New Release from Terror Records, Inc – “It’s My Birthday” by Da General

Da General’s latest single – “It’s My Birthday” hit the stores, and YouTube, on January 23 and if you haven’t heard it yet – you are missing out! This club ready birthday anthem is the follow up to his singles “What If” and “Checklist” and is sure to have the ladies twerking, and the fellas telling the dj to turn it up. Follow him on FB: https://www.facebook.com/DaGeneral7414 Twitter: https://twitter.com/DaGeneral7414 Instagram: https://www.instagram.com/da_general7414/

Sydney-Based DJ Vareso Releases “Learn To Love” EP

Vareso is a Sydney based DJ with a dream of sharing his love for electronic music from a very young age. Starting his career off in small night clubs around Sydney in 2012 Vareso has played all around the country supporting world class acts. With his release of his latest album “Learn To Love” it is now time to take it to the next level! Follow Vareso: Spotify: https://open.spotify.com/artist/4eDBQ5X2VYYYb1IlAaGT5l?si=f7fKYTz9RbKwfA6aJPi1kw SoundCloud: https://soundcloud.com/varesoofficial YouTube: https://www.youtube.com/channel/UCHUX1gcnnxQRUZCdHJlyyRA Facebook: https://www.facebook.com/varesoofficial Instagram: https://www.instagram.com/dj_vareso/?hl=en Twitter: https://twitter.com/Varesoofficial Snapchat: varesoofficial Promoted via Club Restricted Promo www.clubrestrictedpromo.com https://www.facebook.com/clubrestrictedpromo/

Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Union Five has a groove-centric sound

Rhythm is as important as melody throughout the amalgamation of tracks on the self-titled album by Union Five. This is evidenced by the alternating emphasis on one aspect or the other – and often the fusion of the two elements, which enlivens the musicians as they play. In turn, this spontaneity commands attention because surprises abound within each track. At a given juncture the band may slow the growing momentum of the music, giving itself and the listener time to ponder what has preceded, in preparation for what is to follow. But this moment is often fleeting, as temperate paces set by the drums and bass overlay thick currents of keyboards, which for all intents and purposes allow the guitars and horns to conjure up sonic whirlwinds, as Union Five ascend to a higher and more intense level of musicianship. Newcomers to the band will find a talented group of musicians who mask the advanced nature of their compositions in the ease with which they execute them.

Union Five draws from contemporary and traditional music across genres, including jazz, funk, fusion, and rhythm & blues, in such a way its respective batteries of instruments, and the mix of textures these afford on any given track, morph into a real-time modern-day musical encyclopedia of the ages.

These jazz funkers have restlessly experimented and modelled their sound to release an album which is a good summation of what they’re capable of doing. And the recording doesn’t wait long to get into a groove either, doing so via the gritty bounce of the electric piano dancing in sync with the stately rhythm section on the opener, “Upside Down”.

“Bobby G-ish” blasts out of the gate with an equal mixture of panache and high energy before sliding into a liquid groove led by a swirling organ. The mood switches as often as the chord progressions do as the band move towards incorporate some elastic solo improvisations.

The tightest and punchiest two minutes and forty seconds arrive on the ass-kicking start-stop rhythms of “525”, where the band create jumped-up jazz over a razor-sharp rhythm section. Fusion lovers will truly dig the explosiveness of this arrangement. It’s one of my favorite tracks on the album, pity Union Five didn’t double the playing time on this one.

“Hoser” scrupulously picks the melodic foundation upon which the horns and keyboards rest as the track progresses. Meanwhile, the piano tone thickens as a means of embellishment, while the bass digs ever deeper into the rhythm. When the Alto Sax sets in, you know this is Union Five at its atmospheric best: retaining the mid-tempo beat as it slowly swings throughout. The band has the kind of groove-centric sound that goes over quite well with traditionalists as well as a young, hip crowd. Moreover these guys can play their asses off, which is exactly what they do on “Murf”.

 “The Blind Kind” and “HHA” are like funky cinematic expressions. Every guitar lick, high hat crash, tickle of the ivories and bass thump, evokes wonderful imagery in your head as the band performs with gusto and bombastic abandon. Thick bass lines build the core element of these tunes.

Great keyboards and funky guitars are also part of the formula, while mystical melodies, moving solos, excellent drum play and moments that makes your hair stand on end do the rest. Union Five take their levels of sophisticated textural layering and sheer groove prowess to new levels here. Hardly have I heard an album finish stronger.

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