Love Ghost – “Pillz (The Sky is Falling)” will now appeal to a much wider audience

It’s always great to see a band evolve and branch out in new directions. What is even better is to see them succeed at this difficult endeavor. With their latest single –  “Pillz (The Sky is Falling)”, we see L.A. based alternative rock band Love Ghost continue on the path of evolution into much more than a rock band . They incorporate trap beats, rock grit and rap verses, to really diversify their sound on this recording. It’s really impressive to hear this sonic distinctiveness which demonstrates this band’s talent, and their fingers on the beating pulse of modern trends. I

Kahbay – “Cayenne Pepper Boy” – an entertaining story with a vibrant template

Rising out of the gritty underground of New Orleans rap scene, Kahbay is a new emerging rapper, who has released a mixtape through his own music company – Greater New Orleans Sound. His music is regularly played around major venues in New Orleans, with Kahbay himself performing numerous times at the legendary Blue Nile. Spending much of his childhood around local parades and live bands he has been captivated by the craft since the very beginning. Now tackling global markets with his own personal sound and style, Kahbay recently dropped his single “Cayenne Pepper Boy”. Right from the outset, the

LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

DasMeter: “Evolution” – an uncanny knack for evoking pensive nostalgia in the present

Real-life brothers Darren (Keyboard, Drums) and Michael (Guitar, Vocals) are an American music duo project that goes by the name of DasMeter. Their debut electro-hardcore single “Mercury” was released in late May of 2015.  Now in 2017 DasMeter unleashes their brand new 13-track body of work entitled “Evolution”. Whenever you hear the words: “I choose you to be my partner in life. I promise you my unconditional love, my fullest devotion and tender care,” or “I promise to be faithful and to love, honor and cherish you all the days of our lives…”, beware, as promises like these, made by mere fallible mortals like ourselves are bound  to be broken.

Recent stats claim that over half of all marriages in the United States – a staggering 53% – end in divorce! So more than one in two marriages, where the above words are pledged, are proclaiming promises that will not be kept.

“Evolution” is born out of the failing of those pledges, as DasMeter compose the accompanying soundtrack that takes us through marriage, separation, and divorce. Up until now, the structural decisions, the subtle production touches, and the synth tones that DasMeter produce have always gone straight to the subconscious, that evokes feelings more than thoughts.

And on “Evolution”, the feeling in question seems to be a dim, wriggling, all-pervading anxiety and delusion, sprinkled with perceptible rays of hope.

They’ve made a really great soundtrack album for the moments of your day where you’re stressing about things of the heart and difficult personal-life decisions. They’ve made a great thematically uncomfortable – yet musically comforting ambiance album, one that sticks with you through all your discomforting moments.

DasMeter let you know that you are not alone in these saddening plights. Moreover, the replay-ability of this album pairs amazingly with late nights of work, road trips, a long gaze out of rain licked windows, a meditative nap…just about everything.

The uncanny knack the duo has for evoking pensive nostalgia in the present moment is readily available on this album, which will make you ponder and deliberate. The play of memory and music preoccupies most musicians, but few translate it into instrumental music as well as DasMeter do.

From the moment “twenty years” kicks in, you’ll begin to feel the narrative though the layered instrumentation.  It’s very atmospheric in places but rises to perfect IDM on upbeat back to back tracks, such as, “the wall”, “fighting for you” and “losing hope”.

There are no bad songs to be found here, even if some of them might take a while to sink in. It may not overtly hold mainstream appeal, but genre fans will absolutely adore this album. My favorites for now tend to be the melodic “on my knees”, the twisting rhythms of “I cared about you” and the brilliant synth sounds on “silver linings”.

However their aural magic is as evocative as ever on all of these tracks, and with their alchemical skills, they could well invent any necessary musical element they desire. In a music environment where most bands take great pains to be connected to their fans, DasMeter have created an environment which eludes tormented hyped-up commercial schemes for anyone interested in their music.

Why? Because the fabric of their music is creating emotional, profound scenarios that tease the mind as much as they satisfy it. The public who love this music will naturally be drawn towards it on its intrinsic merits alone, resulting in fans with a unique reverence for not only DasMeter’s music but their intelligent approach to making and diffusing it.

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