Illuminati Congo – Creative and Captivating Rasta Hip Hop That Lightens the Heart!

Based in Chicago, Illuminati Congo’s sound dissolves the barrier between conscious and unconscious, reggae and hip hop, and light and dark, all the while maintaining a lighthearted, playful, childlike and comedic musical uniqueness. This coupled with Jahn’s global travels teaching yoga as well as his penchant for writing books covering such myriad subject matter as tantra, Gnostic Rastafarianism, health, and healing, and alchemy, makes Illuminati Congo one of the most interesting musical outfits on the scene. Illuminati Congo performances can only be described as electric, and Jahn has spent the last four years touring the U.S., the Caribbean, and Australia.

Vintage rockers KAATO drop “Someday, Someday”, from the album “Slam!

KAATO is a Nashville, Tennessee based rock band, made up of Kurt Lowney (vocals), Mika Nuutinen (bass), Hunter Lovan (lead guitar), and Christopher Williams (drums). Originally from Australia, the band was founded in 2011 by singer/songwriter Kurt Lowney. KAATO had their first international tour co-headlining with Mitch Malloy in the UK after their self-titled album was released in 2016. Kurt and Mika made the move to Nashville permanent, in 2018, and started work on their newest album “Slam!” from their home studio, which allowed them to fine-tune their sound until they got exactly what they wanted. Glam rock, Vintage rock,

Franco Esteve: “The Hunt” – a backdrop to life itself

Three years in the making, the loosely tied together, classical crossover, concept album, “The Hunt”, represents a masterwork for Puerto Rican multi-disciplinary artist, Franco Esteve. The award-winning filmmaker and music composer, once again forges his intense-storytelling, and vivid imagery-driven compositional skills. Esteve’s music not only engages the ears but also intrigues the mind and feeds the soul. “With The Hunt, I wanted to do something different, expressing through classical, orchestral music, the images and feelings one gets from life itself,” explains Franco Esteve, continuing: “Whether it’s the drive of ‘The Hunt’, the insomnia of ‘The Wait’, or the sadness of

Plastic DJ: “Giving Up” – Truly euphoric, refreshing and atmospheric!

The album “Giving Up” by Barcelona-based producer and singer Plastic DJ, is the very best that the blended genres of Deep House, Downtempo and Electro have to offer. The thing that sets Plastic DJ so far above his contemporaries is that he’s genuinely talented as a musical composer, and stunningly enchanting as a singer. The music is of a baroque complexity, and here’s no overpowering bass or wailing synths. It’s like listening to a dream. You’ll play this in your car when you want to relax, at home when you’re at the beach or sitting on the porch, or as

One Step From Everywhere: “Somewhere in Between” – an insistent rhythmic thrust, adorned with fiery guitar work, and soaring vocals

One Step From Everywhere is a Seattle based band that does not limit themselves to genre or style. Primarily a rock band, with a passion for playing live, they are not afraid to add shades of any style that may strike a chord within them.  Their album, “Somewhere In Between”, is a full and complete artistic statement that can function equally well as an introduction to and summation of the varied strengths of this band. The production and engineering also aids immeasurably in this regard. The sumptuous mixes place the listener deep within the instrumental interplay of a band whose

Kingdom Atlas: “Severe Spheres” – ripping rock combined with lucid moments of intense and beautiful melody

Kingdom Atlas is a Georgia-based hard rock band that was originally launched as Rising Tide in 2013by, Grant Purvis with friends Nick Blake and Adam Chiarella while studying music with them at Georgia Southern University. The lineup of Purvis (vocals, guitars) and Blake (guitars, keyboards), along with Devin Ruiz (bass), Aaron Coburn (drums) and Cody Barber who replaced Chiarella as lead guitarist in 2015, was stable until the groups disbanded in 2017 due to schedule conflicts and some members graduating. In 2018, Purvis, Blake, Coburn, and Barber reformed with the new name Kingdom Atlas to record their debut album “Severe

Tiaday Ball drops two new singles – “Current” and “Good To You”

Tiaday Ball has released two follow up singles to her first release “Favors”. The songs “Current” and “Good To You”, are both now available anywhere you get digital music from. Tiaday stated: “R&B has been the foundation of my life in music since I can remember. Gospel, soul and R&B were always playing in the house or being sung by my father who was also a singer and he loved Stevie Wonder, Otis Redding, Donny Hathaway, etc. One of the first songs I ever learned how to REALLY train singing along to was “A Song For You” by Donny Hathaway.

DAV!D&CLARA: “Repair” – rugged and intense!

