Heistheartist – “Boom” (Love Version) – transposes crystal-clear artistry through spiritual glistening

Heistheartist is an American Christian singer-songwriter from Central Islip, NY. Formerly a secular neo-soul singer signed to Bentley Records under his biological name LeeMann Bassey, Heistheartist discovered that his true calling was with the Lord, after hearing an inspiring sermon by TD Jakes online one day. That day he was inspired to teach the world about the Lord like TD Jakes did with his Sermon, but through music. The song “Boom” – a song that mixes sensuality with religion – is actually based on a dream that Heistheartist had one night, in which he had relations with an angel. “Boom”

Bobby Royale – “Live Jazz at Staarsound” – There is an artistic quality in the music that cannot be overlooked

Some see hip-hop and jazz as an unholy alliance, maybe even the vulgarization of jazz. But other musicians see the genre-melding as a positive development. Every so often, in some corner of the globe in fact, you’ll find a handful of jazz musicians experimenting with jazz and hip-hop hybrids. In some ways the musical connection would seem inevitable. After all, early gospel, blues and jazz employed call-and-response cadences dealing with the same themes prevalent in hip-hop today. For some, though, the similarities end there. Straight ahead jazz musicians who have had their music sampled appreciate their work being exposed to

J.Drive – “Untitled” showers the auditory canvas with musical ideas

Hailing from the inner city of Youngstown, Ohio’s Southside, Jessie “J.Drive” grew up in a small apartment in a violent neighborhood without his natural mother or father.  At a very young age he realized that his natural affinity for basketball and Hip-hop music would become the tools necessary to pave his way to a more comfortable lifestyle.  Despite the tragic events that ended his hoop dreams, Jessie’s understanding of what it takes to make the best of his gifts regardless of circumstances is what has brought him thus far. Currently he is pushing his latest single called “Untitled”. In his

“Millions” shows off how talented and self-assured DboySlim is!

“Millions”, the track by DboySlim, has an incendiary takeoff, wasting zero time to underscore the necessary sense of urgency through a compacted sonic boom and a room full of booty. The backdrop is made of a dynamic piano loop, skittering hi-hats, and twisting synths, while the rapper updates his dance-swaying lyricism. DboySlim is impressive to say the least, while the track absolutely bumps. He creates an intense atmosphere that makes you want to jump around and groove. “Millions” shows off how talented and self-assured DboySlim is, and how he can probably live up to any hype you want to put

Andree Cassielll – “Alimento” – a universality that makes him a perfect fit for the modern era!

The Mexico City native, Andree Cassielll, possesses a down-to-earth humility in his vocal tone that makes his storytelling raps feel like they’re always coming from a place of truth over fiction. Considering the producer and artist, predominantly sings and raps in Spanish, which I cannot understand, that’s an impressive feat. The trap-inspired beats flicker in and out as Andree becomes more invested in his storytelling, and it truly feels like you’re on the phone with a rambling friend. He’s a poet, capable of transporting you somewhere otherworldly with his sound. His music has a genuine fluidity, and if he continues

EH – “Mirrors” lets it fly with the fret-board work to thoroughly rock you!

Baltimore rock guitar ace EH reaffirms his top-of-the-heap status on his new 7 track album “Mirrors”. It’s a superlative set of new music full of tightly-written, engaging instrumentals that don’t need a singer up front to rock hard and hold your attention. This type of writing is EH’s trademark, and is one of the main reasons he will develop a audience. While many other technically-proficient rock guitarists mainly play for other guitar players, EH seems to play for the people. He relies less on continuous shredding and more, on dynamically impacting riffs. EH gets us going with his opening track, “Pounding

Boonie Mayfield – “While Black (Red Light, Blue Light, E’s and R’s)” – sentiments nurtured by a history of prejudice

Solomon Vaughn aka Boonie Mayfield has always traded dazzlingly intricate verses, intellectual thoughts and propulsive rhymes, over inventive, nonlinear productions, and his latest release “While Black (Red Light, Blue Light, E’s and R’s)” re-proposes that peerless aesthetic, while adding an ulterior dose of consciousness, and reinforcing his hard-won authenticity. “This song is a 2-part storyteller based on some of my personal experiences with racism; from getting racially profiled by police, dealing with stereotypes while dating and the ugly side of interacting on social media,” explained Boonie. “I was inspired to display some of the scenarios I’ve gone through on a

Sassy Vee – “In My Dreams” has a fantastic chill dance rhythm running its course

Longing, hope, and a need to believe in reality, pour out of “In My Dreams”, the new singer by singer-songwriter Sassy Vee. It’s a clear, accomplished cry from the heart, exorcising its illusions by declaring them bluntly. “In my dreams we’re together. Holding hands and making plans forever. I wish it were true, but I cannot be with you. You have another.” The song introduces Sassy’s strengths: a voice with sultry intensity, songwriting that goes directly to the point and a production that is well aware of both EDM and Pop. The song’s arrangement is lucid and uncluttered, placing all

