Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

FINN: “Entanglement” shows a profound sense of musical maturation

Hailing from Melbourne, Australia FINN (Mark & Luke Finn) has released various singles and albums over the last few years, including last year’s 4-track EP, entitled “Entanglement”. FINN hits the ground running with this Ep. Their brilliant songwriting ability as well as unique, lyrical guitar styles shows a profound sense of maturation. This sound’s almost like FINN’s finest hour- a concise collection of smooth, easygoing songs that create a renewed vision and provides further depth to the duo’s ability to tell great stories and rock out elegantly while doing so.

The EP Cover

The EP Cover

“Entanglement” has the kind of artistic and production style quality, you would expect from major label artists such as John Mayer or Mark Knopfler – FINN displays that very same, understated performance energy, brimming and burning with creative brilliance. The flawless production, the superb guitar playing, and the amazing songwriting all add up to something akin to a blooming flower. You know that it won’t last forever, but, damn, you just can’t help sitting and enjoying it while it’s there. It doesn’t seem to aim for dizzying heights on the outset…it just ends up there, by the time you reach the closing track.

“Entanglement” opens with “City Lights”, a gentle warm-up, with an upbeat rhythm, a crunchy guitar and a whispery vocal that gets the EP up and running. The soundscape unfolds into a gentle, electric piano and guitar lullaby, on “Little Melissa”, which steadily climbs to a harmonic vocal climax. By now you start to realize that maybe, just maybe, you’ve found a classic.

Luke Finn

Luke Finn

The playful guitar strum and acoustic-bass pluck, of “Squirrels on Limoncello”, presents a colorful and joyful sonic burst. But, for my money, the highlight is the EP’s slow-building, indescribable bare-boned acoustic finale. You’d be hard-pressed to find a more incredible, awe-inspiring album ender than “Summer Lullaby”. It remains gentle throughout, but between the intoxicating words and the quiet but nuanced vocal delivery, it sends chills down your spine.

You know that song at the end of an album that is so amazingly cool, you find yourself starting the album over in your excitement? Well, “Summer Lullaby” is that song. Funnily enough, it probably isn’t the song that most people would buy this EP for. But I think it is the one that will make them come back to FINN, again and again. With “Little Melissa” being a real close second, in my book.  However be assured, the rest of this musical effort makes this a must have piece of music.

From breezy, jazzy journeys to bluesy pop escapades, this duo are genuine craftsmen. I may be biased, but if you sit down and just listen to the organic instrumentation, the lyrics, and the vocals, you’ll see that each song has something to say. The songs are easily accessible and melodically catchy. On top of that, FINN’s music has a crystalline clarity that music should always strive to equal. Not only are the songs on “Entanglement” wonderful but the order in which the FINN put them on the EP is also very well thought-out, to my mind.

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