Still Hustie & WILDZ XL – “Vicious Circle of the Wildz” – another important message that the world needs to hear

Hip Hop is incredibly accessible.  If you have any performing, rhyming or poetic talent – you can tell your life story, through rapping, a beat and accessible means. This makes it globally significant – people can put their own spin on it, and express their individuality, or a collective message. Rappers, as poets, have always been a good reflection of the heart of a community. They take ideas out of the community and spread them to the rest of the world. Sometimes its stuff that’s positive, often times its stuff that’s negative. At best, it’s engaged in social, political and

MrWho??? – “Paint The Sky Funk” – A mega release that fans will devour

Ever heard of the ‘Funkjazzhop’ music style? If not, chances are you’ve never heard Dallas-based jazz/funk/hip hop, artist, producer and eclectic adlibber, MrWho??? And that’s not a question, it’s a damn statement! Coincidence would have it that MrWho??? and the granddaddy of funk, George Clinton, share the same birthday. And that’s not all they have in common. Influenced by the likes of Cameo, James Brown Barkays, George Duke, Lakeside, Maze, and Earth, Wind & Fire, MrWho??? set out to make an impact amongst colleagues and peers. Fate would have it that during 2019, the Dallas creative was approached by Maurice

Gual – “Get Down” – a retro-wave 80’s groove that is total wonderfulness! 

By the age of 10, artist and producer Gual had picked up his first guitar. Two years later he was experimenting with music production, using a Korg Poly-800 synth, his guitar, and an old Panasonic dual cassette recorder. These days Gual is still channeling all of his energy and passion into his music with a nu-disco single entitled “Get Down”. This is an excellent electronic dance track album from Gual. Fat synths, smooth syrupy and soulful vocals, and thick funky basslines make this track a must have for anyone who appreciates any disco or dance music. The whole track has

Love Ghost Premieres their brand new video “Let It All Burn”

Message from lead singer/songwriter Finnegan Bell: “Let It All Burn” is how I see the world through my 18-year-old eyes. The hypocrisy and unwanted advice that weighed me down during senior year led to this song. My Dad being diagnosed with stage 3 cancer made me more determined- “fuck what they say, I make my own way”. The song was produced by Danny Saber (Rolling Stones, U2, Marilyn Manson, David Bowie). The music video was directed by Dean Karr. The promise of his early work led to Karr being asked to direct Marilyn Manson’s “Sweet Dreams.” The resulting piece drew

Denny Strickland sees Margot Robbie’s Harley Quinn character as inspiration for new song

Denny Strickland’s new track, Harley Quinn, dropped on Friday 25th October: His inspiration for the song comes from the character Harley Quinn in DC comic-book movie Suicide Squad, which was released in 2016. Denny explains, “At the time I wrote this song, I was watching Suicide Squad and I really liked Margot Robbie’s performance. I imagined her drinking gin and smoking in the club like the bad bitch she is and the lyrics just came to mind. The rest of the song just flowed out from there referencing Louis Vuitton, Lamborghini, Johnny Cage (Mortal Kombat) and my favorite mustang Fox

MARK HENES RELEASES NEW SINGLE – “STRIP ME DOWN”

The latest from the Nashville songwriter bursts at the seams with pop punk energy. Known for his ability to seamlessly shift from genre to genre, Mark Henes has established himself as a versatile and reliable performer with a deep knowledge of American music.  With the casual defiance of “Strip Me Down,” he embraces the golden era of pop punk, adding to his already impressive catalog. One of Henes’ great strengths is his ability to create instantly memorable hooks.  That ability is on full display here, as he sets up a huge chorus over a wall of gritty power chords.  “How

Nigel Walton Releases His Album “RCA 44” To Great Acclaim!

Having recently completed his first album, “RCA 44” of both original songs and covers to great acclaim with 14 Records of Royal Leamington Spa, Nigel Walton is much in demand as a session vocalist for his unique smooth, mellow tones in his favourite musical styles of light jazz and blues. Following the release of “RCA 44”, it recently aired on Toronto Jazz Radio Berlin Jazz Radio, North Carolina’s Jazz Radio, Pennsylvania big band radio the UK 40s and 50s Radio, Chat and Spin Radio of Tyne and Wear, and Manx Radio, Following a promising audience with Donna Soto Morettini, one

ACE DIAMOND Releases his brand new video “BAD ASS HILLBILLY BAND”