The man and machine duo of DAV!D (David Castillo) and his computer CLARA, better known as DAV!D&CLARA, are back with a new single in 2019, called “Repair”. The track is taken from the upcoming album, “CONFESSIONS OF THE MACHINE” to be released early 2020. Much of this latest single displays a minimalist, almost survivalist element, as if every movement, gesture, and note is conserved and used for maximum effect. DAV!D’s songwriting principle seems to be “less is more”, a sentiment CLARA seems to adhere to perfectly. Together they have an artistic sensibility that’s far from common. The song is based

Catch up with Boston based group Urban Lights Band

Boston, MA based Urban Lights Band is an eclectic group of musicians and artists who harness the power of all styles of music to create unforgettable experiences. They are seasoned professionals committed to providing quality musical showcases that bring various audiences together. Their global mission is simple; aspire to inspire! If you are in the Boston area you can find them at:  May 25th 2019 – Darryl’s Corner Bar & Kitchen- Boston, MA June 20th, 2019 – The Milky Way – Jamaica Plain June 21st 2019 -The Middle East Night Club (Corner Room) – Cambridge, MA Hook up with Urban

Royal: “Letter To Cecil” narrates his hardships, his grind and his contributions

Royal is a hip hop artist who currently resides in Hockessin, Delaware. He understands the importance of giving back and he performs at dozens of middle schools and high schools. In the past, he has donated the proceeds from concerts and albums entirely to the community, spreading his generosity to the surrounding neighborhoods. Royal has performed alongside artists such as Waka Flocka, Meek Mill, Yo Gotti, YG, and Tory Lanez. His latest project is the single, “Letter To Cecil”. Here Royal seems to be hungrier than ever and is out to remind hip-hop of the abilities that should eventually bring

illrecur: “Mnemonics” – beautifully spun and gorgeously told wordless narratives

Music is a powerful ‘stream of consciousness’ enhancer, because it literally lights up both hemispheres of your brain, releasing a constant current of dopamine. The best kind of music for this experience is lyric-free instrumental music. The main reason instrumental music is so effective is that it engages the emotional centers of your brain, while avoiding to activate the verbal reasoning areas of your brain, necessary when there are lyrics. Hence your emotional focus is never interfered with, and allowed to evolve and expand freely.

In a time of truly fiery political, cultural and social rhetoric, people have been diving ears-first into the expansive realms of instrumental music in droves, putting on mood-inducing pieces to chill out to, to do work to, or to simply lose themselves in. And while the eternal question of whether using instrumental music for those purposes belies the artistry that went into it, make no mistake: the art is highly appreciated.

Thus, with heightened interest in the genre, it’s no wonder that touchstones by underground instrumental artists like illrecur have been gradually appearing on more and more playlists. The interest works two-fold, because it also inspires the artist to be more creative and prolific.

Consider for one moment that illrecur has created and released five new albums for 2019 alone, and we’re not even half-way through the year. The album titles which can be found Bandcamp, include, “Evolu”, “Then were once than”, “Tautochrone”, “Upsodown”, and the one we’re currently contemplating – “Mnemonics”.

At this point, you’re probably wondering who this prolific artist may be. Well, illrecur is the moniker used by Jeremy Allen Pursell. The American based music project founded by, and consisting solely of Pursell himself, has released 39 albums since 1997, exploring a wide range of styles and experimental ideas.

His beautifully spun, gorgeously told wordless narratives are capable of transporting you to within an earshot of his mindset in an instant. illrecur is also one of the few instrumental artists who rarely overstay their welcome, and he proves it consistently on “Mnemonics”.

Only a handful of the tracks last longer than 4 minutes, while more than half of the 21 track compilation, never reach the 3 minute mark. That’s an indelible sign of enormous control, restraint, and above all, focus. On this album release, illrecur proves himself unafraid to bring the momentum of his work front and center, adding thumping beats and rising actions to a sound that can only be described as epically cinematic.

At times he is playful, as on “Terrius”, then profoundly thoughtful on “Sonexia” and “Conditions”; experimental and videogame-like on “House of Bronze” and “Sanctions”; and then ambient-sounding on “Scar of a Figment” and “Voltameri”.

illrecur comes into his own with cinematically dynamic tracks such as the opening “The Just Thing” and then “Emanating Regulations”. Here he wonderfully manipulates the string and horn arrangements into heavy layers of thunderous drama, creating feelings of tension and concern.

Both of these compositions, alongside a few others, could easily lend themselves to epic movie scores. Often the intrigue of this record comes not from its structures or instrumentation, but instead how the compositions react to your expectations, beguiling and intriguing you regardless of intended mood. It’s a fascinating record that appears custom-made for these equally confusing, fascinating times.

Curveballs arrive unannounced, as in the case of “AuroraDigm” with its crunchy industrial guitars, or in illrecur’s theatrical orchestration on “Carver”, which complimented by an energetic experimental sound, fuses together to create emotional pandemonium. There is much variety throughout the tracks to change the listener’s perception of the surrounding atmosphere.

This helps portray a variety of moods as the elegant strings and magnetic piano chords often accentuate the heavy booms. Compositions may change multiple times from smoother inflections to blunt clashes of electronic noise, showing the roller coaster of astonishment or disquiet being portrayed musically.

Using the emotional tone that it sets for itself as well as its climactic moments to its advantage, “Mnemonics” manages to engage the audience with roaring and suspenseful climaxes, as well as amounts of tension, excitement and even playfulness, and it succeeds in doing so, by also detaching away from many of the standard instrumental music clichés. It’s both ambitious and imaginative!

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