Project Grand Slam, the acclaimed band led by celebrated bassist/composer Robert Miller, has re-released their single “Get Out!”, Miller’s anti-Trump political protest song. Like many Americans, Miller has been profoundly upset by so much that the president has said and done. In response, he wrote “Get Out!”, which does not mention Trump by name but nevertheless contains a clear message. Says Miller, “I wrote the song last fall in response to all the insanity of this Administration, which I thought at the time couldn’t get any worse. But with the ongoing impeachment inquiry the song is even more relevant today”,

Trey Connor to Release Single “Heavy To Hold”

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Butta B-Rocka Releases Uplifting & Emotional Single ‘Promise Land’

On Tuesday November, 26th– Butta B-Rocka returns with an uplifting, groovy, and powerful folk/world music single ‘Promise Land’. The melancholic single features a modern, melodic beat, powerful instrumentation, and an angelic vocal performance by Butta B-Rocka. From the beginning, you are able to hear the African influence in the music. Moreover, the single spotlights the artist’s vocal abilities and her angelic tone. Undoubtedly, the single has the ability to grasp any audience as it contains a unique style and sound that gives the track a feel-good identity. The powerful message and instrumentation of the single will take the listener into

BWH Music Group Releases ‘On Peace Street, Vol. One,’ by Various Artists’

BWH Music Group’s ‘On Peace Street, Vol. One,’ by Various Artists, contains a collection of 19 original songs in various genres by today’s best independent artists and songwriters. Sharing songs about peace and social justice, the artist’s songs will ultimately remind you of the importance of peace, fairness, love and unity. Filled with meaningful lyrics and exceptional music, this playlist is an example of how music can influence, and even change, people, movements, and society. “I Wish I Was Wrong” – The Reverent “I Wish I Was Wrong” highlights environmental and ecological disasters as well humanities impact on the world

Rico Homicide – “Nothing to Lose” – a fire-and-brimstone approach

Born in Springfield (MA), Rico Homicide started out as DJ Homicide at age 12. His hunger for succeeding in the music business allowed him to work with big name stars and also become a DJ/Host on during the 2000’s with owner Yukked Up. Besides being on illradio, Homicide’s music was played from Hot 97 in New York to Hot 93.7 in Connecticut. Currently Rico has dropped his latest single, entitled “Nothing to Lose”. This song shows how the artist has matured over the years and how he is moving towards becoming a huge voice in underground hip-hop. The track doesn’t

“Ketamer01B (simm’ a MAFIA)” by Italian DJ/Producer Doc Ketamer

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Monjyoti – “Neighbor Syndrome” is meticulously structured

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Pat Rossi – “Let you Go” – embellished with impressive vocal and instrumental décor

Pat Rossi is a self-taught multi-instrumentalist, songwriter, singer and producer. He is also the founder and front-man of the popular Canadian Rock band The Falling. Rossi, whose acclaimed songwriting skills led him to perform with Bon Jovi after winning the XM/Serious Satellite Radio Songwriting Competition, has now set his sights on being a solo artist. The artist who has worked with, and performed alongside names such as, 3 Doors Down, Gilby Clark of Guns N Roses, Jonas and The Massive Attraction, among others, brings to the table his latest single, “Let you Go”, via the RedJam Records indie label. The

lIne – “I wanna kill you in the shower” will certainly garner critical acclaim

Kristoffer Hilmarsson, the artist behind -lIne-, has been in several band line-ups before the forming this project. Hilmarsson has also performed at almost every open stage in his home country, Sweden, as a solo artist. In May 2019 he decided to move his career to the next level by creating -lIne-, and has released 3 singles since then, including “I wanna kill you in the shower”. From the opening jangling jazz guitar intro of his first single “Where You Are”, to the last reverberant notes of his latest release, “Lovely”, you’re subjected to an incredible journey that seamlessly straddles a

Omar Bowing – “Paradox” – is simply breathtaking in its composition and emotive power

