“Ketamer01B (simm’ a MAFIA)” by Italian DJ/Producer Doc Ketamer

“Ketamer01B (simm’ a MAFIA)” is a track off the 2019 EP “Ketamer” by Italian DJ/Producer Doc Ketamer. Today’s EDM scene is at the height of its commercial success. Everybody wants to be a DJ or Producer now, and pop music, more or less, equals Electronic music. On his latest single, Doc Ketamer, who has been in the game for two decades gives us his authentic European flavored electro-jam blend. The track is victorious and uplifting, as the music pumps into your bloodstream. Doc Ketamer brings us back to what we all loved about electro. He seems to have given us

Monjyoti – “Neighbor Syndrome” is meticulously structured

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Pat Rossi – “Let you Go” – embellished with impressive vocal and instrumental décor

Pat Rossi is a self-taught multi-instrumentalist, songwriter, singer and producer. He is also the founder and front-man of the popular Canadian Rock band The Falling. Rossi, whose acclaimed songwriting skills led him to perform with Bon Jovi after winning the XM/Serious Satellite Radio Songwriting Competition, has now set his sights on being a solo artist. The artist who has worked with, and performed alongside names such as, 3 Doors Down, Gilby Clark of Guns N Roses, Jonas and The Massive Attraction, among others, brings to the table his latest single, “Let you Go”, via the RedJam Records indie label. The

lIne – “I wanna kill you in the shower” will certainly garner critical acclaim

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Omar Bowing – “Paradox” – is simply breathtaking in its composition and emotive power

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MORISH RELEASES DEBUT SINGLE “BETTER THAN ME”

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K Swayz – “1st Born” – riding a seemingly unstoppable and forever-cresting wave

Twenty three year old Brandon Nelson aka K Swayz, has been producing for about 8 years now, while he’s been an artist for a one year. The Charleston, SC creative is currently promoting his 11 track project, entitled, “1st Born”. Since this album is meant as an embodiment of the artist’s skillset, it only makes sense that he shows a lot of flexibility. He delivers a lot more than the obvious slide between rapping to singing and juxtaposition of up-tempo vibes and down-tempo tunes. Right from the opening track, “No Matter The Cost” ft. Colossal Capone, he drops mind-blowing switches

YellaCatt – “Super Power Pussy” – exudes an energy that is captivating

YellaCatt’s latest single debut album “Super Power Pussy”. Introduces one of the finest new female talents I’ve heard in a long time. I say new, because she’s new to me. ‘She’ is of course none other than Daniella White aka YellaCatt. A painter who has created her own successful headdress atelier – “The Plumed Serpent’’. Daniella is also sound healer, reiki master, and clairvoyant. So she wears many hats, which all seem to fit her perfectly well. Her approach to song writing is fresh and intelligent, while her performances exude an energy that is captivating. I’m not sure if she

Manu Francois – one of the most innovative independent crossover creatives heard in recent years

Manu Francois known for his rapid fire flow, superb singing, solid writing, sharp as hell production, and iconic rasta hairdo has been one of the more slept on powers in the musical community in recent years, always bubbling underneath the surface of the mainstream on the various audio and video platforms, as well as live sets around the world. Manu’s past work on projects like “Release” (2018) and “Check It” (2017), are just begging to be uncovered. Thankfully, his latest singles from 2019 have been more than just good enough to get noticed; they’ve brought an excellent mix of creativity, self-awareness, and super dope production. Every

Ozaka Bondage – “Tiny Giants” is a colorful, richly textured arrangement

Ozaka Bondage is an energizing indie-electro-pop band from Frankfurt on Main that will motivate you to climb that mountain, ask that girl out, or start that revolution you always wanted. They is nothing short of a bombastic bunch of talented musicians who smoke on their instruments like no one’s business. The accompanying video clip proves it with nothing hidden from view. The groove is infectious, the musicianship is on fire, and the audio mix sparkles.  “Tiny Giants” hits all the right buttons for me. Peaks and valleys in all the right places – even in the solos. Everything builds

Odd-Arne Jacobsen & Tore-Morten Andreassen – nothing short of phenomenal!

Virtuoso musicians Odd-Arne Jacobsen & Tore-Morten Andreassen have released two EP’s in contemporary – the more classically inclined “Alt eller ingenting” and the Jazz-fusion flavored “Lullaby of Byrdland”. Music that fetishizes technical skill is almost always boring for all but fellow musicians. But chances are, if you’re reading this review, you also play guitar or are at least interested in the instrument. If I’m right, and perhaps even if I’m not, you’re in for a real treat. Why? Because these are not the usual guitar recordings. On the EP “Alt eller ingenting”, Odd-Arne Jacobsen & Tore-Morten Andreassen are playing 11 string alto guitars made by luthier Georg Bolin of Stockholm. It’s a very rare instrument and has never been used in this way before. While on “Lullaby of Byrdland” they utilize the legendary Byrdland and Les Paul versions of Gibson. The result is two distinct recordings with very diverse tones, textures and playing styles.

Suffice of course to say, few can play guitar quite like Odd-Arne Jacobsen & Tore-Morten Andreassen do on these recordings. This is the sound of two of the greatest independent guitar virtuosos of Norway, and perhaps all of Europe, holding nothing back. And trust me, if you can play like this, you have more than enough right to show off to your audience.

None of this is to say that the two EP’s in question aren’t full of musically sensitive performances. In fact, these recordings are almost as improbable in their musicality as they are in their virtuosity; even with the ludicrous volume of notes being played, they find room for dynamic shaping and smart pacing.

It’s just that, even if Odd-Arne Jacobsen & Tore-Morten Andreassen threw all of that to the wind, this would still be one of the most important acoustic guitar recordings of the year. The technique on display is just that stellar. You’ve really got to hear it to believe it.

To make things even easier and more recognizable for the untrained listener, the pair have chosen some classic songs to cover in their own personal styles. “Alt eller ingenting”, in fact, contains the tracks “Emigrant Song” (Emigrantvisa Trad.), “Scarborough Fair” (Simon & Garfunkel) and “Where Are We Know” (David Bowie).

Even if you have never held, played, picked, or strummed a guitar, you will be thoroughly surprised with how Odd-Arne Jacobsen & Tore-Morten Andreassen interpret these songs. This is a magnificent package. I cannot imagine a more talented couple of guitar players than this duo.

From the first song to the last, these men exhibit true guitar brilliance and technical mastery. There is not a bad moment on this recording. “Lullaby of Byrdland” takes a jazzier route, but is no less impressive, covering the famed title track, and including “Apache” (The Shadows), “Cherokee” (Ray Noble), “Wichita Lineman” (Jimmy Webb), and “Amorada” (Valdir Azevedo).

Listening to this EP album is like listening in on a conversation in a beautiful language different from your own, where you can pick out phrases you recognize and appreciate the rhythms and intonations. Because we are all familiar with guitar music, it is much better than that may sound.

If you want to hear masters communicating in real-time in a medium that is truly their own, grab this recording. Actually grab both EP’s to completely savor the talents of these guys. The musicianship exhibited on both “Alt eller ingenting” and “Lullaby of Byrdland”, is nothing short of phenomenal. A joy to those whom delve into the technical beauty and emotions of musical art.

OFFICIAL LINKS: Alt eller ingentingLullaby of ByrdlandOdd-Arne Jacobsen

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