Sophia Maeda – “ASHITA” bursts with sound and energy!

Sophia Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sophia has dropped 3 singles so far, including “ASHITA”. If you like Sophia Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

Quad – “Love” embellishes each track with his personal revelations

Based in the south of Chicago, Quad started making music when he was around 14 years old and started taking it artistically seriously two years later. He produces, records, mixes and masters, using only a Blue Yeti microphone and FL Studios. So far Quad has written over 300 songs and released 1 EP, 1 Album and 8 singles. Currently training as an audio engineer at SAE University in Chicago, Quad explained that his latest album “Love” describes his personal understanding of the sentiment. The album “Love” was written and recorded over the course of 2 months after Quad was electrocuted

Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

J-Carter: “Time to Shine” is more than quality flows, rhymes, and beats

J-Carter is based out of New Jersey. Motivated by a plethora of hip-hop artists who have appeared on the scene during the past 30 years, Carter began his musical journey by writing lyrics at the age of 13. “Time to Shine”, his debut album, has been in the works for nearly 2 years now. “And now it’s here to hopefully shed light on all aspects of the world we live in,” says J-Carter. The Deluxe version of the album includes 19 tracks and features Cateasha Carter, Jasmine Carter, Aaron Carter, Jacee Carter and Janiya Harris. “Time to Shine” is a clinic of Hip-Hop execution, an insanely long album that is almost devoid of filler which is a near impossibility in the genre. J-Carter’s flow is diverse, deftly maneuvering between melodic catchy hooks to ridiculously fast rhymes that are often genius in their complexity.

“Still A Killa”, “Ain’t Yo Ni**a”, “Got It Going On” ft. Cateasha Carter, “Hold Mine Down” ft. Jacee Carter and “Remember When” all show J-Carter flowing at an absurdly high level and backed by stunning beats that are powerfully strong in their own right, but are still overshadowed by the smooth flow of the vocal deliveries themselves.

The strength of “Time to Shine” is more than quality flows, rhymes, and beats; it’s alarmingly consistent in a genre that is anything but, and stands as an utter achievement of rap art. It weighs strong lyrically and accessibility wise, and is an overwhelmingly well executed Hip-Hop album from a vocal delivery standpoint.

J-Carter’s talent is undeniable, and almost impossible to conceive until you press play. J-Carter is one of the purest underground rappers to grace the mic. When you talk about lyrics, punchlines, metaphors, flow and mic presence, Carter has it all. Check him out on killer tracks such as “Who Here Wit Me” ft. Aaron Carter and Cateasha Carter, “Get Up Off That”, “I’m On It” and “Keep It 100”.

From the above tracks you can gauge that J-Carter’s key to a successful sound though is not just the sheer verbal wizardry but his ability to tap into crossover audiences with songs that mixed fly beats, soulful samples and a strong personality.

He is also equally good at holding down entire tracks on his own, or sharing verses and choruses with his features. The bottom line is, if your head isn’t furiously bobbing to some of these beats, you’re either tone deaf or just aren’t a fan of hip hop at all.

So while the beats are created to make your neck sore, J-Carter only enhances the experience by riding each beat flawlessly. And his ability to utilize imagery just from the ambience of each song is amazing. J-Carter’s confidence on the mic makes him stand out among his contemporaries.

By the end of the album, most listeners will be begging for more of this refreshing sound. “Time to Shine” is an album that provides an immediate impact and seeks a steady response from fans in all four corners of the hip-hop world.

The lyrics sung will supply the elation that fills rooms, bring the nostalgia that transports us to the late 90’s, and fuels an assertive voice that booms through the microphone. The album “Time To Shine” is on the shelves of all major digital download stores. Find and follow J-Carter on Twitter and Facebook. Visit his Website for more information.

STREAMS: ITUNESAMAZONSPOTIFYTIDAL

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