Sydney-Based DJ Vareso Releases “Learn To Love” EP

Vareso is a Sydney based DJ with a dream of sharing his love for electronic music from a very young age. Starting his career off in small night clubs around Sydney in 2012 Vareso has played all around the country supporting world class acts. With his release of his latest album “Learn To Love” it is now time to take it to the next level! Follow Vareso: Spotify: https://open.spotify.com/artist/4eDBQ5X2VYYYb1IlAaGT5l?si=f7fKYTz9RbKwfA6aJPi1kw SoundCloud: https://soundcloud.com/varesoofficial YouTube: https://www.youtube.com/channel/UCHUX1gcnnxQRUZCdHJlyyRA Facebook: https://www.facebook.com/varesoofficial Instagram: https://www.instagram.com/dj_vareso/?hl=en Twitter: https://twitter.com/Varesoofficial Snapchat: varesoofficial Promoted via Club Restricted Promo www.clubrestrictedpromo.com https://www.facebook.com/clubrestrictedpromo/

Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

The Silver Bayonets: “BRAVEFACE” – fantastic Adrenalin pacing of the album

Listening to the brand new album “BRAVEFACE”– which is set to release the 13th of April 2018 – by The Silver Bayonets is like climbing up and own a series of steep hills. The flow, the trip, the atmosphere, the anticipation, gives the album a fantastic undulating mood all its own. The music is more than badass guitar riffs and pounding drums; it has a feel and life unique to itself. And that is what makes the album spectacular. Like most of the band’s music, “BRAVEFACE” isn’t just something to listen to; it’s something to experience. Hype aside, this album really does lack any significant flaw. The songs are all well written, well arranged, and the track order as a whole is well laid out. Dave Draper (The Wildhearts, The Professionals, Kerbdog), the album’s producer, couldn’t be a better match for the band. The guitars, drums, bass and vocals all sound great. Those things being said, “BRAVEFACE” is an incredible album full of great music, feel, and groove which is infused by its players – Kabir Sheikh (Guitar & Vocals), Ross Guy (Bass & Vocals) and Enzo Cuticchia (Drums & Vocals).

Album artwork by Kevin McHugh

“Real Like You” starts the journey. The incredibly high-quality guitar-driven music beats all the garbage on the airwaves today. Though it will probably receive little mainstream recognition, this is a mind-blowing alternative and melodic piece that sets a new standard for the genre. Or rather, takes us back to the classic standards set by the legendaries of the genre.

Track two, “Storms Inside” will absolutely blow you away as you get dragged into an almost punk rock behemoth. Four minutes of phenomenal drive, hard-nosed riffs and an incendiary guitar solo that is stunning to listen to. As The Silver Bayonets jump into the forward momentum rock of “Time Machines”, you realize that every song on “BRAVEFACE” has its own style, flavor, and sound.

Yet at the same time, the album has a cohesive feeling to it, which makes it more enjoyable to listen to start to finish instead of track by track. This is due in part to the fantastic Adrenalin pacing of the album, which switches from heavy and extreme to catchy and rocking, almost on a track by track basis. As the album changes, so too does the accompanying vocal style, which range from soaring harmonies to high pitched croons and back again without a hitch.

It’s a good thing too, because the vocals are often what seems to be driving the album forward, pushing towards the next big climax. This sort of sustained momentum – which only takes a brief break in the first half of “Inside The Jar” – is a rare find, and what’s more, it’s done brilliantly. A tall order for a band that’s only released a pair of albums thus far.

Photo by Tina Sheikh

The members of The Silver Bayonets are no slouches when it comes to their given instruments. Listen to how they drive the power behind “World Slow Down”, or execute the fantastic nuanced arrangements of the album’s two standout tracks, “Sour” and “How We Heal”. But for all the band’s performing skills, this isn’t why “BRAVEFACE” is such a strong album. No, this is due to the bands incredible song writing prowess.

Full of fresh intensity. There are moments that challenge you to wrap your head around exactly what’s going on, and equally numerous times that you’ll be swept away by anthemic choruses. Much of the album plays as if there’s a ton of energy waiting to be released, which then bursts forth in a moment of bliss. This is pretty evident on “Fake” and “Suffocating Me”, another one of the album’s extreme standouts.

The album ends on an upbeat and melodic note with “Domino”. Despite the turbulent energy and untamed song structures, “BRAVEFACE” has a knack for inviting successive listens without becoming overbearing. That inspiration is definitely on display everywhere here, as the ingenious moments throughout the album’s playtime unravel with determination. With this album, The Silver Bayonets has shown not only talent and vision, but the patience to let those qualities bring it to the fore of alternative rock, where the band is proving it belongs.

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