RAKZ 4K – “Blu Ray” projects all her qualities!

On her brand new single, “Blu Ray”, female rapper RAKZ 4K, has teamed up with producer Supply. The Tampa, Florida based artist has dropped the track in anticipation of her EP project, “High Risk”. The Full Sail University graduate, with a bachelor’s degree in Audio Science, has been recording and writing her own music since she was twelve. The independent artist has also started her own record label called A Plus Music Group (APMG). An understated production tour de force, the beat is enough to fuel RAKZ 4K’s fire. Her voice and flow packs a mighty punch, particularly alongside the

iAMDJSTAXX – “Lost Talent” – A mix of street and personal themes

Hailing from Queens, New York, rising artist iAMDJSTAXX recently dropped his latest hip hop EP, “Lost Talent”. The 6 track project features multiple artists including Hell Rell, Feddi Mayne, Hollyhoodjay, Lilcha Daplug, Joey Da Don, Dyzn Hugo, Celeb, Rich Riot and Mello Mike. This is hip hop. If you don’t know a thing about iAMDJSTAXX, do your homework. If you don’t like it, you’ve never heard it. He is saving music as we know it, by rounding up some massive talent and delivering a variety of rap styles, served up with enthusiasm and zest. There is evidence on this EP

Critical Opinion – “Blocks” – acute wordplay and smooth flows!

Critical Opinion are made up of two best friends – Ardin (AKA DIZZ-E) is from the UK, and Peter (AKA Base – P) is from the US. Both highly educated doctors – Peter is a Medical Doctor and Ardin is a criminal Psychologist – they met in the Czech Republic back in 2010, when they were teaching at the same high school. Coming from tough backgrounds, where they lost many friends and family members along the way, they managed to make it out. Now working hard to accomplish Rap music has helped both of them to stay positive and motivated.

DAN:ROS – “Erotica Bay” ft. Vaanya Diva – packed with the best of the producer’s well-oiled skill-set

The latest installment in the critically acclaimed Italian- based producer DAN:ROS’ illustrious catalog of pioneering and innovative house music, is the track “Erotica Bay” ft. Vaanya Diva. With passionate mission to make people dance DAN:ROS started mixing on his brother’s Pioneer turntables when he was 15 years old. He has since has since produced and mixed vocal house and nu disco music released through EDM’s most prestigious labels, including Robin Schultz’s roster on Tonspiel Recordings. DAN:ROS has been a resident Dj in the hottest clubs along the notorious Adriatic Coast of Italy, and his vision is still remains the same

MUSIC VIDEO: Blayza – “I Can” – Lyrically gifted and technically equipped!

“This song was written by Blayza to highlight the need for communities, especially inner-city areas, to embrace the youth with compassion and provide them with mentorship to help combat the issues plaguing America’s children. We can no longer sit back and pretend someone else’s issue is not our own.”  Hip hop gets a real boost that is well needed, from “I Can” by Blayza. He has now set a precedent for genuine openness, honesty and empowerment, in a game often plagued by the search for mediocre radio play and record sales. You do not need any context to understand

Pop Singer-Songwriter DAYVID To Release First Single From Highly Anticipated Debut EP

“Wasted Luv” to be released on September 20, 2019 (Los Angeles, CA )  — Pop Singer/songwriter DAYVID, will be releasing the first single from his upcoming debut EP on September 20, 2019. “Wasted Luv,” produced by Grammy-Nominated producer Morgan Taylor Reid, is a follow up to DAYVID’s well-reviewed single, “VHS,” which was released in Spring 2019. “Wasted Luv” inspired a burst of creativity in the rising music star that completed the vision for his highly anticipated debut EP. From age 16, DAYVID has been writing music for major music artists including Fedde le Grand and Navarra.  “Wasted Luv” is co-written

BWH Music Group Releases ‘Keepin’ It Country Vol. One’ – A Country Music Compilation Album

BWH Music Group is proud to announce the release of ‘Keepin’ It Country, Vol. One’ by Various Artists. The album is available on all major digital outlets including iTunes and cdbaby. ‘Keepin’ It Country, Vol. One’ by Various Artists contains an eclectic mix of 17 songs by today’s best independent country artists and songwriters. At the core of each song, you will find great storytelling and heart-felt performances. ‘Keepin’ It Country, Vol. One’ by Various Artists offers country music in multiple styles including traditional, contemporary, blues, pop, and rock representing today’s ever-evolving country music scene. About the Artists “One of

“Blue Roses” – Katrina Stuart is ready to leave her indelible fingerprints on the contours of modern pop!

