Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Mooncry: “A Mirror’s Diary” – From the get-go, the album opens with gunfire!

“A Mirror’s Diary” is a crushing album from the German metal band, Mooncry. Anyone who likes creative, intelligently composed music, with amazing players, should give it a shot.  Overall the playing is as good you would expect from this type of band. In particular, Alex Schwenk (on bass) and Philipp Zeller (on drums), give stellar performances.

In fact, drum-heads should pick this up immediately, as the rhythm section absolutely crushes it. But all-round the band is smoking hot with Sali Hasan on vocals, Berthold Miller on guitars and Enno Hahn on keyboards.

The album cover artwork

The album cover artwork

To keep it short, this album is simply brilliant. The album retains the masterful, driving energy of its predecessors while at the same time revealing, growing lyrical depth and maturity in Mooncry’s song writing. Therefore it comes as no surprise that “A Mirror’s Diary” won an “Album Of The Year” award.

From the get-go, the album opens with gunfire, the drum salvo comes in with force, a common theme in the album, the drums are right there powering the songs.

The songs are all masterfully crafted, drawing on Mooncry’s strengths; its strong powerful lyrics and overdriven amps and tension-filled guitars. Many of the songs hit you like a train with their powered riffs. Every song feels fresh and the album flows quite well.

The riffs are more complex than before and the vocal melodies are better than ever, with Sali Hasan testing his range on such tracks as the epic “Puppet Crow” or “Defamed Pride” and “Pictures of Thee” among others. It’s admirable to see him moving to new levels with his trademark voice. Much more care has also been taken in song construction and the songs have some great lead parts and more diverse structures, even some cleaner portions, making this their strongest album to date.



The Eastern-tinged “Scylla” was meant for radio, but more so it’s a blistering assault on the ears. Likewise, “A Thousand Lives” and the fierce and nasty “Burning Curtains” are venomous yet catchy and downright crunchy. Track after track this is also a rollicking affair, keeping the album’s intensity genuine.

But most surprising is The Beast Within Me with its swirling, brooding dreamy acoustic guitars. It seems like a cousin to the album closer “Angel of Darkness”, which has its own voice…a very soothing one that explodes into a soaring one, and back again.

Make no mistake, though, most of “A Mirror’s Diary” is meant to please the headbangers and metal fans who like the harder side of Mooncry. It certainly does possess the best assets this band has to offer…fierce, crunchy metal that will seep into your brain upon the first listen.

“A Mirror’s Diary” represents the multifaceted ferocity and beauty of Mooncry. Containing some of the most heavy songs written, and even three atmospheric tracks that complement the end of the album nicely. With their third release, Mooncry really shines, harder and better than ever before.


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