Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Mike LePond’s Silent Assassins: “Pawn and Prophecy” – Dense, dynamic and super tight

There is no doubt that “Pawn and Prophecy” is going to garner some serious praise. This album puts the ‘classic’ back in metal in a definitive kind of fashion. The album represents the direction many true metal fans hoped and presumed the genre would go after all the ridiculous sub-genres that crawled out of the woodwork over the past few years. This album basically sows the seeds for a whole new generation of power metal – one with technique, speed and aggression that has no regard for radio-friendly or corporate rock elements. There is no denying the awe-inspiring quality and intensity contained within these 8 songs delivered by Mike LePond’s Silent Assassins – a side project by the Symphony X bassist, who is joined by  Alan Tecchio (Vocals), Lance Barnewold (Guitar), Rod Rivera (Guitar) and Michael Romeo (Guitar, Keyboards, Drum programming).

Alan Tecchio sounds better than ever – his vocals right high up in the mix – and the venerable guitars cut through with conviction. There’s a nice mix of speed and traditional classic metal drumming, while Mike LePond’s bass rumble, drives the band’s rhythm as always.

Those with an appreciation for the qualities that make contemporary metal compelling along with an acknowledgement that the melodic leanings of 80’s metal were integral in pushing the message to a broader audience will find “Pawn and Prophecy”  both technically and stylistically worth embracing.

These songs are succinct and to the point – the longest song just short of 6 minutes – that’s if you exclude the final title track, “Pawn and Prophecy”, which is a nearly 22 minute song initially written for a Symphony X album. For some reason the song didn’t make the cut, so Mike dusted it off, reworked and tweaked it, into a spectacular progressive and epic metal centerpiece for this album.

Throughout the album there is a catchiness to the melodies and choruses that hasn’t been present in the genre since the nineties, and the production is just stinking clean – no muddy compression. There is plenty of guitar muscle, in both the leads and the solos, yet it doesn’t seem overdone.

I also love how this album doesn’t try to run at 200bpm the whole way through, and the band enjoys being a whole lot more expressive and theatrical. That said, the first 4 songs throw it down pretty hard and heavy. “Masters Of The Hall” may just be my favorite song, both lyrically and musically, because it has the classic metal riffage that is just so irresistible. But how cool is it to have the anthemic choral vocals in the opening bars.

The guitars in “Black Legend” are also so classic metal that you would swear you’ve stepped back 25 years in time. This song carries the spirit of the genre with a sound that is essentially timeless. And tell me that “Antichrist” doesn’t have that classic metal vibe as well? The diversity here is quite noteworthy.

You’ll notice that the word ‘classic’ keeps coming up again and again. It’s investable, because Mike LePond’s Silent Assassins’ sophomore album has ‘classic’ written all over it, in every sense of the word. The grind of “I Am The Bull” has a chugging Black Sabbath sting in its tail, and also happens to be a perfect showcase for LePond’s bass soloing. “Avengers Of Eden” brings into focus a distinct Judas Priest twist in its supersonic velocity and Tecchio’s high powered vocals.

Dense, dynamic and super tight, “Hordes Of Power” sees the band firing on all cylinders. It’s full of fantastic guitar riffs and solos, great song writing and massive hooks. There is only one way to listen to this album….loud! This is elite level material that matches anything they’ve ever done.

“The Mulberry Tree” is acoustically driven, filled with melody while still maintaining the high-energy quotient. This all leads us to the 22 minute symphony that is the title track “Pawn and Prophecy” – and showcase for their technical, arranging and performing skills.

On listening to this track, you will continue to ask yourself over and over “how the hell did they pull this off?” This is absolutely the best classic metal album that I’ve heard in years. The songwriting, playing and singing is superb. This is one of those rare records that you do not want to miss.

And if you really don’t want to miss this band in all their glory, then you’ll need to go and see them live at Headbangers Holiday Hell Feat: Mike LePond’s Silent Assassins on Saturday, December 22, 2018 at 8 PM – 1 AM EST at Dingbatz 620 Van Houten Ave, Clifton, New Jersey 07013. Tickets can be found HERE.

Follow the band on FACEBOOK and YOUTUBE

Record Label
Frontiers – http://www.frontiers.it 
Knife Fight Media http://www.knifefightmedia.com
UDR Music – https://www.facebook.com/UDR.Music?fref=ts

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