Love Ghost – “Pillz (The Sky is Falling)” will now appeal to a much wider audience

It’s always great to see a band evolve and branch out in new directions. What is even better is to see them succeed at this difficult endeavor. With their latest single –  “Pillz (The Sky is Falling)”, we see L.A. based alternative rock band Love Ghost continue on the path of evolution into much more than a rock band . They incorporate trap beats, rock grit and rap verses, to really diversify their sound on this recording. It’s really impressive to hear this sonic distinctiveness which demonstrates this band’s talent, and their fingers on the beating pulse of modern trends. I

Kahbay – “Cayenne Pepper Boy” – an entertaining story with a vibrant template

Rising out of the gritty underground of New Orleans rap scene, Kahbay is a new emerging rapper, who has released a mixtape through his own music company – Greater New Orleans Sound. His music is regularly played around major venues in New Orleans, with Kahbay himself performing numerous times at the legendary Blue Nile. Spending much of his childhood around local parades and live bands he has been captivated by the craft since the very beginning. Now tackling global markets with his own personal sound and style, Kahbay recently dropped his single “Cayenne Pepper Boy”. Right from the outset, the

LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Jason Miller: “Poundtown” – every single note has a purpose

“Poundtown” is a beautifully composed album that probably marks a defining moment in Jason Miller’s career. He has a sound that has developed far beyond the type of music that is simply suitable for a DJ set. There is much more to this than a simple selection of tracks; there is an undeniable feeling of intent, an intangible sense that Jason has poured himself into every production on the album. With each successive listen it becomes more apparent; every single note has a purpose, every snare hit and synth line was methodically placed and cleverly produced. Miller’s attention to detail is stunningly thorough, every single beat has been toiled over, and re-worked, until what is left is nothing short of perfection.  At first it was hard to define, but then I realized that “Poundtown” has one thing that so many of today’s dance music productions do not — it has a soul.

Many producers have released albums that are nothing more than neatly packaged vehicles to redistribute cloned ideas, but Jason Miller has successfully done what few before him even bother to accomplish. He has crossed over, transcending what it means to be pigeonholed into EDM by developing into a full-fledged artist.

He has asserted himself as more than just another producer in a sea of sonic drivel, and by doing so, has created an album for the latest wave of dance music fans- those with thinking caps and heartstrings.

Setting the tone for the album, “Fly Away”, opens delicately as the sinewy vocals float amidst dreamy piano rolls and the repetitive ticking of the hi-hats. From the moment that the snares kick in it becomes readily apparent that “Poundtown” is not your average electronic music album.

“Candy” is the perfect example of Miller’s development as an artist. Robust and refreshing, the production here is impeccable — pumping pad sections accompany echoing voice flairs, and gritty bass lines. Jason steps out of his comfort zone with an eclectic instrumental on “Hips Of Babylon”, to make sure your attention span isn’t waning, before slipping back into the melodically comforting dance-floor teaser, “Around You”.

Jason Miller has created a narrative rather than a haphazard collection of forgettable tracks. Each composition on “Poundtown” acts as a piece to a much larger puzzle, telling a sonically diverse story that showcases the vast breadth of his musical talents, as he moves from dubstep to house, and future bass soundscapes. So you will bump into tracks as diverse as “Doin It Critical”, “Pistol Nebula” and “Stacks”.

This wide crossover base is a risk seldom taken by producers in our current homogeneous-fueled age of electronic music, the artistically creative album has been vastly overlooked, replaced instead by the easily marketable pop dance singles and radio-friendly remixes.

None of which you’ll find on the second half of this album, where Miller pushes his imagination into electronica’s more exotic realms, leaving the first part of “Poundtown” to hook your attention with the catchier mainstream stuff. To that end, “Poundtown” is a smartly constructed album, the opening tracks lure you into the funfair while the latter part of the album drags you onto the infinite roller-coaster rides!

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