Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Josiel Konrad: “Dança do Amor” ft. Nina Miranda – an enjoyable example of groove-inducing world music

The popularity of world music in the USA has a long history, and tends to run in cycles. There was a period in the early 20th Century when jazz musicians came to adopt Latin rhythms. And there were occasional musical forays into styles from seemingly exotic places, sometimes because of movies that were set in such locations, or sometimes because of something just happening to catch on. Latin American and Cuban music had a wave of popularity in the 1950s with the mambo. The Girl from Ipanema started a whole wave of Brazilian bossa nova and samba music finding audiences in the US, and were adopted by a lot of jazz musicians. And since then, there has been a steady stream of world music reaching American audiences, and indeed the world music category has been rather firmly established in the Grammy Awards. With the globalization of communication, there has been a real proliferation of cross-cultural mixtures, some with fascinating results.

Here we have another interesting and enjoyable example of groove-inducing world music – “Dança do Amor” taken from the “+AMOR” album by talented jazz singer and trombonist Josiel Konrad.

Konrad’s melodic ideas are inventive and immaculately executed – his articulations are fast and definitive, his intonation assured and his tone equally capable of a burnished glow and a flashy brilliance. Josiel could light up a room with a percussive, brassy edge whenever he chooses, yet he always stays within his limits, managing to blend beautifully with the rest of the band.

“Dança do Amor” (or Dance of Love) is a thorough winner because of Konrad’s superior vocal and playing performance. It’s a thing of inexhaustible melodic beauty, the epitome of rhythmic bliss at the behest of pure emotive soul and groove. Josiel belongs in the select circle who make the trombone sound fluid and inviting rather than awkward.

When you’re hot, you’re hot, and this song tells us why. Combining a fluent technique shaped, his own deep melodicism, a knowledge of music arrangement and an embrace of harmonic initiatives, Konrad fashions an enduring Música Popular Brasileira jewel. He is assisted by a superb band, and stunning duet partner Nina Miranda in the remix version.

“Dança do Amor” is a frivolous theme, sure to engender a smile from just about anyone who hears it. Intricate under the surface; a total of suave vocals, languorous jazzy keys, interspersed with clever, ascending and descending trombone lines. Josiel Konrad is a relatively outgoing player and performer who delights in edgy little bursts of pleasure as he sings and plays.

Listening to this single, and the entire length of the album “+AMOR”, in particular, Konrad swings with energy and integrity while his horn has the most natural tone without sounding smoothed over or softened to compensate for the kind of edge that digital sources can bring. Just brilliant, a complete home run.

The album “+AMOR” is tied together by a common theme which is described as “bringing together 7 types of love – Love Eros, Love Mania, Love Philia, Love Ludus, Love Agape, Love Pragma, and Love Philautia.”

All throughout Josiel Konrad’s vocals are soft and airy, with an almost folk-music gentleness bathed in a slinky mixture of Brazilian swing and contemporary jazz that stays light enough not to overwhelm Josiel’s voice, but also makes the trickiest harmonies sound easy. Overall Konrad’s singing affect is cool; his instrumental talent is smart and his music if hiply killing.

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