Rico Homicide – “Nothing to Lose” – a fire-and-brimstone approach

Born in Springfield (MA), Rico Homicide started out as DJ Homicide at age 12. His hunger for succeeding in the music business allowed him to work with big name stars and also become a DJ/Host on illradio.net during the 2000’s with owner Yukked Up. Besides being on illradio, Homicide’s music was played from Hot 97 in New York to Hot 93.7 in Connecticut. Currently Rico has dropped his latest single, entitled “Nothing to Lose”. This song shows how the artist has matured over the years and how he is moving towards becoming a huge voice in underground hip-hop. The track doesn’t

“Ketamer01B (simm’ a MAFIA)” by Italian DJ/Producer Doc Ketamer

“Ketamer01B (simm’ a MAFIA)” is a track off the 2019 EP “Ketamer” by Italian DJ/Producer Doc Ketamer. Today’s EDM scene is at the height of its commercial success. Everybody wants to be a DJ or Producer now, and pop music, more or less, equals Electronic music. On his latest single, Doc Ketamer, who has been in the game for two decades gives us his authentic European flavored electro-jam blend. The track is victorious and uplifting, as the music pumps into your bloodstream. Doc Ketamer brings us back to what we all loved about electro. He seems to have given us

Monjyoti – “Neighbor Syndrome” is meticulously structured

Monjyoti Bhattacharyya known by his stage name, Monjyoti, released his second official single “Neighbor Syndrome”, taken from his upcoming album, “Hypnosis”, recorded in collaboration with music producer Papu Gogoi. I don’t even need to hear the rest of the album. This single is simply a dexterous, dynamic and sublime smorgasbord of instrumentation and lyrical canny, on a level I’ve not heard in a long time. Music can’t always be this good because we would have nothing by which to benchmark its ingenuity. There are sections that are nice mellow journeys to somewhere else and there are downright monstrous sections that

Pat Rossi – “Let you Go” – embellished with impressive vocal and instrumental décor

Pat Rossi is a self-taught multi-instrumentalist, songwriter, singer and producer. He is also the founder and front-man of the popular Canadian Rock band The Falling. Rossi, whose acclaimed songwriting skills led him to perform with Bon Jovi after winning the XM/Serious Satellite Radio Songwriting Competition, has now set his sights on being a solo artist. The artist who has worked with, and performed alongside names such as, 3 Doors Down, Gilby Clark of Guns N Roses, Jonas and The Massive Attraction, among others, brings to the table his latest single, “Let you Go”, via the RedJam Records indie label. The

lIne – “I wanna kill you in the shower” will certainly garner critical acclaim

Kristoffer Hilmarsson, the artist behind -lIne-, has been in several band line-ups before the forming this project. Hilmarsson has also performed at almost every open stage in his home country, Sweden, as a solo artist. In May 2019 he decided to move his career to the next level by creating -lIne-, and has released 3 singles since then, including “I wanna kill you in the shower”. From the opening jangling jazz guitar intro of his first single “Where You Are”, to the last reverberant notes of his latest release, “Lovely”, you’re subjected to an incredible journey that seamlessly straddles a

Omar Bowing – “Paradox” – is simply breathtaking in its composition and emotive power

Atmospheric, ethereal, moody, dark, progressive … these are all words that come to mind listening to the opening bars of “Paradox” – the latest track from Omar Bowing, featuring singer Tyson Yen. The music is as one would expect from this consummate composer and Guitarviol player – engulfing and entrancing. Using a whole host of rock driven instrumentation, it should not be surprising that the soundscape is lush, expansive and blasting. “The idea of the song,” explains Bowing, “is about the recognition of the power of a Paradox to challenge or even destroy a concept, idea, belief, etc., that is

MORISH RELEASES DEBUT SINGLE “BETTER THAN ME”

The emerging young rapper introduces himself to the world with a confrontational, attention-grabbing track. One of the most exciting young voices emerging on the international scene, Morish is ready to make himself known, and his debut single “Better Than Me,” is the perfect introduction to the young artist. “You will never find nobody better than me,” Morish repeats throughout the song. Addressing a former lover who’s wronged him, he makes a convincing case, taking his heartbreak and turning it into a vengeful send-off. “I wrote you many songs, but this is the last one,” he concludes, triumphantly moving past a

K Swayz – “1st Born” – riding a seemingly unstoppable and forever-cresting wave

Twenty three year old Brandon Nelson aka K Swayz, has been producing for about 8 years now, while he’s been an artist for a one year. The Charleston, SC creative is currently promoting his 11 track project, entitled, “1st Born”. Since this album is meant as an embodiment of the artist’s skillset, it only makes sense that he shows a lot of flexibility. He delivers a lot more than the obvious slide between rapping to singing and juxtaposition of up-tempo vibes and down-tempo tunes. Right from the opening track, “No Matter The Cost” ft. Colossal Capone, he drops mind-blowing switches

YellaCatt – “Super Power Pussy” – exudes an energy that is captivating

YellaCatt’s latest single debut album “Super Power Pussy”. Introduces one of the finest new female talents I’ve heard in a long time. I say new, because she’s new to me. ‘She’ is of course none other than Daniella White aka YellaCatt. A painter who has created her own successful headdress atelier – “The Plumed Serpent’’. Daniella is also sound healer, reiki master, and clairvoyant. So she wears many hats, which all seem to fit her perfectly well. Her approach to song writing is fresh and intelligent, while her performances exude an energy that is captivating. I’m not sure if she

