Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

Baby Lu releases her first single “Bad Stuff” on all major streaming platforms

Luna Elisabeth Jezebel Pool aka Baby Lu was born on February 5, 2002 in Frankfurt, Germany. Lu began singing and songwriting in her early teens and went to several music auditions where she was rejected because of her young age. She then decided to start making her own music after graduation in 2018. As she didn’t have any connections yet she wasn’t able to produce something properly. In 2019 she met the producer Austin Asiegbu (2aBeaatz) and started to produce her own songs. Pool has cited Adele and Demi Lovato as her major musical influences. Her other influences or inspirations

Where There’s A Will – There’s A Way!

Where There’s A Will – There’s A Way! That’s the way Will Ready lives his life, no excuses, no regrets, and no looking back. Just like fine wine, Will has gotten better with time. With over 25 years in the music business, 7 albums and numerous tours, Will is ready. Singer/Songwriter/Producer and Showman, Will is the complete entertainer. His blend of R&B, Soul, Jazz has earned him welcoming fans in Europe, Japan and The Caribbean. Will attributes his silky seductive style to his love of R&B, Soul greats like, Charlie Wilson, Maze Featuring Frankie Beverly, Ron Isley, Marvin Gaye, Luther

Rockstar Marcus – “Wavy” – a knack for real melody and a great sense for catchy production

Rockstar Marcus is a melodic/ emo rapper from New Orleans, Louisiana. Combining soulful singing with a touch of rap and a slew of talent, the artist’s single, “Wavy”, induces us to take a serious look at the artist’s past releases, while he drops an ambitious message for the future. As soon as the mellow sentimental mood begins to kick in, one is reminded of the psychedelic image of fluctuating soundwaves as the song plays. The beat rising and falling with Rockstar Marcus’ masterful voice and atmospheric instrumental taking us on a mesmerizing journey. The summer vibe of the song is

Bernie Aka Birdbadas – “Sensual” shows a unique flexibility and verve

Bernie Aka Birdbadas wears many hats. He is an indie artist, producer, vocalist, rapper, poet, break-dancer and graffiti painter from Glyngore, Denmark. Most importantly, he is currently promoting his double single project, called “Sensual”, featuring the title track and “Everybody Wants”. In mixing and melody, these tracks are closer to uplifting trance and groovy house than anything else, and Bernie puts his bass front and center. His arrangements, consequently, are beautifully economical. Yet Bernie Aka Birdbadas manages to craft tracks far beyond the sum of their parts. In the wrong hands, the sonics he toys can sound overdone or repetitive,

Mr. Giant: “Face To Face” flows together with perfect synergy

Mr. Giant, a jazz and funk fusion band, is gearing up to release their first full-length studio album release in 2019. The band, hailing from all around the world, but currently living in Los Angeles, was founded by Bruno Neves in 2017. Having gained a large fan following during the past 2 years, Mr. Giant is ready to share their journey in anticipation for their new album. And they do so with their 4 track EP, entitled “Face To Face”. One of the first things that really hit me when I first heard this record was the superb musicianship. Each member of the band is really on point here. There is some inherent fun in the way they play. The band are obviously together as a group to write and record music, but they also seem to desire to just be in the same room as each other and play. It would be easy to point out the lead and solo instruments as impressive, but I have to say that the drumming specifically, is outstanding. It is very tight and rhythmic and it really glues the whole group together and brings them down to earth.

The EP’s opening song, “Seven Feet Tall” is probably the most catchy and accessible. This makes it a good opener because it helps introduce new listeners of the band to what their style is like. What we hear is the result of many great musical minds and hands, pooling their expertise into the song. You only have to watch the snippets of performances that Mr. Giant filmed in front of a live audience or in the studio to see how the artists groove themselves into the music, and enjoy each other’s influence.

Instrumental solos make up one of the strongest stylistic elements of this EP, and are present on all the tracks here. Sometimes they’re long and progressively structured. At other times a quick bout of explosive fun and skill are the game.

Throughout, Mr. Giant’s flair for interesting, poly-rhythmic textures becomes very apparent, and the second track, “Electric Eel” sees the band do rhythmic turns on a dime. Add in the shimmering keyboards, weaving horns and lead guitar solos, and Mr. Giant take their levels of sophisticated textural layering and sheer groove prowess to new levels here.

Mr. Giant’s tight 8-piece ensemble, including a horn, section enable the group to express diverse musical influences, and are key to the band’s distinctly big sound on “Maze”, probably the most ambitious sounding track in the collection.

The band’s delicately layered keys, skillful guitar solos, delicious bass runs, and gorgeous horn arrangements, combined with continued rhythmic restructuring, allows the song to be a lusciously rich and passionate musical gem.

The vibrations run high throughout “Face To Face”, with each of the stellar musicians taking turns with bold virtuoso improvisations amid the collective grooves that built in energy like a freight train. You’d be surprised at how hypnotic and spellbinding their jazz fusion can be.

The grooves are deep and intense, making listen to songs like the final track, “Phy-Pho”, seem much shorter than the seven minutes and fifty seconds it really is. Rhythm is as important as melody throughout this amalgamation of tracks, and the alternating emphasis on one aspect or the other—and often the fusion of the two elements—enlivens the musicians as they play. In turn, this spontaneity commands attention because surprises abound within each track.

Jazz and its derivatives is not simple music for the average ear. It never has, and it never will be. Despite all, “Face To Face” is very easy to listen to. Mr. Giant flow together with perfect synergy, while keeping things smooth, yet multilayered and intense. If you want to listen to some stand-up instrumental music, with a great sense of groove, and the ability to put you into a state of musically-related ecstasy, then this is one of the highest recommendations that I can give.

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