Voice in the Attic – “Warts & All” – his strongest record thus far

I discovered BC Bogey aka Voice in the Attic during 2015, listening to the single “Over”, and fell in love with this project instantly. BC Bogey is a critically acclaimed songwriter, multi-instrumentalist, award-winning music video director and classically trained singer, who works with Grammy-winning musicians and sound engineers from Europe and the USA. The way he can easily glide through the organic chill of some songs, into the homey, campfire-like tunes, then to the fully fleshed-out modern twist of others, will always surprise me. He puts so much effort into the music and the lyrics, it’s always worth supporting him.

ECHOGLASS – “Hard” – Blistering guitars, muscular bass and drums

The Lancashire, Blackburn-based collective, ECHOGLASS, is a musical vehicle for core members DA McKenna, Remmy and Bo, who release their creations through Darkhouse Recordings. Their work is musically and lyrically distinct, and from the beginning they have always transcended the generic constraints of UK indie pop, punk and rock. Reinventing their blended sound on each release. While most of their contemporaries are electronic based clones, ECHOGLASS’ latest single “Hard”, inspires and delights with its guitar driven engine room. Going against the current tide, the band’s music is intense, introspective and acutely observant – a wholly alternative world view. The lead vocals are

Kee Beez – “Keep It 100” – cocked, locked, and ready to rock!

Kee Beez grew up in the SF Bay area California with his ability to produce, perform and record. The Rap and Hiphop artist is fresh off his 10 track project “Keep It 100” from Da Kee Records. The recording has a refreshing flow to it that hip hop albums lately have been totally lacking. It exhibits a hip hop artist, holding out his pen-game and showing you a compass pointing to the true core of the hip hop culture that most albums fail to point to as of recent years. And it’s not just someone barely mumbling over lyrics with

Abeille – “Feels” – sensitivity and consummate craftsmanship

Abeille (meaning ‘honeybee’ in French) is an indie jazz-pop duo out of Nashville and Portland. This long distance project is made up of Emily Jewel and Samuel Terrazzino, who currently released their debut single “Feels”. “This song goes past the meaning of just two individuals finding each other,” explains the duo, continuing: “At the time this song was written we had just started playing music together again after a multi-year hiatus of minimal contact. This song was the turning point in our relationship from being just friends to something more.” They have since gone from being just friends, to a

DopeAMean – “Blue Faces” – There are plenty of highlights to be raved about!

DopeAMean born Josephis Wade, started rapping in 2004 with a rap group formerly known as Y.B.E. (Young Black Entrepreneurs). A decorated US Army Veteran, Wade was born in Columbus Georgia USA, to Lisa Denise Ceesay Pollard – a single mother. Raised in Metro-Atlanta, Ga and Auburn, Al, DopeAMean currently resides in Denver, and is the proud owner of the record label, Every-Thing Dope LLC. His latest project is 14 track album, “Blue Faces”. It’s enthralling on a sonic level, and the rapper keeps up lyrically, his flow more than malleable enough to fit with any groove put forward. It is

Frado180 – an instrumental artist and aspiring Hip hop producer from New York City, NY

Starting out as a passionate hip-hip DJ at the age of 15, Frado180 worked hard at the local gas station in order to own his first Turntable. And he never had to look back as a local group 2 in Room with hit single “Wiggle it” fame soon discovered his talent and helped him produce his first demo. At that moment his propulsive force of music truly began to take shape by its zig-zagging through genres, settling on moments of analogue clarity as well as digital refraction. Frado180 got his first real break when he landed a gig at a

Nachamuni – “Deep Down” a total floor filler with an infectious groove!

“Deep Down” is the new EDM single from electronic music producer Nachamuni, who is based in Vienna Austria. The track extends the reach of his signature sound. Most significantly, the Deep House track showcases a shift toward the high-minded, super-precise catchy pop production vibe of most modern electronic producers. The growling basslines have the potential to draw law enforcement officers to your doorstep, depending on the decibel level and kindness of your neighbors. Its structure dominates the landscape with both breathtaking impact and precision. The track refuses to recycle an old beat, gradually building from a melodic and soulful vocal

Alysha Releases Official Video for “David Attenborough”

A bit over a month ago, London born Alysha, a 17 year old teen with enormous talent as a singer and songwriter, would have probably not imagined for her career to catapult in such a sort of magical way. Every artist, before they begin their road to stardom and even throughout, always dream all they want to do to achieve their goals. We hear many stories of singers that were many times turned down by the industry, one that said industry sometimes gets a tough reality check, when they realize that the artist is now a superstar (on a different

