COPPAHEAD RELEASES “WORK” SINGLE DESPITE BATTLING AGAINST THE ODDS WITH TRAGIC SHOOTING

This week brought news about North Carolina artist “Coppahead” working on more music, including his latest single “Work” https://www.youtube.com/watch?v=uRst0nA7AUg The video was actually filmed before the shooting incident. It’s the first we have heard from the artist for quite some years years. Many people have been asking about the whereabouts of the GMF (Get Money First) music star Coppahead.  The harsh reality is that, Coppahead has had many complications from getting caught up in a street shooting back 2014. Since, the artist hasn’t been able to fully recover and has been left paralyzed. In a recent interview, the rapper said: “The music

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Phoenix O’Neill grew up in Watford, North London and attended school in St. Albans. She was born into a musical household – her mother sang and played guitar, her dad was a drummer, and her step-father a singer-songwriter. Phoenix started writing stories and poems at age eight, songs at nine, and by thirteen, she had built a considerable portfolio. Her first live performance occurred when she was fourteen, at her mum’s friend’s wedding in France. Now at age twenty-three, Phoenix O’Neill has been giving heartfelt, memorable performances in and around the Hertfordshire area, and recently gained the attention of world

Lewis Griffiths Founder of Griffiths Records talks business and more

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Seldom does chance have it that an electronic music producer is as simultaneously celebrated by both seasoned and novice fans of the genre as G.H. Hat is. The relative newcomer boasted 290 Classical track releases prior to officially starting his EDM career with two Triphop songs which saw him rack up Soundcloud Top 50 Charting, and continuing with many placements on Official Spotify playlists. In 2017, G.H. Hat achieved national Billboard success with “I Got a Problem (I Wonder…) . And 2018 has continued to rake in more success with the producer dominating many Spotify playlists and being

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Dig The Reggae Meditations: Jahmings Maccow – ‘Trod It Through’

LETMEGOO Records proudly presents a brand new cut from the ubiquitous Anguillian-come-New York resident Rastafarian Jahmings Maccow. How to describe this latest output from a man with thirty years of recording experience behind him? A deep and uplifting reggae soul cut would be a start. ‘Trod it Through’ first came about during solitary sessions at Manhattan’s Rocket Studios, circa mid-to-late 80s. Throughout the following thirty years, the song found itself evolving through several bands and incarnations to finally see the light of day in all of its sagacious energy, here on LETMEGOO Records. Maccow stands like a mound, unassailable, waxing

ESP EVOLUTION New Music to Inspire The World – ‘WISHING ON A FALLING STAR’

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NuJ4X: “Dab (On Dem Haterz)” – glistening and eminently marketable

Waverly, Tennessee’s masked EDM DJ / Producer, NuJ4X, has set his sights on making a splash with his debut single, “Dab (On Dem Haterz)”. The journey for NuJ4X started when he asked his 13 year old son what he wanted to become. On replying, “a DJ”, NuJ4X wanted to show interest in his child’s choice and strengthen their bond, hence he started playing around with music…and liked it. After countless weeks, days and hours learn how to craft instrumentals, NuJ4X began to find his rhythm. Upon doing so, he created the instrumental beat for “Dab (On Dem Haterz)” and decided

Aryeh Leib Hurwitz is a Brooklyn-based singer and cantor whose brilliant voice has been featured all over the world!

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Bizz The Prince Releases “Against The Grain” EP Produced by 4th Disciple On Pre-Order Now!

New York, New York – Back To The Basics best describes the new release from producer and sonic design legend 4th Disciple. 4th collaborated with New Jersey lyricist Bizz The Prince to release the EP Against The Grain which was initially going to be titled Back To Basics. The recording process was delayed as Bizz was working on several street releases with Jersey artist Louie Ave. as 4ths production complimented various releases such as Method Mans Meth Lab, Peedi Crakk Good Life, Sean Price Imperious Rex and various other releases. In late 2017, Bizz and 4th Disciple partnered back up and went

The Silver Bayonets: “BRAVEFACE” – fantastic Adrenalin pacing of the album

Listening to the brand new album “BRAVEFACE”– which is set to release the 13th of April 2018 – by The Silver Bayonets is like climbing up and own a series of steep hills. The flow, the trip, the atmosphere, the anticipation, gives the album a fantastic undulating mood all its own. The music is more than badass guitar riffs and pounding drums; it has a feel and life unique to itself. And that is what makes the album spectacular. Like most of the band’s music, “BRAVEFACE” isn’t just something to listen to; it’s something to experience. Hype aside, this album really does lack any significant flaw. The songs are all well written, well arranged, and the track order as a whole is well laid out. Dave Draper (The Wildhearts, The Professionals, Kerbdog), the album’s producer, couldn’t be a better match for the band. The guitars, drums, bass and vocals all sound great. Those things being said, “BRAVEFACE” is an incredible album full of great music, feel, and groove which is infused by its players – Kabir Sheikh (Guitar & Vocals), Ross Guy (Bass & Vocals) and Enzo Cuticchia (Drums & Vocals).

Album artwork by Kevin McHugh

“Real Like You” starts the journey. The incredibly high-quality guitar-driven music beats all the garbage on the airwaves today. Though it will probably receive little mainstream recognition, this is a mind-blowing alternative and melodic piece that sets a new standard for the genre. Or rather, takes us back to the classic standards set by the legendaries of the genre.

Track two, “Storms Inside” will absolutely blow you away as you get dragged into an almost punk rock behemoth. Four minutes of phenomenal drive, hard-nosed riffs and an incendiary guitar solo that is stunning to listen to. As The Silver Bayonets jump into the forward momentum rock of “Time Machines”, you realize that every song on “BRAVEFACE” has its own style, flavor, and sound.

Yet at the same time, the album has a cohesive feeling to it, which makes it more enjoyable to listen to start to finish instead of track by track. This is due in part to the fantastic Adrenalin pacing of the album, which switches from heavy and extreme to catchy and rocking, almost on a track by track basis. As the album changes, so too does the accompanying vocal style, which range from soaring harmonies to high pitched croons and back again without a hitch.

It’s a good thing too, because the vocals are often what seems to be driving the album forward, pushing towards the next big climax. This sort of sustained momentum – which only takes a brief break in the first half of “Inside The Jar” – is a rare find, and what’s more, it’s done brilliantly. A tall order for a band that’s only released a pair of albums thus far.

Photo by Tina Sheikh

The members of The Silver Bayonets are no slouches when it comes to their given instruments. Listen to how they drive the power behind “World Slow Down”, or execute the fantastic nuanced arrangements of the album’s two standout tracks, “Sour” and “How We Heal”. But for all the band’s performing skills, this isn’t why “BRAVEFACE” is such a strong album. No, this is due to the bands incredible song writing prowess.

Full of fresh intensity. There are moments that challenge you to wrap your head around exactly what’s going on, and equally numerous times that you’ll be swept away by anthemic choruses. Much of the album plays as if there’s a ton of energy waiting to be released, which then bursts forth in a moment of bliss. This is pretty evident on “Fake” and “Suffocating Me”, another one of the album’s extreme standouts.

The album ends on an upbeat and melodic note with “Domino”. Despite the turbulent energy and untamed song structures, “BRAVEFACE” has a knack for inviting successive listens without becoming overbearing. That inspiration is definitely on display everywhere here, as the ingenious moments throughout the album’s playtime unravel with determination. With this album, The Silver Bayonets has shown not only talent and vision, but the patience to let those qualities bring it to the fore of alternative rock, where the band is proving it belongs.

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