Manu Francois – one of the most innovative independent crossover creatives heard in recent years

Manu Francois known for his rapid fire flow, superb singing, solid writing, sharp as hell production, and iconic rasta hairdo has been one of the more slept on powers in the musical community in recent years, always bubbling underneath the surface of the mainstream on the various audio and video platforms, as well as live sets around the world. Manu’s past work on projects like “Release” (2018) and “Check It” (2017), are just begging to be uncovered. Thankfully, his latest singles from 2019 have been more than just good enough to get noticed; they’ve brought an excellent mix of creativity, self-awareness, and super dope production. Every

Vessel Decimal – “CONVERSION: Level One” guided by a sense of purpose

The appeal of Vessel Decimal – a band founded in Cleveland, Ohio in 2007 – lies in the sheer strength of the songwriting. Moreover there are powerful riffs, and you’ll get lost in the grooves, absorbing the punishing crush of the bottom end, but also reflecting on the narrative elements found on the brand new album, “CONVERSION: Level One”. Vessel Decimal are all about the balance found in the music, and the spiraling riffs that define their sound demonstrate that time and time again. It’s nice though that the band takes the time to back off, to allow you to revel in the lyricism they have created and also to realize that there are a ton of different directions that a band like this can go. It’s important to have a sense of purpose in music and this record is a perfect example as to why. Vessel Decimal never try to be more than what they are, but what they are is truly triumphant. Everything is perfectly calibrated, set up in such a way that we can see every moving part and fall in love with the band no matter where we are in the record.

“CONVERSION: Level One” is a record that opens up like a wound, as it grows and splits, unfurling into an ever grander inquisition of modern existentialism. It pushes and pulls against itself creating pockets of darkness that the sparse trappings of melody fall helplessly into.

This is thrilling stuff – a vivisection of twenty-first century living. Musically linked, as it is, the flow from track to track is part of what makes the album such an immersive listen, a perfectly executed recreation of their crushing and sensory-overwhelming performances that’s been expertly captured on record.

The entire album at times feels like a warning from the future that spontaneously combusts into life. You can attempt to dig out any hidden meaning in the song titles, but it’s easier than ever to make your own interpretation of the tones, textures and emotions that are being communicated.

Though at the end of the day, Vessel Decimal has kindly supplied lyric sheets to make sure you grasp each meaning and message correctly. Ultimately, the album is a masterpiece in the art of emotional communication through musicianship and lyrical narration – as it seeks to be a true reflection of the human experience.

Right off the bat, Vessel Decimal move into the thick of things quickly with “I Turn”: “What’s the opposite of substance? Tell me why it’s so popular. I rack my brains and never find an answer. And I stretch and I strain. And I try to relate. Would someone please explain to me, why this trend carries so much weight?”

But the band really moves into overdrive on the slamming “In The Beginning”, as they look at generational transformation: “The stereotypes of suburban life. The neckties and the 9 to 5. He pays the bills, she cooks and cleans. She’s at the market, he’s at the factory,” and then they switch into: “But their children interrupted these patterns as a form of submissive automated government slavery.”

There’s one moment on the album which genuinely sends chills down the spine, and it’s the opening explosion of “Idiot Anthem”: “Tonight is all about forgetting what life’s all about. And getting all our bodies up and moving right out of the door. We’re saying ‘yes’ and ‘give me more’. We’re leaving rich and returning poor.”

No doubt, “CONVERSION: Level One” is a fist in the air statement for a much needed revolution in thinking, a renaissance which Vessel Decimal seem increasingly keen to usher in with their own particular brand of cybernetic, digitally enhanced, progressive metal music.

Elsewhere across these 14 tracks, Vessel Decimal blaze their own trail, with shock-wave rhythms, sludgy riffs, and pulsing bass-work. There are honest to God incredible riffs and lyrics here that feel like they’re extending what the band are capable of, almost adding a new depth to their dynamic ability.

The hit extremely hard on “Get To The Climax”, mixing melodic and harsh vocals, in an anthem that starts out with the statement: “Fabricating new territory of cravings. Building new desires from algorithms.” “The Light Web” examines the power of communication and the manipulation of the media, while the upbeat, “The Stupid Songs” takes a closer look at our hedonistic tendencies.

The instrumental “Grasp” is certainly cause for deep reflection, while the soaring drive of “The Storefronts” navigates its narration through the threats of consumerism. This is one of the album’s standout tracks.

But the best is still to come with “Burst”, “Things “Will Never Be The Same” and the epic fifteen minute track, “The New Trail”, which finds the band firmly in an expansive post-metal/post-progressive-rock landscape.  Here the band breathe new life into an often dull and played-out set of genres with dazzling results.

There is definitely a sense of purpose that guided Vessel Decimal, to create a collection of songs which carry a more determined sense of identity and meaning. The band have always been phenomenally talented, and their ability to write truly incredible songs has been consistent.

Whatever factors determined the significant tweaks that makes “CONVERSION: Level One” such an excellent album are surely to be repeated again, as Vessel Decimal have created their best work yet, and they feel more focused and driven than ever before.

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