Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

Craig Johnstone: “We Humans” – a master at crafting distinctive, memorable music

Craig Johnstone (formerly of This-z-This and Sledge Nicely & the Panty Bandits) is a passionate and dedicated Indie Rock artist currently living in Red Deer, Alberta. “We Humans” is a collection of home-recorded songs, written and produced over several years, most of which Craig has created and performed the majority of the sounds on.

He makes simple observations and twists them around into amazingly left of center songs. Craig is the freshest, most genuine, most original, most exciting, most intelligent voice to emerge in pop since…I can’t even remember when! He is an extraordinarily compelling mix of influences from the 1960s, 1990s and the 2000’s.

craig-johnstone-albumCraig Johnstone sets his wonderfully quirky stories to a blend of indie and garage folk-rock, infused with a plethora of theatrical elements in between. This record is like one of those rare occasions where somebody is rambling on to you about what seems like the most specific situations, and you find yourself nodding along the whole way through- because the same bizarre things happen to you, or because they don’t!

That’s what Johnstone is. He isn’t somebody to be analyzed or dissected because you’ll never work him out anyway. He’s someone to be listened to and understood. Period. His whimsical storytelling only becomes more compelling with the peculiar instrumentals and the off-the-wall sound production. To be frank, you either love Craig Johnstone, or you don’t. There’s no in between.

Johnstone’s voice maps a direct line to the listener’s soul and often lifts even the schmaltziest sounds above cliché. This album heralds in a recording of sonic experimentalism and simply stunning storytelling. “We Humans” is strikingly original; you will never, ever hear anything that sounds like it.

On first listen, there are a number of tracks over the album that veers dangerously close to a dissonant style, but that couldn’t be further from the truth. Craig actually smothers the songs in melody and then disguises them in over-the-top production echo and other effects or screeching instrumental interludes. “Ass Over Tea Kettle” may be a good example of this. “Big Rock Candy Mountains”, is another.

craig-johnstone-350If there’s anyone in the music business who manages to fend off the mainstream label so blatantly, it’s Craig Johnstone.  He proves to be a master at crafting distinctive, memorable music that would never find a place on the radio, with nothing more than his gravelly voice and some rock-meets-blues-meets-folk-meets-country backing sounds.

Listen to the chugging rhythm of “Ear Bastards”, or the acoustic driven spookiness of “We Go Together”. And of course, there’s his vocal range, which covers everything from atonal rasps on “Buttnugget 16” to achy crooning on the title track, “We Humans”.

“We Humans” is an eclectic masterpiece of an album that contains impressive, timeless songs of great lyrical depth, melodic beauty and stylistic variety, bordering on the absurd. Johnstone continually stuns with his ability to pioneer his own unique sound throughout the album without falling into any stylistic rut.

Whether you like Craig Johnstone as a phenomenon by himself or whether you like only certain of his styles, this album will not disappoint as it offers enough contrasting brilliance to surprise everybody.

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