THE BRKN DEBUT EP ‘NO. 3’ OUT NOW VIA INGROOVES

FRONTMAN JACOB CADE’S ‘ACOUSTIC HANG WITH JACOB FROM THE BRKN’ WILL LIVE STREAM VIA THE BANDS INSTAGRAM AND FACEBOOK THROUGH THE END OF APRIL AT 6PM PST/7PM MST/9PM EST THE BRKN recently released their debut EP No. 3 via Right Brain Music Group/Ingrooves. Their new video for their song “Broke” has garnered over 100 views in just two weeks. Since the band’s spring tours have been cancelled due to the Coronavirus, frontman Jacob Cade will be live streaming acoustic sessions every Tuesday through April via the band’s Facebook and Instagram. Tune in at 6PM PST/7PM MST/9PM EST at https://instagram.com/thebrkn or https://facebook.com/thebrkn and #BeatTheVirusWithTheBRKN. “We’re

D-Witt flexes the pen of a budding cinematic storyteller

I recently heard about an artist called D-Witt from Rockford, IL.  Illinois is the home of some prestigious sons who have left unforgettable marks on hip-hop’s history. I’m expecting an unfiltered rebel who is unafraid to bare his soul and burn down buildings. A fearless heart is a quality that makes fearless art, and I hope that’s exactly what D-Witt has arrived to present us.  So I press play on the first track called “Enemy”. The sound is open and strong-willed. There’s no doubting that D-Witt has something to say. The amount of care that goes into his lyricism stamps

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As the months pass slowly into years, it becomes increasingly plain to all concerned that Danish electronic music producer, Mortinus is taking his craft very seriously. He has been extraordinarily prolific and has maintained an enviable level of quality in his releases. When approaching his two singles “Star Chariot (Yellow Odyssey)” and “Oceania” the question that arises is how will Mortinus sound fare in the altered musical terrain of 2020? Well the two new singles, are fine examples of some of the best ambient, chillout, downtempo and cinematic instrumental music being made today. Mortinus’ sound is alive and well, and his

Stiff Lauren – “Faith In Me” demands the spotlight!

Fearless and uncompromising, Stiff Lauren is back to deliver a triumphant track about having faith in yourself no matter what. Stiff Lauren is a hip-hop artist who is no stranger to speaking what’s on his mind. Since he hit the scene, he’s never been one to hold his tongue or been one to fear throwing the first punch. Whether or not you’ve followed Stiff from the beginning, one thing has been apparent through the highs and the lows: he’s talented and confident – his latest single “Faith In Me” is a perfect example of that. Stiff Lauren once again takes

Phreckle$ is carving out a music presence with “IDFWP”

Phreckle$ is an independent solo artist out of Los Angeles, California. She writes all her own songs, and produces professional quality artistic music videos. A precocious talent, Phreckle$, played trumpet at 9 years old in the school band, by 12 she was performing at the Carnegie Hall, and a year later she started going to punk shows. At 17 she was playing bass in 3 different punk bands. At the age of 22, she was discovered as a model and is now an internationally signed model working with the top photographers and magazines in the industry, which has put her

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Canadian born Latin pop recording artist Nancy Diaz has been navigating her way through the Canadian music scene since 2011 with her pop single “Summer Addiction” along with official music video. Her sexy and sassy fusion of English/Latin music has led to the release of many well received singles, garnering her critical acclaim and audience satisfaction. Apart from firmly establishing herself among her musical contemporaries and peers, Diaz has also made her mark in the modeling world posing for magazines, fashion labels and fashion photographers such as Cliché Magazine, Deniori Couture and Monarch Photography. Directly involved in quite a few

Cyrus R.O. – “Bones” is still a skillfully crafted song

I think I expected this music to be sterile and methodical. However, to my surprise, Cyrus R.O.’s new single “Bones” from his upcoming debut album “Deconvolution” is blazingly irradiated like bundle of energy that expertly marries the organic and synthetic. Underneath it all, a darker lyrical narrative dealing with “a character struggling with their gender identity, and the fear of social turmoil that comes with that.” Everything just grooves so well together; it’s a blend of sounds that I haven’t heard done this well from any progressive, jazz, or electronic artist in quite some time. It’s a masterful melding of electronic machinery with

Temperature Falls Release The Video For Their Latest Single “1-2-3”

The sound and atmosphere of Temperature Falls is built around somewhat gritty, blended organic-electronic sounding tracks that hearken the listener back to earlier times. Their latest track, ‘1-2-3’, is a seductive track that pulls the listener in with an eerie melody, sultry vocals and an ethereal reverberating atmosphere. Mixed beautifully, this is the perfect example of what to expect from this indie trip-hop/alternative rock duo from Oslo, Norway, made up of vocalist/lyricist Camilla, and multi-instrumentalist Ian J. Ward. ‘1-2-3’ is a gorgeous, melancholic song that is heart wrenchingly beautiful. Temperature Falls is one of those bands that are absolutely necessary

