Vermin & the Beachrat New Single is Set to Strengthen the Legacy of Folk

Here to brighten up the day of all the folk lovers is Vermin & the Beachrat with their new single I Know Everything About you—a high-energy, rustic and boisterous folk-country rock number that is equal parts nostalgic, equal parts sweet and a whole lot of the familiar gusto that has become a signature style of the artist. Yet the subject matter of the song reveals a challenge for an old friend or lover, a knowing, tenacious grin that looms over all the extensive guitar riffs, the electric instrumental solos and a refrain that echoes into the airwaves with enough power

Ken Hardeo Releases “I Can Love You Through Anything” For Worthy Causes

Charlotte, North Carolina – Ken Hardeo had more great things in mind when he wrote and recorded his latest single, “I Can Love You Through Anything.” Part of the proceeds will head towards worthy causes such as the American Cancer Society and the American Foundation for Suicide Prevention. Ken Hardeo didn’t work alone on this effort. Ken got help from his friend, musician and producer Quentin Bethea who also sang on the track. Together they created a beautiful blend of R&B that harbors on pop with inspirational undertones that shine through for people of all ages around the world. With a song as versatile as “I Can Love

“Missing Person” – The new album by Warren Cuccurullo (Duran Duran, Zappa)

The persisting career of musician, singer, and songwriter Warren Bruce Cuccurullo, has reached incredible and indelible highs. He worked with the late, legendary Frank Zappa in the ’70s, founded Missing Persons in the ’80s, and became a long-term member of new wave legends Duran Duran in ’86, notably contributing to the band’s regained worldwide success on the 1993 chart-busting “Wedding Album”. Not one to rest on his laurels, the talented Brooklyn born guitarist however, has always continued his solo and collaborative work, and has just unleashed his 12 track album “Missing Person”. Described as “a deeply personal and conceptual record”,

Zero The Kidd: “Waves” – a willingness to carve out his own lane

Zero The Kidd is an upcoming artist in Boynton Beach Florida, racking up a total of 10 million plays in his first year of making music, while appearing in magazines and various media sources. He discovered music from a very young age. His dad and uncle were both rappers. Zero The Kidd learned how to play the violin in 2nd grade and the piano in 3rd grade. By proving to have an eclectic ear for tones and textures on his track, “Waves”, he asserts himself as a serious performer who’s taken his recent praise with the utmost seriousness. Zero The

Grand Rezerva: “Nowhere Bound” pumps adrenaline into the unsuspecting listener

The talented Swedish band Grand Rezerva – comprised of Michael C. Svensson – Vocals, Andreas Lundberg – Guitar, Mattias “Tiz” Nilsson – Guitar, Thomas Helgesson – Drums and Zoak – Bass – succinctly deliver bare-knuckled, catchy hard rock that’s captured with crystal clear production. The band wastes little time in making its intentions clear on the latest single, “Nowhere Bound”. Grand Rezerva’s simmering movement around the verses facilitates a sense of building momentum through the bridge that reaches a point of release at the chorus. The band has creatively shoehorned itself into 2019’s contemporary active rock radio ballgame, with a classic

J Tizzle: “The Chill Zone Vol 3” – The taste is smooth and distinguishable!

As living things, we need a steady supply of certain ingredients to survive. In music, the formula is undeniably similar. A song requires both rhythm and pitch. For the musically hungrier amongst us, these ingredients are not enough. We need to add extras, such as mood, atmosphere, emotion and groove. Unfortunately, even with the proper ingredients and extras the results are not always as expected. Stagnancy spreads within the craftsman, as well as a lack of skill or emotion. Luckily one, by the name of J Tizzle (Jeffery Townsend Sr.), avoids these annoying traits. Within his songbook exists all of

Heavy AmericA: “Motor Honey (Peace)” – It’s rock. Pure and simple.

A couple of years ago, the bands to emulate in modern rock were those that flooded the radios with wickedly catchy upbeat power pop tunes. Then came the neo-metal-driven climate, where even the tame end of the spectrum became heavier. On their new single, “Motor Honey (Peace)”, Boston based three piece rock group Heavy AmericA, proves themselves among the best in the alternative rock genre with a track loaded with hooks for mainstream appeal, but with an energy and drive that keeps them from sounding like mere imitators. The new release which has all the potential to climb the rock

Scotty Seed: One of the more original and thoroughly enjoyable alternative listens of the year!