Atmospheric, ethereal, moody, dark, progressive … these are all words that come to mind listening to the opening bars of “Paradox” – the latest track from Omar Bowing, featuring singer Tyson Yen. The music is as one would expect from this consummate composer and Guitarviol player – engulfing and entrancing. Using a whole host of rock driven instrumentation, it should not be surprising that the soundscape is lush, expansive and blasting. “The idea of the song,” explains Bowing, “is about the recognition of the power of a Paradox to challenge or even destroy a concept, idea, belief, etc., that is

Gentry Fox – “RDSV2” – a breath of fresh air in a redundant landscape

Gentry Fox’s debut solo project “RARE DEMO SHIT (vol.1)” aka “RDSV1” was released independently on his label SUB|ROK RECORDS in August 2014 to critical acclaim, and since then the rapper, hip-hop recording artist, record producer, actor, director, designer, label executive, and visionary entrepreneur, has been scrupulously conceiving, recording and producing the follow-up. Five years later, we have the 16 tracks which make up “RARE DEMO SHIT (vol.2)” aka “RDSV2”. Described by the Wyoming rapper himself, as “a musical narrative about a small-town hip-hop artist and his journey of self-discovery through life, love, fear, and death,” this album is considered the official sequel and spiritual successor to his debut project.

Debut albums are always crucial. It’s a first impression that really shows what you are capable of. But then it’s the sophomore release which determines your overall status. It can make or break you, by confirming or denying your initial commitment.

Gentry Fox has already proven himself as a fantastic lyricist, and shown that his music can speak for itself without of having to rely on gimmicky sounds and weird features. And now he certifies that initial impact with “RDSV2”. One thing that is immediately noticeable when looking through this album is that there isn’t a single guest feature. An absolute rarity in the current scene, where features abound.

Gentry Fox shows how capable of holding down tracks he is. And when I say ‘holding down’, I don’t simply mean rapping. I mean, the lyrics, production, arrangement, mixing and mastering, as Fox does it all. Heck, he even handled the artwork and scratching. “RARE DEMO SHIT (vol.2)” is without a doubt one of the best solo albums in its genre we’ve seen in 2019.

Firstly because it’s a true solo album in every sense, and secondly because it’s so damn good. Every now and then someone special comes along. You find yourself a student of the craft that is working his education to do something undeniable. That someone is Gentry Fox.

It’s hard to keep up with quality artists when we’re fed so much filler, but the minute you press play on the opening track, “Resurgence”, you know you’re onto something great. Gentry Fox is a breath of fresh air in a redundant landscape dominated by one-trick ponies with auto-tuners.

His lyrical flow dominates, but so does his storytelling, as he paints picture after picture throughout this album. The cinematic opener is inspirational, heartwarming, as well as disturbing, perfectly encapsulating what to expect as listeners voyage through the album. And if that isn’t impressive enough, the gritty thump of “Affirmatory” should convince you.

The perfect blend of old school and new school, backpack and boom-bap, classy and raw, lyrical and catchy, the tracks on “RDSV2” explore new horizons while never straying from Fox’s roots. Almost everything he touches is perfectly well-rounded.

From kaleidoscopic banging standouts like “Assimilation” and “Absolution”, or slower nuanced cuts like “Otherground”, “Synesthesia” and “Sayonara”. However, it’s on the catchy mid-tempo numbers where Fox excels. In particular on “Solstice”, “Wanderlust”, “Valhalla” and “Destiny”. From start to finish, this album is strong, as each track continues the overall narrative.

As usual, Gentry Fox’s lyricism stands out right the way through as the Rock Springs native spits killer lines. It’s his voice, which anchors an already solid recording, and is crucial in getting the album up and running on all cylinders.

Throughout, Fox conveys lyrical prowess, raw storytelling chops, and poised technical skills. Furthermore, his charged instrumentals, balance the emotionally driven content. What more can you ask from an album in 2019?


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