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This song was released last Fall on his self-titled debut EP. DAYVID explains that “Same Old Feeling” was the last song written for this EP. It reflects on an old love that was like no other. “Same Old Feeling” was co-written by DAYVID and Grammy-Nominated producer Morgan Taylor Reid (Marshmello, Jack & Jack, CHROMEO). “Same Old Feeling” is available on all streaming platforms including Spotify and Apple Music: http://dayvid.lnk.to/SameOldFeeling. The production is simple with piano, vocals, and an 8-member gospel choir providing backgrounds. The lyrics and vocal performance make this song meaningful and powerful. All elements support the soaring voice

Arrows – “After Hours” – Inspired by 80’s synthwave and video game sound tracks

“After Hours” the brand new full length album by Arrows, says all it needs to about the brand of retro nostalgia this kind of music evokes. The project’s sonic palette is especially dense with layer upon layer of synth sounds stacked upon one another and wrapped up in a modern production veneer that makes it bang. Every song delivers big in the keyboard hooks department and the moods are consistently melancholy and wistful throughout. “After Hours” is Arrows hitting their stride; this is what it sounds like when a young band is killing it. Inspired by 80’s synthwave and video

Digital Gringo: “Project Mayhem” cannot be described as anything less than brilliant!

Right of the cuff, two things caught my attention about Modesto, California creative, Digital Gringo. Firstly, his biography reads: “Digital Gringo is a rapper that raps”. And secondly, how many rappers do you know that rhyme perfectly to the funky beat foundation of Earth Wind & Fire’s “Let’s Groove”? But my enchantment with this atypical rapper didn’t stop there, while listening to his aptly named 12 track album – “Project Mayhem”. In fact, as a description, ‘mayhem’ may actually be an understatement once you’ve run through the entirety of this recording. The tones and moods on this album run from hard-ass hardcore, to insanely over the top and ironically humorous.

So what we’ve got here is a blend of the aggressively styled Eminem flow. The no-holds-barred Beastie Boys attitude, and the zany, boundary pushing predilection of Weird Al Jankovic. Sound like a strangely weird, and original combination? Yes it is!

To complete the project, which runs the gamut between experimental and conscious rap, Digital Gringo has also called in Ugly Queen and Jesse Fioren on vocals, as well as Matt Nasty on drums on a few tracks. Jesse Fioren also shares production credits with Digital Gringo.

After the intro “Howdy Do!”, “Maximum Carnage” sets out to establish the sustained temperature of what’s to follow. And with lines like: “Fuck the roof, I raise the house,” you know exactly where Digital Gringo is going with this.

So when Ugly Queen states: “Don’t ever trust in a bitch like me. I’ll fuck your dad and be your new mommy,” on “Gringo Def Rock”, it’s something you’ll be expecting…if not entirely desiring! Unsurprisingly, the album’s most successful songs are the ones where Digital Gringo becomes a human bulldozer, where he’s simply in beast mode.

The title track, “Project Mayhem”, falls directly into that category, and shows off a stunningly aggressive vocal performance by Digital Gringo, on a track that has a deadly serious theme.

On “Sofa King Awesome” Digital Gringo rides a rumbling 90’s styled, bass-driven beat, into excitable explicit bliss: “I’m so fucking awesome, you could never be like me. You’ll never get a broad to show you her boobies.” “Not Dead Today” is another album highlight, where Digital Gringo leans towards his serious and darker side.

It’s on tracks like these that you catch glimpse of his full potential, which is immense. Ugly Queen pops up again on “Bird Law” to add a cute and quaint flavor to the upbeat track. The momentum pushing “Sweet Chin Music” is all wrapped up in screaming retro synths and machine gun percussion.

It’s back to beast mode on “Dawn of the Third Day”, with another raspy and harsh rapping display by Digital Gringo. This time around that harshness is juxtaposed against the melodic backdrop of Jesse Fioren’s vocals.

This is possibly the most impressive track on the album, and my personal favorite, in terms of the mood and atmosphere it creates. “Darkwing Duck” rolls in on another scratchy 90’s beat, where Digital Gringo puts on his Beastie Boys mask and twisted lyrical tongue.

Your personal enjoyment of this record will largely depend on your invested interest in the legacy of rap music, and how open your mind is to anything outside of the mainstream. If you have those two elements perfectly lined up, then “Project Mayhem” cannot be described as anything less than brilliant!

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