Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Steve Lieberman: “The Gangsta Rabbi’s Quadrophenia” – completes a story of a sound that has made its way through history

I’m a Steve Lieberman ‘The Gangsta Rabbi’ fan. Consider the fact that this is only the second release of Steve’s that I have heard, having just recently reviewed his “Terminator V617F” album. What attracts me to Steve Lieberman’s loud, aggressive and sometimes dissonant sound? Simple. I don’t just hear musical notes. I hear a man on a very personal musical mission. And this has nothing to do with the usual pitiful rhetoric concerning Steve’s terminal illness. Or maybe it has, in the sense that he is literally playing the crap out of his instruments with an explosive energy and sense of abandon like he was going to be living for another one thousand years on another planet somewhere in the galaxy!

“The Gangsta Rabbi’s Quadrophenia” contains 18 pieces of hardcore punk-metal, created to complete a story of a sound that has made its way through history. This sound is infectious. The assault of guitar and voice is without a doubt one of the strongest of modern American rock. I view ‘The Gangsta Rabbi’ as something of a Punk Rock anti-hero with the politics of an emotive soul. Why? He explores every emotion possible and then some – and the music stands right beside the words presenting each and every song as the continuing story of his life.

Steve Lieberman

Steve Lieberman

Steve Lieberman ‘The Gangsta Rabbi’ is pure genius amidst an ocean of corporate rock tradesmen, and “Quadrophenia” stands tall as an exception to the rule…any rule…every rule. Steve’s music has no rules. Its free, it’s wild, and as such reaches and crosses, borders and boundaries that our conventional mainstream ears find difficult to comprehend or follow. The original “Quadrophenia” recorded by The Who was about that awful period between being a teenager and being a real adult. And it captured that bewildered rage and frustration that goes with that whole stage of life. Songs like ‘The Real Me’, ‘The Punk and the Godfather’ and ‘Dr Jimmy’ boil with anger; others, such as the suicidal-tinged ‘Drowned’ (for my money the best song on here and one of the most beautiful melodies songwriter Pete Townshend ever came up with), and ‘Bell Boy’, the pathos. The story follows the early years of a young man, Jimmy, growing from adolescence to nearly killing himself due to his fall into the depths of depravity in the whirlwind world of the Mods and Rockers on the south coast of England in the early sixties

Steve sings, shouts and even screams if he has to. He has violent emotions and then tender insights, encapsulating the original, intended song emotions, but he extends and blows those sentiments into total outrage. And that’s the way this disc is: over-driven, overblown, guitar-induced punk-metal and highly emotive song crafting. Lieberman taps into the subconscious and makes music that simply blows the term ‘conventional’ away, by progressing from the raw aggression of “The Punk Meets The Godfather” to the sublime maturity of “Is It In My Head?”. Maturity is a word I select because it shows people being forced to deal with their problems instead of simply observing them. The Who dealt with theirs, Steve is dealing with his. What are you doing about yours?

There’s a lot to absorb on this record and it’s still well worth the effort to do so today. The writing approaches volatile subject matter thoughtfully, and with great insight. Steve Lieberman’s delivery is atypical, powerful and outrageously original. And without a doubt more anti-conformist and anti-establishment than The Who could ever possibly have imagined when they made “Quadrophenia’s” original musical and lyrical statement.  And that’s really saying a lot!

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