matter what could go wrong with these types music, one-man Scottish project, Bitter Lake, of does not fall victim to it. The composer reliably challenges the genres’ categorical parts to create something unique and as equally beautiful as it is noisy. And noisy it is, as Bitter Lake’s blend of the aforementioned genres is abrasive, aggressive and loud on the single “Frozen Landscapes”, which is taken from an upcoming album. The song construction and the use of classic black metal fare work well

Angel: “Hero” – all-embracing artistic approach

Angel is a Los Angeles and Sydney based socially conscious artist who composes what is described as “Statement” Cinematic Soundtracks and Music Short Films/Videos. Trained in acting, singing and dancing, the award-winning artist who has picked up accolades in the UK and Australia, adopted her signature style after attending a Hans Zimmer Masterclass. As a child, her mother introduced her to Hollywood musical and style icons such as Ginger Rogers, Grace Kelly, and Audrey Hepburn, who have shaped her work, and probably explains her all-embracing artistic approach. To complete the picture of Angel’s go-ahead attitude it should be noted that

Its Showtime with Billy Stark Stone & Rico Blythe!

Billy Stark Stone w/ Rico Blythe is a new project featuring the aforementioned. Billy Stark Stone was the lead singer/founding member of NYC’s first and original seminal and notorious teen ‘punk’ band, The Blessed. Rico Blythe was the guitarist in a later incarnation of the same that resulted in the release of an EP titled ‘Taboo’ that sold out its initial run. Now Billy and Rico have teamed up to create this exciting new enterprise. Coming hot on the heels of their acclaimed single and video ‘Revolution Rerun’ they have just re-released a re-mastered version of ‘Potters Field’ from the

M3 El Famoso Leon drops “Dead Inside” (Prod. Vessels)

“Dead Inside” (Prod. Vessels) by M3 El Famoso Leon  is a dark, deep, rock, hip hop love song, about a guy that gets a record deal and falls in love with a mysterious girl. A songwriter, rapper, and singer from Bronx NY, music is M3 El Famoso Leon’s life, it’s how he express his most dark, as well as happy, life experiences. This is hip-hop which does away with the soothing regularity of traditional flows and lyrics in favor of a brash, dangerously off-kilter rock attitude. M3 El Famoso Leon’s lively lyricism and the brilliantly grungy and experimental production form

Matt Westin: “Legacy” – the rising country star with a deep baritone

Matt Westin found his fulfillment in the creative outlets of singing and singing after years of searching, and walked away from a promising career in engineering to pursue that passion. Influences by legendary artists, ranging from Johnny Cash to Garth Brooks, to even Frank Sinatra, Matt found his voice. He honed his vocal ability in bars and clubs around Pittsburgh for over a decade, with his at first reluctant family, becoming his biggest supporters. But it was the tragic event of his father passing away due to complications of chemotherapy in his battle with Leukemia, which drove Matt to seriously

North Carolina Jimmy Bones Releases his first major Single worldwide

From River Head, Long Island, NY by way of Elizabeth City NC emerges Jimmy Bones and his long awaited Single, “Goin In” Feat. Ms. B now available on ITunes, Spotify, Amazon, Apple Music, and Google Music worldwide Jimmy Bones is Goin In, all the way in with this first major Single release. Signed to Indie Label, out of Muncie, Indiana, G.I. Records LLC, a label that is known for breaking artists, from Indie to Major, one hit at a time. Jimmy Bones lives the life that he writes and raps about; his music is his blood. The Hip Hop Rap

Myja display a very specific amount of fearlessness

Los Angeles, CA-based side project Myja featuring Michael Marquart and Jacob Bunton release their debut self-titled album on January 12th, 2018. The record was produced, engineered and mixed by Jason Elgin (Maylene & The Sons Of Disaster, Collective Soul), at The Barn, Marquart’s studio in Malibu, CA. In today’s world of singles, short attention spans and immediate gratification, it goes against the grain to release a 10 track rock album. But then I guess that Myja are not a band to go along with the crowd. Let’s face it: Being a classic rock band in 2018 requires a very specific

Andrew Gerard: “Run Away With Me” – This album has much to offer listeners

Canadian singer, guitarist and songwriter Andrew Gerard was born in Ottawa, and grew up on Vancouver Island. He is also known as Gerard The Hypnotist from the TV series Mindfreak with Criss Angel. Departing from TV and the world of magic after a car accident he rediscovered music while recovering. Discovered by LA Producer Ran Pink who produced his “Two Birds” recording at Fonogenic Records in LA, Andrew has just released his brand new full-length album “Run Away With Me”. Two songs on the album – the titular track and “Miracles” was produced by Danny Craig, while “Shine” and “Rewind”

NOAH ARCHANGEL & THE BAND OF THE HAWK – “THE MASCHINE WARS: SONGS OF SOLOMON”

The Maschine Wars: Songs of Solomon is a journey more complex and original, yet more accessible than anything Noah Archangel & The Band of the Hawk may have released before it. The fact that it exists at all is testament to the projects perseverance, raw talent, and prophetic direction with which Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam steer the good ship Band of the Hawk aka BOHUP, to the richest musical waters; plucking out those worth bringing along on their musical voyage and creating records greater than the

Roubix: “Girls” – bolstered by the steady pulse of electro music

Synth-pop artist Roubix, who started his career in 2011, is still something of an enigma in the underground music business. Owned by two record companies, his identity has never been confirmed. The artist who performs live and records his music between Stockholm, Sweden and London, had a stint in the United Kingdom selections for 2014 Eurovision contest, and will apparently again be up for representing the UK in Eurovision 2018 in Lisbon, Portugal with his brand new song “Girls”.

Roubix’s sound has expanded its horizons. That audible love of the 80s is still present, but the synths are bolstered by the steady pulse of the electro music that held sway in New York clubs between the decline of disco and the rise of house, as well as luscious pop textures drawn from a couple of this decade’s more off-kilter hits.

But the real surprise is how unforced it all feels. The whole thing seems lithe and supple. It sounds airy and confident and effortless, a state of affairs aided by the fact that, Roubix seems to have hit on a new knack of coming up with a song that somehow sounds as if it has always existed, as if you’ve stumbled on an old hit that you’d forgotten about but are delighted to be reminded of.

It’ a winning formula. Impeccably capable of not only showcasing very apparent musical influences; but establishing a very distinctive sound in spite of it.

“Girls” sublimely mixes the old with the new – crisp hooks and ‘80s synths with a deeper emotional edge and penchant for the unexpected, lyrically. There’s allusive slithers and tongue in cheek hedonism – well it’s not exactly a subtle title, is it? You know where it’s going from the start, or do you?

There’s also confidence in Roubix’s robotic-styled voice and lyrics that implies a newfound strength. The track doesn’t rely on extravagant motifs or flamboyant chants. There’s a notable evolution here, and we see Roubix strive for something you can sink your teeth into over the course of a few days, weeks, month, rather than something you can insufflate at a club in the space of a few minutes.

Synth-pop is back, and very much a la mode – particularly amongst the Brits, and Roubix fits nicely into the slipstream, as he brings all the best parts of shameless synth-­pop into the 21st century. Don’t bother listing him as an “artist to watch” – if all goes well with the projects he has lined up for 2018, we will see him garner exposure to the point that he becomes unavoidable.

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