Proud of his Italian heritage and his role in the LGTBQ community as a queer artist, Scotty Seed is a musician based in the East Village of New York City. Obsessed with art, including fashion and music, Scotty, originally a Jersey boy, started taking songwriting and production seriously in his twenties. Influenced by elements of industrial, pop, grunge, PC music, electronic, and screamo music, he counts artists like Crystal Castles, Marilyn Manson, Hole, David Bowie, Madonna, and Depeche Mode among his inspirations. Fighting an ongoing battle with bipolar disorder, making music provides him with an escape from his mental health

Suburbs: “Sound of the Sea” – a rewarding new project

Suburbs is an indie rock band from Scheveningen, Netherland launched in 1995. The band that has its roots in the eighties and nineties achieved national exposure when they won the national contest “De Grote Prijs van Nederland” (The Grand Prize of the Netherlands), the largest and longest-running music competition in the country.  As of the summer of 2013 Suburbs has started a new chapter. Lead singer Arie Spaans and 2 early band members set to work to bring their old sound back. The following year they started dropping singles and video clips leasing to their mini EP “Masters” in 2016.

Martone: “Erogenous Zone” keeps the adrenaline and emotions flowing!

It was 5 years ago that pop superstar, Sam Smith, stepped up to the plate and showed the world that love songs don’t have to be heteronormative to be beloved. Smith came out publicly, stating that he wanted to be clear on what his album was about. “It’s about a guy and that’s what I wanted people to know.” He was also completely aware of how important his success is to the public narrative. Hearing your humanity represented and validated by pop culture is important, and many LGBT supporting musicians have since been stepping up to share their experiences. The

Mr. Giant: “Face To Face” flows together with perfect synergy

Mr. Giant, a jazz and funk fusion band, is gearing up to release their first full-length studio album release in 2019. The band, hailing from all around the world, but currently living in Los Angeles, was founded by Bruno Neves in 2017. Having gained a large fan following during the past 2 years, Mr. Giant is ready to share their journey in anticipation for their new album. And they do so with their 4 track EP, entitled “Face To Face”. One of the first things that really hit me when I first heard this record was the superb musicianship. Each member of the band is really on point here. There is some inherent fun in the way they play. The band are obviously together as a group to write and record music, but they also seem to desire to just be in the same room as each other and play. It would be easy to point out the lead and solo instruments as impressive, but I have to say that the drumming specifically, is outstanding. It is very tight and rhythmic and it really glues the whole group together and brings them down to earth.

The EP’s opening song, “Seven Feet Tall” is probably the most catchy and accessible. This makes it a good opener because it helps introduce new listeners of the band to what their style is like. What we hear is the result of many great musical minds and hands, pooling their expertise into the song. You only have to watch the snippets of performances that Mr. Giant filmed in front of a live audience or in the studio to see how the artists groove themselves into the music, and enjoy each other’s influence.

Instrumental solos make up one of the strongest stylistic elements of this EP, and are present on all the tracks here. Sometimes they’re long and progressively structured. At other times a quick bout of explosive fun and skill are the game.

Throughout, Mr. Giant’s flair for interesting, poly-rhythmic textures becomes very apparent, and the second track, “Electric Eel” sees the band do rhythmic turns on a dime. Add in the shimmering keyboards, weaving horns and lead guitar solos, and Mr. Giant take their levels of sophisticated textural layering and sheer groove prowess to new levels here.

Mr. Giant’s tight 8-piece ensemble, including a horn, section enable the group to express diverse musical influences, and are key to the band’s distinctly big sound on “Maze”, probably the most ambitious sounding track in the collection.

The band’s delicately layered keys, skillful guitar solos, delicious bass runs, and gorgeous horn arrangements, combined with continued rhythmic restructuring, allows the song to be a lusciously rich and passionate musical gem.

The vibrations run high throughout “Face To Face”, with each of the stellar musicians taking turns with bold virtuoso improvisations amid the collective grooves that built in energy like a freight train. You’d be surprised at how hypnotic and spellbinding their jazz fusion can be.

The grooves are deep and intense, making listen to songs like the final track, “Phy-Pho”, seem much shorter than the seven minutes and fifty seconds it really is. Rhythm is as important as melody throughout this amalgamation of tracks, and the alternating emphasis on one aspect or the other—and often the fusion of the two elements—enlivens the musicians as they play. In turn, this spontaneity commands attention because surprises abound within each track.

Jazz and its derivatives is not simple music for the average ear. It never has, and it never will be. Despite all, “Face To Face” is very easy to listen to. Mr. Giant flow together with perfect synergy, while keeping things smooth, yet multilayered and intense. If you want to listen to some stand-up instrumental music, with a great sense of groove, and the ability to put you into a state of musically-related ecstasy, then this is one of the highest recommendations that I can give.

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