Matthew Schultz x Gyptian Present ‘Turn Me Up’

Multi-Talented U.S. artist, Matthew Schultz unveils his latest crossover cut, ‘Turn Me Up’ – a fire collaboration with revered Reggae-Dancehall singer Gyptian. Matthew Schultz and Gyptian touch down with a standout reggae-influenced dance track featuring hypnotic synths & punchy percussion. Coupled with a languid, chilled out dance vibe and mesmeric rhythms – ‘Turn Me Up’ is the perfect song for radio, streaming & dance floors alike. Along with a remix from X-Change – the single is positioned for a whole host of love worldwide. Matthew Schultz is a multi-instrumentalist, producer, singer and performer who started out playing guitar in Chris

“1969” is the new Single and Video by THE FUZES

“1969” is a brand new single by the Swedish based band, The Fuzes. The track elaborates on historical events that took place in the USA that year. The song features Martin Dagger Granhage (Guitars, Bass, Lead Vocals) who is also the producer. Nathanaël Bartolo is on Drums. The Fuzes have 3 albums under their belts, which includes “Moving On”(2004), “In From The Shadows” (2005) and “Shake Your Body” (2006). Their latest work, is the group’s first recording in 12 years.  Visit The Fuzes website here: http://www.thefuzes.net/ Check out the past albums here: Apple: https://music.apple.com/us/album/shake-your-body/163988247 Deezer: https://www.deezer.com/sv/track/70066783 You Tube: https://youtu.be/IXaI6dyjtvI Check the band

3Mind Blight: “Paranoia” and “I Am Not” – committed to the mastery of his craft!

Hailing from Tulsa Oklahoma, 3Mind Blight had humble beginnings in the late 90’s, with Boom Bap Rap and the Grunge Rock scene. After leading several bands and many production teams, what started as a hobby has led to a full time music career in production, instrumentation, and artistry, mixing rock, rap and instrumentals. When I decided to listen to a couple from his catalog I knew nothing about 3Mind Blight or how authentic his musical thing was. I took a risk and am so pleased I did. He delivers a set of songs that begs for absolute silence while listening to it. You need to put on your best pair of headphones or break out your stereo system and bring out the full dynamic quality of each song. This music is just completely coated in a haunting, grungy atmosphere – whether 3Mind Blight is rapping or singing.

This especially applies to the artist’s latter releases “Paranoia” and “I Am Not”, which together offer that perfect mix of what one may call 3Mind Blight’s signature sound, with its very eerie and foreboding tone that permeates these entire arrangements.

With a track as strong as “Paranoia”, 3Mind Blight prove that he can look back to the past grunge sound, but he doesn’t have to live there. The present suits him just fine, as he weaves in banging hip-hop drums, finely orchestrated strings and whiskey-stained angsty vocals that look, unflinchingly, at the darkest parts of our souls.

“Paranoia” contains a rich level of songwriting that draws from softer tones to create a song that is both impacting and brimming with expression and depth. It is a masterpiece of modern songwriting that brings grunge into today’s edgy urban musical climate.

It’s a song that rests on the beauty and haunting nature of 3Mind Blight’s dual rap and vocal lines that are both simply stirring. It is a truly epic motif overflowing with a sense of darkness as 3Mind Blight traverses an eerie and open verse followed by an emotionally heavy chorus – anchored by a sense of disturbed anger – making for an exceptional song.

“I Am Not” once again proposes the intricately designed strings, the rolling basslines and throbbing percussion, but vocally follows a melodic path. This sounds like 3Mind Blight totally in his element.

Almost as if he needs further justification, 3Mind Blight proves to be as crucial and essential to the course of restoring grunge to modern rock now as the movement was unto itself during the ‘90s. Except for one major difference. There are no sludgy over-driven guitars or dirty, swampy bone-crushing riffs and power chords to be found anywhere.

Yet that doesn’t in any way affect the resulting overall sound.  “I Am Not” is a great example of an artist who know his strengths- and most of the time- can play to them very, very well. Wicked, haunting vocals, great instrumental interplay and fantastic string work, bring that same ominous and premonitory dark rock sound.

When listening to 3Mind Blight, a couple of things are strikingly apparent. The first is that his catalog of music is a consistent listen of solid, alternative rock songs that at times dabble in the rap idiom.

The second is that 3Mind Blight is committed to the mastery of his craft, working with all the latest technology, while never watering down his passion for the styles of music that came before. In 2018 and with the state of rock as we know it today, it’s wonderful to see a project like this bring a fresh hybrid style to the table which mixes both the classic and the new.

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