Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

4 Ones: “Home Alone” – drooling with an overwrought sexual appetite

Unlike other cities, Detroit’s hip-hop community ignores homogeneity. In the late ‘90s and early ‘00s, J Dilla molded the Jazz and Soul flavored soundscapes of Erykah Badu, Common, and the Roots through his idiosyncratic soul samples and iconic bass lines. Following on his heels was Eminem, one of the most popular emcees of all time, repping his neighborhood of 8 Mile in the heart of Detroit whilst serving up plate after plate of hip-hop hilarity, violence and insanity all in equal measure.Then the more than eclectic Danny Brown was left to pick up the mantle. But it doesn’t stop there Detroit’s underground keeps throwing diverse rap characters out at us. The latest in line is 21 year old 4 Ones who has just dropped the single “Home Alone”.

Through the song’s sonic influences, 4 Ones seems like he is both deeply in the rap world and constantly looking outside of it. This leads to one of 4 Ones’ real strengths, his ear for a catchy off-kilter beat. And of course his lyrical flow is just as idiosyncratic as the beat itself.

As a single, “Home Alone” is both as explicitly outrageous as 4 Ones character, but also as menacing and impenetrable as his city is. The track remains interesting and cohesive because 4 Ones not only maintains the same atmosphere and tone throughout but is also complimented with sexually over the top lyricism and distinct flows that accentuate everything he’s saying.

Compared to the many trap records these days that try to be alternative or indie sounding but end up sounding pretty uniform and boring, “Home Alone” brisk insularity,  going just over the four-minute mark — feels not only genuinely different, but pretty eclectic too, and eclectic-ness isn’t something we get much of, even in experimental hip-hop.

4 Ones wants to party hard and clown around and not give a fuck about the consequences. The beat is at a peak there, but it’s the explicit raps on the single that you consistently sink your ears into: “Let me clear my throat. Put this dick down your throat, pussy wet I barely float. I hold my nose. I love a bad bitch that keep me on my toes,” or “Suck my dick and don’t forget the balls.”

Right from the start of this track, you’ll know that 4 Ones is going to be taking you into some really cavernous and disturbed sonic territory: synth noises that sound like a video game soundtrack, droopy slides of bass that thump and roll and then louder digital bleeps, while the drums are dominated by snares and hi-hats.

4 Ones’ voice is drooling with an overwrought sexual appetite, as he asks the question: “Does she hate being home alone?”  The propulsion of the track seems designed to irrevocably drag the listener into 4 Ones contemplative, highly-sexed psyche.

OFFICIAL LINKS: SOUNDCLOUDTWITTER

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.