ACE DIAMOND’s brand new video just released this week on YouTube is fun/upbeat tune that will “knock your socks off”. “BAD ASS HILLBILLY BAND” will get your body movin’ and you can dance the night away with this hard-driven Rockin’ Band! “ACE DIAMOND” “performs in a reckless abandon style that’s hard to match! “BAD ASS HILLBILLY BAND” is Ace’s follow up to his big HIT: “GET YOUR BOOGIE WOOGIE WORKIN”, which has spent 36 weeks on The “EURO INDIE MUSIC CHART” – UK! It is still #8 as of 10/27/19! ACE DIAMOND is hit bound again! Ace Diamond is a

Canadian recording artist & songwriter The Upper Tunist, releases the album “5 Old Piano Songs”

Canadian recording artist & songwriter The Upper Tunist, has just put out an album titled “5 Old Piano Songs.” At ten minutes run time you can hardly say you don’t have time to listen to it. These are songs that could have been re-recorded, but The Upper Tunist and his close fans love the original song’s energy and the way they capture moments in his timeline. It’s available on almost every online music store and distributed by Distrokid, so you’re only a couple clicks away from enjoying it yourself. The style is all piano & lyrics with no band &

Global Scum – “Odium” will rattle out your teeth’s fillings!

Austrian musician and vocalist Manuel Harlander gained experience as a guitarist and frontman in various projects at an early stage. These finally culminated in the desire to give space to his creativity and the creation of his solo project Global Scum. Harlander growls, plays all the instruments himself, and is also responsible for the recording and mixing. The new album by Global Scum, entitled “Odium”, is a hard hitting Groove Metal scrutiny of a corrupted world. It reminds me of all of the Soulfly and Sepultura trademarks metal fans love. Bludgeoning heaviness combined with machine-gun beats and a bone crushing

Deane Nesbitt Jr. – “Soundtracks in the Sand” – The meticulous sculpting of soundscapes

Although Deane Nesbitt Jr. has composed music for years, he does not read music. His unique background consists of practicing law for 16 years, co-founding an investment management company and writing an illustrated history of a 1912 investment bank. Deane’s music has been aired on more than 300 radio stations across America and Canada. His recent CD, “Music in Search of a Movie”, won the Philby Award in the United States for being one of the top 100 music CDs of 2015 and the Best Dramatic Music of the year. The album ranked on five CMJ charts for New World Music, reaching one of the top three positions on each.

Deane Nesbitt Jr.’s latest album “Soundtracks in the Sand”, which was inspired by films that contain Deane’s music, includes African, Caribbean, Mexican, Celtic and North American influences. Instrumental cinematic music can be a rather sticky topic.

One man’s music is another man’s molasses, as they say, especially when the music in question, is not accompanied by the imagery it was designed to enhance. Now, Deane’s music is quite something. The meticulous sculpting of his soundscapes, allows them to flourish without the filmed imagery, because they create their own. However clichéd that might sound, it’s the absolute truth.

The music on “Soundtracks in the Sand” is luxuriously layered, textured and pristine, thanks in no small part to modern production values and the ability to present crystal clear-cut compositions.

The listener who wants to fill a gap in their music collection with at least one long-running cinematic-styled instrumental  release will probably have to look no further: this is Deane Nesbitt Jr. at his quintessentially lushest, every track indexed yet connected, ushering forth reams of cascading piano notes and orchestral arrangements that unfurl and glide at differing paces.

There is no set scheme, no unilateral template, and no manifesto, except the will to emote and delight. It is a tapestry of moods and tones which are totally engaging. Deane’s well-defined approach and knack for creating picturesque imagery is in full force- whether it’s the joyous, energetic rhythm of the opening track, “Upbeat”, or the slower piano orchestration of “The Heroine”, and the foreboding “Legacy of War”, with its booming percussion and anthemic strings.

“Tracking The Soldier” has a calm, reflective vibe thanks to the lush soundscape and gently flourishing dynamics. The production is spot on capturing the spiritual, sublime Celtic sound that this track has to offer. Deane’s high-definition piano beautifully introduces the African flavors of “Change for Chimps”, featuring a vibrant vocal choir and interesting percussive deviations.

“Angels of the Ice” delivers soothing, sonic waveforms that instill a vast, deepness of open spaces and peace. Rich strumming guitars bring in the Mexican-flavored brass of “Chihuahua”, in another song which rides on Deane’s predilection for melody and harmony.

“Niagara” returns to the epic cinematic sound, before the album closes down with another taste of Deane Nesbitt Jr.’s delectable piano playing on “The Best That Can Be (Reflective)”. This is music that will still retain its artistic intent and expression through time. “Soundtracks in the Sand” doesn’t simply let you listen, it holds you hostage from the beginning to the end. Headphones are a very good idea too.

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