Love Ghost – “Pillz (The Sky is Falling)” will now appeal to a much wider audience

It’s always great to see a band evolve and branch out in new directions. What is even better is to see them succeed at this difficult endeavor. With their latest single –  “Pillz (The Sky is Falling)”, we see L.A. based alternative rock band Love Ghost continue on the path of evolution into much more than a rock band . They incorporate trap beats, rock grit and rap verses, to really diversify their sound on this recording. It’s really impressive to hear this sonic distinctiveness which demonstrates this band’s talent, and their fingers on the beating pulse of modern trends. I

Kahbay – “Cayenne Pepper Boy” – an entertaining story with a vibrant template

Rising out of the gritty underground of New Orleans rap scene, Kahbay is a new emerging rapper, who has released a mixtape through his own music company – Greater New Orleans Sound. His music is regularly played around major venues in New Orleans, with Kahbay himself performing numerous times at the legendary Blue Nile. Spending much of his childhood around local parades and live bands he has been captivated by the craft since the very beginning. Now tackling global markets with his own personal sound and style, Kahbay recently dropped his single “Cayenne Pepper Boy”. Right from the outset, the

LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Astroblue Express: “Quarter to Somewhere” – Five stars with no hesitation!

Astroblue Express is a new indie band that fuses electronic music with experimental R&B and soprano vocals, dream pop, trip-hop, orchestral and soundtrack music. “Quarter to Somewhere” is their debut album. I consider this one of the best albums that I have come across in its genre, though I haven’t yet decided which genre! It represents the perfect marriage of avant-garde experimentalism, sugary dream pop and baroque electronica. The music is driving and propulsive at times and slow and hypnotic at others, but never oppressive, always maintaining a certain playfulness.

The instrumentation throughout the tracks is unique and while seemingly uncomplicated in some instances when listening to any isolated element, it is layered and mixed in such a manner that an unpredictable complexity ensues. The female voice is sweet, haunting, and searing in equal measures and the singer wields it with absolute mastery. It truly is as close to a perfect album, in its intent to both challenge and soothe the listener, as I have heard in years. Five stars with no hesitation.

Throughout “Quarter to Somewhere”, Astroblue Express have taken each new track as a stop alongside a winding path, finding a wrinkle to their sound (be it triphop, shoegaze, dream pop, lounge chill, or what-have-you) and following it a few steps further.

A straight 12 tracks of excellence, the first few listens through the album almost overwhelm the listener, there is so much to listen for and enjoy. The album opens the with the haunting, spacey string strikes. As the light percussion, bass, and textural chords come in playfully, this is when “Quarter to Somewhere” begins and never let’s go.

The tender and surreal vocals float airily over the subtly pulsating band behind it on “Catch Me”, while the tender melody is the primary focus. Lyrically, Astroblue Express sings rather poetic and sometimes cryptic lyrics. “Type It” would probably one of the catchiest tracks on the album, if you could at all call this type of mood-inducing music, ‘catchy’.

The band has created a sound that is all their own. You won’t hear this mix of keyboards, swirling orchestral arrangements, and precise percussive interludes anywhere else – Especially adding their fractured spectral harmonies, as can be heard on the outstanding warm glow of “Midnight Drifter”. These vocals take you on a journey with its high soprano – pure glorious beauty.

Placed nearly in the middle of the album, “Origami Princess”, further pushes the boundaries of the band’s textural experiments and ambiguous sound. Despite the texture and ambiguity of their style, Astroblue Express has nothing to hide in their songs. The concrete bottom of the songs, their chord structure and rhythmic articulation, are just as fantastic as the overall product.

The tight-rope-walking band excels in the exotic art of experimental electronics and intoxicating dream pop, thriving on a diet of lush majesty. But here, on “Into The Beyond” the stripped-back informality – meticulously executed, of course – proves to be absolutely charming.

Something they repeat on the following track “Electronic Morning”. As much as “Type It” is catchy, “Boundless” has to be the most accessible track on the album. It has a well-defined beat and chorus which would endear it to radio programmers. The album closer, “Blues Fields”, is full of ethereal charm with its wonderful strings, and gorgeous instrumental flourishes.

I can’t emphasize enough how much I like this album. It provides some much needed change and fresh air in today’s music scene. This surely will end up on my shortlist of favorite albums of 2017. I just need to work out which genre I’ll file it under…

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