De Boss announces a new upcoming album entitled “GENESIS”

After his single “Take That” dominated Spotify and Apple Music, De Boss has announced a new album entitled “GENESIS”. The Nigerian-American ATL based artist detailed what the album will sound like and also explained its overall theme. “It’s about taking off a load, putting everyone in their rightful place and just enjoying life, while ignoring negativity” De Boss said, continuing. “So many catastrophes and everything going on in the world. And you want to enjoy life, as long as you have it to the fullest.” The album will be the second solo effort and studio album of De Boss. “Life

PULSE drop their new Cyber Future Metal Single “New Elastic Freak” along with the Sci-Fi Video

PULSE act with their new Cyber Future Metal Single “New Elastic Freak” along with its music video in a bizarre interplay between sexual disorder and alien-obduction Last Week, the release of the new PULSE single “New Elastic Freak” is the third one taken from the brilliant Cyber Future Metal album “Adjusting The Space”, to be released via NRT-Records on November 6th, 2020. The ambiguous “New Elastic Freak” is about a psychopathic sexual disorder with a sex doll resp. the examination of a dead alien body. This ecstatically intense single is not only recommended to fans of Rammstein, Pain or The

Neave Zaria releases the highly anticipated piano ballad ‘Patience Of A Saint’

Neave Zaria is a 19 year old singer-songwriter from the UK who possesses a talent way beyond her years. Heavily compared to Adele & Amy Winehouse, Neave was brought up listening to classic jazz and soul singers such as Nina Simone, Aretha Franklin & Etta James. Influenced by these musical legends and inspired by everyday life Neave has become an accomplished and prolific songwriter. Debut single ‘If I See You’ was released in March 2020 and has been playlisted all around the world, receiving glowing reviews from the music press. Hot off the heels of ‘If I See You’, her

In ‘The Book of Vision’ Composer Hanan Townshend Blurs The Line Between Science and Spirituality

Townshend weaves a spellbinding tapestry of sounds in Carlo Hintermann’s directorial debut about hopes, dreams, and death Composer Hanan Townshend’s new score for The Book of Vision is now available on Amazon. The Terrence Malick production marks swiz documentarian Carlo Hintermann’s directorial debut. “This film faces the reality of life and death, our hopes and fears, and inspires us to live life to the fullest,” says Townshend of the mind-bending journey. Hintermann describes The Book of Vision as “a game of mirrors between two dimensions, inspired by the type of storytelling in video games.” The production’s international cast includes Charles Dance (“Game of Thrones”), Lotte Verbeek (“Outlander,” “The Borgias”), Sverrir Gudnason

Ute – “Happiness Together” – thoughtfully sung beautiful music from a strong female singer

Ute is a singer, born in Germany, whose heart is in the USA, alongside a huge part of her fans. Ute’s best friend, Grammy winner Kurt Wipfli, is also her producer, and many of her songs are originally written and composed by him as well. Her latest single is, is the love ballad, “Happiness Together”. “It is about that once in a lifetime story when you realize that the person right next to you is the one who you want to spend the rest of your life with,” explains Ute. This is thoughtfully sung, beautiful music from a strong female

Love Ghost – “Pillz (The Sky is Falling)” will now appeal to a much wider audience

It’s always great to see a band evolve and branch out in new directions. What is even better is to see them succeed at this difficult endeavor. With their latest single –  “Pillz (The Sky is Falling)”, we see L.A. based alternative rock band Love Ghost continue on the path of evolution into much more than a rock band . They incorporate trap beats, rock grit and rap verses, to really diversify their sound on this recording. It’s really impressive to hear this sonic distinctiveness which demonstrates this band’s talent, and their fingers on the beating pulse of modern trends. I

Kahbay – “Cayenne Pepper Boy” – an entertaining story with a vibrant template

Rising out of the gritty underground of New Orleans rap scene, Kahbay is a new emerging rapper, who has released a mixtape through his own music company – Greater New Orleans Sound. His music is regularly played around major venues in New Orleans, with Kahbay himself performing numerous times at the legendary Blue Nile. Spending much of his childhood around local parades and live bands he has been captivated by the craft since the very beginning. Now tackling global markets with his own personal sound and style, Kahbay recently dropped his single “Cayenne Pepper Boy”. Right from the outset, the

LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

SUPADAMN: “Pick the Party Up” – an eargasm that will take you to party heaven

SUPADAMN has been on his grind for a while now. He just gets more focused and more ambitious with every passing day. His latest 7 track project, “Pick the Party Up” dropped worldwide on the 3rd August 2018, and confirms the previous statement. This is his third album release, and follows his critically acclaimed album “Floor It”. A potential heavyweight in the underground circuit since 2016, the sharp-tongued rapper born in n Santa Monica has steadily – and deservedly – been earning widespread respect across the independent hip-hop community. SUPADAMN passion and devotion to the grind certainly pays off with this new release. Although each previous album showcased his progression behind the mic, resulting in pervasive critical applause, this seems to be his most confident work.

SUPADAMN kicks off the affair with his signature confidence and energy on the ambient, self-referencing opening track, delivering one his most cogent mission statements yet; “Can’t Miss”. The track is a hard-hitting, braggadocious expose of the artist’s declared ambition.

He then proceeds to practice what he preaches on the banging title track, “Pick the Party Up”,  during which he exposes the transparency and bravado of his anthemic-styled rhymes. The atmospheric, multi-textured soundscape, is an eargasm that will take you to party heaven.

Good taste in music is obviously another of SUPADAMN’s many laudable qualities, to which “Hold This Shit Down” ft. Buddha, plays testimony. A thumping beat sits comfortably under a melodic motif that groovily drives this thing all across the floor. SUPADAMN’s ability to develop interesting concepts and tell incredible stories, comes to the fore here.

The rapper’s signature syncopated style pushes forward as he pounds through the verse on top of clamorous percussion and a hypnotizing whistling effect on “Bigger the Hoop” ft. Phresh.

Aiding the dichotomous quality of the track are SUPADAMN’s bellowing vocals, and Phresh’s resonant rhymes meshing against the minimal instrumental. “Fast Life” welcomes in a big booming bassline, shuffling hi-hats and steady handclaps.

SUPADAMN’s voice takes on a more urgent flow and forward leaning momentum, as if he’s pulling the music along with him. It’s impossible to not get that involuntary head nod when listening to this. And the way the production evolves is also awesome. The song just sounds epic.

“Legacy” rides in on a bluesy and soulful guitar riff. This masterfully balances SUPADAMN’s banging and introspective styles quite realistically. From track to track, SUPADAMN’s exposes his shifting perspectives which keeps the album moving at a good clip.

And this track is one of his musical perspectives that I like best. The song has a fantastic beat, and a really good hook too. It’s definitely one of the better tracks on the album. This is one of those songs that seems like it would be super powerful if performed live.

Where the closing track, “Showtime” ft. Phresh, stands apart from the rest of his work is in the fleshing out of the gravy-smothered goodness of SUPADAMN’s strongest productions, adding the little artistic flourishes that transform song building into works of actual art that will stand the test of time. It sounds like every good component of his prior musical compositions is in here. Consider the head-nodding beat, the vocal arrangements, the snaking bassline and the energetic flows.

There’s something to be said for consistency. Almost every successful artist has a distinctive sonic identity that singles them out. This closing track seems to do just that. Add in SUPADAMN’s aptitude to stay grounded by his craft, and his ability to stay true to himself as an individual, and you have an artist that is confident and ready to “Pick the Party Up”!

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