Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Vessel Decimal – “CONVERSION: Level One” guided by a sense of purpose

The appeal of Vessel Decimal – a band founded in Cleveland, Ohio in 2007 – lies in the sheer strength of the songwriting. Moreover there are powerful riffs, and you’ll get lost in the grooves, absorbing the punishing crush of the bottom end, but also reflecting on the narrative elements found on the brand new album, “CONVERSION: Level One”. Vessel Decimal are all about the balance found in the music, and the spiraling riffs that define their sound demonstrate that time and time again. It’s nice though that the band takes the time to back off, to allow you to revel in the lyricism they have created and also to realize that there are a ton of different directions that a band like this can go. It’s important to have a sense of purpose in music and this record is a perfect example as to why. Vessel Decimal never try to be more than what they are, but what they are is truly triumphant. Everything is perfectly calibrated, set up in such a way that we can see every moving part and fall in love with the band no matter where we are in the record.

“CONVERSION: Level One” is a record that opens up like a wound, as it grows and splits, unfurling into an ever grander inquisition of modern existentialism. It pushes and pulls against itself creating pockets of darkness that the sparse trappings of melody fall helplessly into.

This is thrilling stuff – a vivisection of twenty-first century living. Musically linked, as it is, the flow from track to track is part of what makes the album such an immersive listen, a perfectly executed recreation of their crushing and sensory-overwhelming performances that’s been expertly captured on record.

The entire album at times feels like a warning from the future that spontaneously combusts into life. You can attempt to dig out any hidden meaning in the song titles, but it’s easier than ever to make your own interpretation of the tones, textures and emotions that are being communicated.

Though at the end of the day, Vessel Decimal has kindly supplied lyric sheets to make sure you grasp each meaning and message correctly. Ultimately, the album is a masterpiece in the art of emotional communication through musicianship and lyrical narration – as it seeks to be a true reflection of the human experience.

Right off the bat, Vessel Decimal move into the thick of things quickly with “I Turn”: “What’s the opposite of substance? Tell me why it’s so popular. I rack my brains and never find an answer. And I stretch and I strain. And I try to relate. Would someone please explain to me, why this trend carries so much weight?”

But the band really moves into overdrive on the slamming “In The Beginning”, as they look at generational transformation: “The stereotypes of suburban life. The neckties and the 9 to 5. He pays the bills, she cooks and cleans. She’s at the market, he’s at the factory,” and then they switch into: “But their children interrupted these patterns as a form of submissive automated government slavery.”

There’s one moment on the album which genuinely sends chills down the spine, and it’s the opening explosion of “Idiot Anthem”: “Tonight is all about forgetting what life’s all about. And getting all our bodies up and moving right out of the door. We’re saying ‘yes’ and ‘give me more’. We’re leaving rich and returning poor.”

No doubt, “CONVERSION: Level One” is a fist in the air statement for a much needed revolution in thinking, a renaissance which Vessel Decimal seem increasingly keen to usher in with their own particular brand of cybernetic, digitally enhanced, progressive metal music.

Elsewhere across these 14 tracks, Vessel Decimal blaze their own trail, with shock-wave rhythms, sludgy riffs, and pulsing bass-work. There are honest to God incredible riffs and lyrics here that feel like they’re extending what the band are capable of, almost adding a new depth to their dynamic ability.

The hit extremely hard on “Get To The Climax”, mixing melodic and harsh vocals, in an anthem that starts out with the statement: “Fabricating new territory of cravings. Building new desires from algorithms.” “The Light Web” examines the power of communication and the manipulation of the media, while the upbeat, “The Stupid Songs” takes a closer look at our hedonistic tendencies.

The instrumental “Grasp” is certainly cause for deep reflection, while the soaring drive of “The Storefronts” navigates its narration through the threats of consumerism. This is one of the album’s standout tracks.

But the best is still to come with “Burst”, “Things “Will Never Be The Same” and the epic fifteen minute track, “The New Trail”, which finds the band firmly in an expansive post-metal/post-progressive-rock landscape.  Here the band breathe new life into an often dull and played-out set of genres with dazzling results.

There is definitely a sense of purpose that guided Vessel Decimal, to create a collection of songs which carry a more determined sense of identity and meaning. The band have always been phenomenally talented, and their ability to write truly incredible songs has been consistent.

Whatever factors determined the significant tweaks that makes “CONVERSION: Level One” such an excellent album are surely to be repeated again, as Vessel Decimal have created their best work yet, and they feel more focused and driven than ever before.

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