Since the age of 4, Katrina Stuart – a musician, actor, dancer, and model originally from Toronto, Canada currently living in Los Angeles, CA – has been honing her craft, performing in front of audiences, in television commercials, magazine advertisements and short films. Now signed to Musicash Records, for her brand new single “Blue Roses”, Katrina flew to Sweden to work with a Grammy-nominated producer Trevor Muzzy (known for his work with Jennifer Lopez, Lady Gaga, Jason Derulo, Pitbull, and Nicki Minaj) and Swedish songwriter Aleena Gibson, who has worked with Jason Derulo, Mr. Big, Nick Carter, S Club 7,

Dax Embarks on Headlining Tour in 25 Cities; drops surprise single ‘Wack Ass Rappers 2’

Buzzing Hip-Hop artist Dax announced his “It’s Different Now” Tour a few days ago via Instagram. Fresh off his first tour experience, with Kansas City rap legend Tech N9ne, which concluded in mid-June,  the “It’s Different Now” tour, will be Dax’s first time headlining a full string of dates on his own. Dax first came to prominence with viral his viral remix “Catch Me Outside,” and then again this past November, with his own hit single, “She Cheated Again,” which has accumulated over 12 million YouTube views, 17 million Spotify streams, and 16 million Apple Music streams in less than

INTERVIEW: DAV!D&CLARA – determination, dreaming, and passion…

Formed back in 2004, the alternative electronic music duo of DAV!D&CLARA, made up of singer, songwriter, producer DAV!D (David Castillo), and his trustworthy computer CLARA, have since released a series of critically acclaimed singles and albums. Their latest album is “CONFESSIONS OF THE MACHINE”. When did you first meet Clara, and has she changed over time? David Castillo (DAV!D&CLARA): I first met Clara 13 years ago. She has changed. With upgrades and experimenting with more AI she has advanced. I advanced with her which has been a beautiful thing. Not many people evolve with their work. But it with determination, dreaming,

The Horror: “Here, In The Shadows” – the ambitious ideas and musicianship is top notch

The Horror is an instrumental progressive rock duo from Baltimore, MD, composed of cousins Alex Wachter (Guitars, Keyboards, Bass and Mixing) and Jeff Zuback (Drums, Percussion). Currently promoting their debut album “Here, In The Shadows”, Alex and Jeff have been playing together their entire lives but this is the first project where they feel they have truly been able to do their own thing, and harness a soundtrack-inspired rock sound that they have cultivated over many a long jam session. I just found out about these guys recently and I have to commend them on their musicianship and decision to do instrumental music. They are free from catering to some growling or shrilling vocalist who would undoubtedly wreck this music with bad themes and worse singing.

The Horror blend together all the good elements of cinematic metal, progressive rock and grungy psychedelia without the disruption of some wailing idiot trying to add any shrills. In the case of this duo, the music is always headed somewhere and very vibrant.

Many of the musical passages they have composed would not have come to be most likely if they were trying to fit in a vocalist. This is exiting and hopefully they don’t rethink their formula or be forced to by the short attention span of most music buyers.

From the start of “Here, In The Shadows” you can tell the ambitious ideas and musicianship is top notch, and it is a surprise when you realize they get all this sound as a 2 piece. The few bands at the helm of this new territory are critical to pushing rock music forward.

One of the key ingredients is that the musicianship is great but not by the amount of notes per second rule that used to apply. This music is about sound, emotion, atmosphere and creativity and has far more impact than the million notes approach.

The Horror are working towards creating cinematic imagery with sonic modules – or rather, making audio visible to the mind!  Right from the opening track, “Forgotten Way”, this album shows a band expertly crafting instrumental rock full of endless creativity, equal parts aggressive and ethereal, as well as rich with requisite tension and release.

As you would expect with this kind of music, the average running time of these tracks are around seven minutes, with the longest being over 14 minutes, and the shortest being just under 5 m

Throughout the album, Jeff Zuback’s drumming drives the songwriting. With surgeon-like precision, Zuback dissects the pulses of his melodic counterpart, creating a counter-point to every chordal shift. As textural as anything on this recording, Alex Wachter’s guitar work often captures the focus, drawing from a seemingly endless tonal palate.

One central challenge for instrumental rock bands is to find that elusive middle ground between developed musical narratives and self-indulgence. The Horror reminds listeners that instrumental music can be infinitely malleable and defiant of expectations.

The band already kick into overdrive on the second track “Your Best Bet is to Run”, which is continued with the pumping acid-rock of “Melee”. But it’s on multi-timbral pieces like “Passage” and “The Slumbering Lurking” that The Horror, showcase their quintessential skills.

This album is a fluid tapestry that barely flirts with self-importance, yet on “Oozy”, guitarist Alex Wachter comes into his own and you can’t help but not ignore the technical brilliance. “Valhalla” and the three-part “Leviathan” brings deep into the previously mentioned cinematic scope of The Horror’s music. These tracks could easily form part of an epic soundtrack.

Painting soundscapes with strokes of dynamism and tonal manipulation, the sometimes aggressive rhythms and murderous riffs are brilliantly laced together by vivid, interweaving, harmonic passages that delicately deliver respite for your eardrums before once again subjecting them to a marauding, inundating wall of sound.

“Here, In The Shadows” is a perfect example of The Horror’s ability to analyze and interpret multifaceted emotions without needing to sing a single word.

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