Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

Baby Lu releases her first single “Bad Stuff” on all major streaming platforms

Luna Elisabeth Jezebel Pool aka Baby Lu was born on February 5, 2002 in Frankfurt, Germany. Lu began singing and songwriting in her early teens and went to several music auditions where she was rejected because of her young age. She then decided to start making her own music after graduation in 2018. As she didn’t have any connections yet she wasn’t able to produce something properly. In 2019 she met the producer Austin Asiegbu (2aBeaatz) and started to produce her own songs. Pool has cited Adele and Demi Lovato as her major musical influences. Her other influences or inspirations

Suave DaGoat – “DaGoat” makes sure that the raw intensity never lets up

A father and a husband, 28 year old Maryland rapper, Suave DaGoat is making his way in the rap world, and his album, “DaGoat”, embodies his way of telling us that he’s about to step up his game. It’s a statement that he’s watched the legends of the genre and he’s about to show us exactly what he’s got. If you want a mix of cinematic vibes, and beats that you’ll find yourself wanting to move to, then you’ve well and truly been delivered. The album continually switches things up and down, so you don’t find each song sliding into the next, unnoticeably. It feels like a rollercoaster, as you settle on a slower beat and then find yourself thrust into a quicker one. All the way through Suave DaGoat makes sure that the raw intensity never lets up.

Choosing a favorite from the 10 songs available here, proves more difficult than expected. But the opening track, “Goat Talk” will quickly catch your attention for its clever, confrontational lyrics and relentless flow. If you’re a sucker for songs with both meaning and technical superiority, then Suave DaGoat has managed to hit the nail on the head right from the get go here.

“Count Me Out”, keeps you in the room, the beat is warm and expansive, and captivates your attention span. Though he uses many moments to reflect deeply, Suave DaGoat makes serious moves on the mic without ever getting strung up for the loss of words, which come thick and fast.

The richly and beautifully orchestrated “All That I Have”, is ferociously and breathlessly charged. It’s fair to say Suave DaGoat is taking his turn, and he’s pushing it to the limit, showcasing all the skills in his artistic toolkit.

Best of all the polished production throughout the album, compliments the experience and confidence that oozes from Suave DaGoat’s verses. “One Shot” bangs in more ways than one with a skittering beat, as Suave manages to combine the rawness of a streetwise anthem with the refined talent you can only forge when you have mastered your craft.

“Gun Smoke” sets its tone with an epic, dark, and hard-hitting slow-burn production, and an eerie ringing chorus. Suave DaGoat, flaunts his rhythmic approach, sometimes haunted, but always giving off vibes. “Who Tf Are You (feat. Rickia Ranise)” flaunts another superbly orchestrated production, which unsurprisingly fuels Suave’s fire. Rickia Ranise shines on the memorable, melodic chorus, while the verses continue to find Suave flexing.

On the whole the sound of this album is both warm – with the classically-influenced orchestration – and hard-hitting, with the animated drum programming and resonating basslines. “Controlling Me” and “On The Line”, continue to push this engaging formula in the same mesmerizing direction, while Suave DaGoat continues to bless us with an agile flow and sharp lyricism.

Every moment on “Fuk’d Up” is riveting, blending a mélange of flavors; a heavy bassline strung under eerie strings and keys, a throbbing beat and sinister hi-hats. As usual, Suave DaGoat pulls off his musical dalliances in catchy and likable fashion, as the concoction of sounds and rhymes up the excitement quotient.  The album closes with mellifluous groove of “Relapse (feat. FrayGo)”.

Suave DaGoat’s poise, evident all across “DaGoat”, and his creativity really make this album shine a lot brighter than most of the other Hip-Hop stars riding the airwaves these days. Moreover, this album serves as a perfect breather from mainstream rubble. “DaGoat” is a great driving, or sitting back album, and I definitely recommend it for multiple listening, wherever you may find yourself.

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