Adrian Davis Releases Brand New Single: ‘We Can Do It’

July 2020 – This year has not been the easiest by a long shot, with lock-down rules keeping people indoor and breaking havoc on our lifestyles. In addition to that, we are all experiencing social and political tension, casting even more uncertainty on these hard times. Having said that, there is still hope: We Can Do It! Such is the positive message behind Adrian Davis’ brand new single release, and its inspiring title. His music is a great example of what happens when there is a special synergy in a production. Everything feels absolutely balanced, with a stark attention to

Max M continues to expand his musical catalog with his new track ‘Imaginary Problems’

The emerging legacy of artist, deejay, and producer Max M has captured the attention of music lovers from around the world. Max M’s passion for DJing and music production began during his teen years. He would later begin a successful career in Computer Science and gain renown as an IT expert before returning to the music world a few months ago. Max M’s heralded return was marked by the release of two singles Under Water and Never Wanna Leave, which were ranked first and fifth on the American DJ site Digital DJ Pool. Max M continues to expand his musical

illrecur: “Mnemonics” – beautifully spun and gorgeously told wordless narratives

Music is a powerful ‘stream of consciousness’ enhancer, because it literally lights up both hemispheres of your brain, releasing a constant current of dopamine. The best kind of music for this experience is lyric-free instrumental music. The main reason instrumental music is so effective is that it engages the emotional centers of your brain, while avoiding to activate the verbal reasoning areas of your brain, necessary when there are lyrics. Hence your emotional focus is never interfered with, and allowed to evolve and expand freely.

In a time of truly fiery political, cultural and social rhetoric, people have been diving ears-first into the expansive realms of instrumental music in droves, putting on mood-inducing pieces to chill out to, to do work to, or to simply lose themselves in. And while the eternal question of whether using instrumental music for those purposes belies the artistry that went into it, make no mistake: the art is highly appreciated.

Thus, with heightened interest in the genre, it’s no wonder that touchstones by underground instrumental artists like illrecur have been gradually appearing on more and more playlists. The interest works two-fold, because it also inspires the artist to be more creative and prolific.

Consider for one moment that illrecur has created and released five new albums for 2019 alone, and we’re not even half-way through the year. The album titles which can be found Bandcamp, include, “Evolu”, “Then were once than”, “Tautochrone”, “Upsodown”, and the one we’re currently contemplating – “Mnemonics”.

At this point, you’re probably wondering who this prolific artist may be. Well, illrecur is the moniker used by Jeremy Allen Pursell. The American based music project founded by, and consisting solely of Pursell himself, has released 39 albums since 1997, exploring a wide range of styles and experimental ideas.

His beautifully spun, gorgeously told wordless narratives are capable of transporting you to within an earshot of his mindset in an instant. illrecur is also one of the few instrumental artists who rarely overstay their welcome, and he proves it consistently on “Mnemonics”.

Only a handful of the tracks last longer than 4 minutes, while more than half of the 21 track compilation, never reach the 3 minute mark. That’s an indelible sign of enormous control, restraint, and above all, focus. On this album release, illrecur proves himself unafraid to bring the momentum of his work front and center, adding thumping beats and rising actions to a sound that can only be described as epically cinematic.

At times he is playful, as on “Terrius”, then profoundly thoughtful on “Sonexia” and “Conditions”; experimental and videogame-like on “House of Bronze” and “Sanctions”; and then ambient-sounding on “Scar of a Figment” and “Voltameri”.

illrecur comes into his own with cinematically dynamic tracks such as the opening “The Just Thing” and then “Emanating Regulations”. Here he wonderfully manipulates the string and horn arrangements into heavy layers of thunderous drama, creating feelings of tension and concern.

Both of these compositions, alongside a few others, could easily lend themselves to epic movie scores. Often the intrigue of this record comes not from its structures or instrumentation, but instead how the compositions react to your expectations, beguiling and intriguing you regardless of intended mood. It’s a fascinating record that appears custom-made for these equally confusing, fascinating times.

Curveballs arrive unannounced, as in the case of “AuroraDigm” with its crunchy industrial guitars, or in illrecur’s theatrical orchestration on “Carver”, which complimented by an energetic experimental sound, fuses together to create emotional pandemonium. There is much variety throughout the tracks to change the listener’s perception of the surrounding atmosphere.

This helps portray a variety of moods as the elegant strings and magnetic piano chords often accentuate the heavy booms. Compositions may change multiple times from smoother inflections to blunt clashes of electronic noise, showing the roller coaster of astonishment or disquiet being portrayed musically.

Using the emotional tone that it sets for itself as well as its climactic moments to its advantage, “Mnemonics” manages to engage the audience with roaring and suspenseful climaxes, as well as amounts of tension, excitement and even playfulness, and it succeeds in doing so, by also detaching away from many of the standard instrumental music clichés. It’s both ambitious and imaginative!

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