New Release from Terror Records, Inc – “It’s My Birthday” by Da General

Da General’s latest single – “It’s My Birthday” hit the stores, and YouTube, on January 23 and if you haven’t heard it yet – you are missing out! This club ready birthday anthem is the follow up to his singles “What If” and “Checklist” and is sure to have the ladies twerking, and the fellas telling the dj to turn it up. Follow him on FB: https://www.facebook.com/DaGeneral7414 Twitter: https://twitter.com/DaGeneral7414 Instagram: https://www.instagram.com/da_general7414/

Sydney-Based DJ Vareso Releases “Learn To Love” EP

Vareso is a Sydney based DJ with a dream of sharing his love for electronic music from a very young age. Starting his career off in small night clubs around Sydney in 2012 Vareso has played all around the country supporting world class acts. With his release of his latest album “Learn To Love” it is now time to take it to the next level! Follow Vareso: Spotify: https://open.spotify.com/artist/4eDBQ5X2VYYYb1IlAaGT5l?si=f7fKYTz9RbKwfA6aJPi1kw SoundCloud: https://soundcloud.com/varesoofficial YouTube: https://www.youtube.com/channel/UCHUX1gcnnxQRUZCdHJlyyRA Facebook: https://www.facebook.com/varesoofficial Instagram: https://www.instagram.com/dj_vareso/?hl=en Twitter: https://twitter.com/Varesoofficial Snapchat: varesoofficial Promoted via Club Restricted Promo www.clubrestrictedpromo.com https://www.facebook.com/clubrestrictedpromo/

Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

ECHOGLASS – The enveloping embrace of the resonant pianos and layered guitar-driven rhythms

Formed in 2016 ECHOGLASS are composed of frontman DA McKenna, guitarist Remmy, bassist Bo Calista and drummer Bam. They are currently independent and release their music on Darkhouse Recordings. With their heritage deep in the great North West of England music scene, they are inspired by the artists, poets and legends of the region like Shaun Ryder, Ian Curtis, Pete Shelley, Gary Aspden, LS Lowry, The Beatles, James, Oasis, Mark E. Smith, Ian Brown and Morrissey to name but a few. The group’s debut single, “Last to Know” was released in 2017 and draws upon their period roaming the great American wilderness.  This was followed by second singles, “Blackburn Boulevard” released in early 2018 and “Little Harwood” dropped on May 1st.  Coming up soon, but with no official dates yet available, are the singles “Drowning” and “Memories”.

ECHOGLASS go through many stylistic changes throughout their series of releases. Theirs is a classic example of alternative rock and pop at its most sweeping, yet tranquil and subtle. They can write infectious Britpop and Americana tunes to be played endlessly in department stores across the globe, or craft some of the psychedelic scene’s most overlooked gems.

Their understated simplicity feels a hundred times more mature then many cookie-cutter Britpop singles ever could. How the band manages to continue on such a high note with little to no massive commercial acclaim is made even sadder when you listen to what they achieve via their varied independent work.

Songs like the edgy “Blackburn Boulevard” seduce you like a drug binge; the undeniable beauty of the moment renders you in a state of blissful content as you go along for the ride into the unexpected, between illusions and delusions.

The enveloping embrace of the resonant pianos and layered guitar-driven rhythms, along with the roaring vocals beg to be explored further and further as each new verse is peeled away and left exposed.

This collection of songs transcend the barriers between genres and any era they may have originally stemmed from. The mesmerizing bass lines push the momentum, while tripped out melodies glide across substantial guitar rhythms and powerful singing, creating absorbing and resonating efforts that could have come out of the 80’, 90’, the 2000’s…or just yesterday.

This can be attributed as one of ECHOGLASS’ strongest characteristics, as each song paves the way for timeless melodies and showcases the gorgeous textures that the band is capable of.

The song “Little Harwood” reflects nostalgically back on the town of the same name, which is situated in the North West of England, near Blackburn, and was known as the heart of the British music scene during the 1980’s and early 90’s.

ECHOGLASS deliver a harsher, overdriven guitar sound on this one, coupled with a deeper and robust vocal style, while the lyrics chronicles the era’s defining peculiarities. This one fondly reminded so much of early David Bowie. The song is flawless in filling the atmosphere of any setting with a fog of melodic surrealism.

The Americana-influenced strains on “Memories” seep through the speakers and carries with it the experience of a richly texture Country-induced infusion. ECHOGLASS completely switch continents here and sound like they just walked straight out of Nashville.

This is convincing enough to make any casual cowboy shiver with excitement. Maybe it’s the twangy, swirling guitars, the way the thick voice glides across the piano driven soundscape, or the ear-catching melody, but it is a downright likeable. The atmospheric “Drowning”, is for me the masterpiece of the collection. Beautiful, epic, and powerful at the same time.

Each listen will unfold new colors and layers of sound that you didn’t catch on your last listen. Drenched in pianos pushing in and out of the mix, one minute gentle and strung out, next the harmonies building above the cinematic strings and acoustic guitars. This is a rich sound reaching for something ambitiously higher.

The male and female vocals reach upwards, get louder as the song goes on, as does the music. It reaches various crescendos, and it’s a wonderful thing and a good use of dynamics. “Drowning” features a very affecting and genuinely lovely melody and arrangement. ECHOGLASS put on display an absorbing collection of singles for fans of diverse styles of music here.

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