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Flyguytk & BigMoneyAce Deliver Anthemic & Groovy Trap/Jazz Fusion Single ‘Religions’

About The Release Flyguytk releases an anthemic, grand, and powerful trap/jazz single ‘Religions,’ featuring BigMoneyAce. The release features a groovy beat with a vocal performance that will grasp the listener. ‘Religions’ will hook the listeners in with the lyricism and mesmerizing instrumentation. The single delivers an uplifting progression, a driving bassline, and a raw, uplifting vocal by the artist. Undoubtedly, the single has the ability to resonate with the listener as it contains a unique style and sound that will have people playing it over and over. Flyguytk does an outstanding job of keeping the track refreshing and engaging through

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Kindle Flame – “Get In My Bag” – an exceptional flow and a gift for conveying emotion through personal experience

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LS Muzik Group Presents Dru Yates & Blac Lou Caine off the upcoming “Real Muzik Revisited: R&B/Hip-Hop Vol.1” Compilation!

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Pulse take the fans of industrial metal on a journey through time and space with the video for their song “Black Knight”

For 13000 years, the Black Knight satellite is said to orbit our planet. There are many theories about this mysterious object. What is its purpose? Was it made to spy on us? Does it have an influence on our future destiny? Does it even exist? All these questions are discussed in “Black Knight”, the latest single by Austrian cyber metal band Pulse, which will be released on May 29 by NRT Records. Fans will get a first taste of Pulse’s upcoming album “Adjusting the Space”.  In 2014, Pulse was founded by Nemesis, singer of Astaroth. Besides him, bassist Vidar,

INTERVIEW: Songwriter and Producer from Norway -VOFF

VOFF is a songwriter and producer from Norway. He has just released his debut album “Know You”, which contains 17 songs in a wide spectrum of styles. The album is created to motivate people and inspire them to live out their potential through telling his own story of changing his mindset after a traumatizing childhood. VOFF’s intention for the future is to continue to make music with like-minded people, travel the world and experience different cultures to expand his knowledge so he can be more creative with his music production and songwriting. Can you tell us a bit about where you come from

Eli Purks – “Music Is A Revelation” happens to be one of the best groove tracks of the year!

It may be 2030, but don’t ever think for a second that the power of funk and disco has totally gone away. Eli Purks takes these flavors and blends it into his explosive pop aesthetic on his latest single release “Music Is A Revelation” – a true bass-heavy and jangly guitar throwback that also just so happens to be one of the best groove tracks of the year. Purks marries the worlds of ’70s dance and funk with modern pop music, pulling the track into 2020 with ease. From the very first moments, when the guitar jangles rush in, it’s

TheDarkhounds: “Cheltenham Calling” – plays off multiple vocal layers

Xander AKA TheDarkhounds is a solo musician, producer actor and model who won a YouTube partnership based on his vocals, while obtaining a music degree at university. He has done professional modelling and appeared in the British newspaper “The Sun”. TheDarkhounds who has self-produced and published 3 albums so far, has also appeared on TV for ITVs ‘Dark Angel’, and BBCs ‘Poldark’ as well as in music videos and in film. The musical direction that TheDarkhounds pursues in his latest solo effort, “Cheltenham Calling”, should not be surprising to anyone who has long followed the development of bands like Depeche Mode, or Darkwave music in general. TheDarkhounds is somewhat more expansive creatively, and less mainstream, sonically. And can be a whole lot bolder when it comes to song titles. As is confirmed by the explicit album closer – “Anal is Not for the Faint Hearted”.

TheDarkhounds’ restlessness steers his music towards dark sounding themes, layered electro-synth instrumentation, and echoey vocal effects. The opening track “Cheltenham Calling”, plays off the multiple vocal layers, the angular synths, and the high-paced rattling drums which is buried under the busy mix.

The pounding “Failure of the Family” features eerie-sounding basslines and ear-catching circular strings, evoking, albeit from a distance, Gothic laments and sentiments. TheDarkhounds’ vocal sorcery again being the focal point of the arrangement.

This is followed by the simmering keyboard orchestration of “Dreaming Alone”, which is pushed forward by the insistent percussion and TheDarkhounds’ deeply reverberating delivery. The banging urban-like beat on “All Kindz”, comes as a surprise, and a refreshing one at that.

It forges a different sounding landscape to the previous tracks. Its sounds more urgent and edgy and fits the ominous, mesmerizing effect of the vocals. This may just be the best track of the bunch.

TheDarkhounds’ songs feature artsy elements but are emo-throttled at the core. The ambient tendencies in the synth patterns for “She Can’t Help It” create moving pictures anchored by heavily chained beats with sumptuous emo-driven sonic furls.

TheDarkhounds vocals dig in deeply while thronged by roguish electronica. “Let You Win” has smooth, fluid lines that are stacked by buzz-saw stylistics and Brit synth-wave laden electronica. Throughout the recording, TheDarkhounds’ voice moves between sultry vocal stroking and sticky barbing that is charming with its melodic flourishes.

Intensely busy, and dramatically pertinent, the pornographic theme of “Anal is Not for the Faint Hearted” will pluck at your sensibilities, but that’s exactly the intention – to see the dirt beneath our feet in this technologically inclined, modern society.

There is something incredibly raw and authentic this track. It’s a song that not many would be as daring to pull off, as TheDarkhounds flip the commercial music aesthetic on its head. TheDarkhounds’ developing sense of structure to music and lyrics show in his acute indie-rock songwriting sensibilities and willingness to take risks.

“Cheltenham Calling” is a recording that presents a melting-pot of raw talent and a fresher approach to making electronic music in the 21st century. Musically, and lyrically, TheDarkhounds has no fear of going to the edge of excess and then taking it just that little bit further. So it’s fair to say that on this album, he is carving out his own identity. Which in today’s climate, is indeed no easy task.

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