Sophia Maeda – “ASHITA” bursts with sound and energy!

Sophia Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sophia has dropped 3 singles so far, including “ASHITA”. If you like Sophia Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

J Tizzle: “The Chill Zone Vol 2” – a professional and intricate sound design

J Tizzle (Jeffery Townsend Sr.) describes his music as ‘Hip-Hop inspired by World Fusion’. Listening to his upcoming EP, “The Chill Zone Vol 2”, set for official release on 5-22-2017, that statement could not be closer to the truth…in part. Why? Because to be perfectly honest, it offers a whole lot more, including elements from classical instrumentation and chill, jazz or ambient sounds. In an era when EDM stardom can be as close as a light-up mask, clever anonymous alias, and management-directed collaborations, J Tizzle  has continually avoided the gimmicks and concentrated on a production palette that electronic music lovers crave and rappers are looking to hijack use fro sampling.

Gearing up to be the next EDM crossover talent, J Tizzle’s new effort, “The Chill Zone Vol 2”, showcases a producer far removed from all of the sounds moving tickets at America’s major festival events: hip-hop, indie pop, and EDM. This recording is more intimate, made for one-on-one consulting, maybe through a set of high-tech headphones, or a good old quadraphonic sound system. Either way it needs to be something that can low thumping bass frequencies.

The incendiary tempo and tone of “Secret Passion” and the downtempo thrill of “Chill Zone Part Two”, or the banging percussion of “Mind Voyage”, attest to J Tizzle’s malleable production tactics.

In between there are the standouts – the piano driven funky twists of “Escape To Paradise”, the bass drum thumping of “Heart Wave” and the melodic slow burner, “Off And Away”.  All though these tracks J Tizzle offers a professional hat-tip to a producer/multi-instrumentalist that regularly re-invents his own artistic rules, and more broadly, the rules of electronic music.

J Tizzle is on an earnest mission to push the acceptable, tasteful boundaries of his genre. Having no vocals on the recording allows him free space to show off his production talents without bending around a singer or rapper’s top line. J Tizzle continues to be an advocate for space within his music.

He consistently strips tracks of drums and elects to use an alternative element to drive the track, only to turn back to heavy percussion and his notorious focus on the low-end. Upon listening to the EP, it’s clear that J Tizzle hasn’t strayed too far from what defines his sound, but there is certainly a more mature, professional and intricate sound design that upholds portions of the record.

Overall, “The Chill Zone Vol 2” is very well-polished and is an audible display of J Tizzle growth into his role as an electronic producer. Even though the album is incredibly accessible, it never feels like something the listener has heard already.

The sheer notion that J Tizzle has had the confidence to release his debut album “Cosmic Journey” in 2014 and the EP “The Chill Zone Vol. 1” in 2015, and then dropped another EP, entitled “Transition” in 2015, and now follows it up with this EP, proves that this is a man who cares about maintaining his creative process – and the undisputed quality of this recent work indicates that he’s not just surviving in the industry; he’s thriving.

OFFICIAL LINKS: WEBSITEITUNESSPOTIFYFACEBOOKTWITTERINSTAGRAM

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.