LU – Ride or Die” ft. Omari Night and DazeOnEast – a surreal and identifiable tone!

Signed to Big Top Entertainment L.L.C, along with the production team Cali 303, Luis Torres aka LU, is a Mexican singer-songwriter and engineer, born in the city of Guadalajara. He migrated with his parents at the age of one where his family settled in Colorado. Produced by Kxvi, LU’s debut single “Ride or Die”, also features R&B singers-songwriters, Omari Night and DazeOnEast. This is perfect melodic R&B/Pop record, as LU and his crew know melody, quickly laying down the narrative’s overriding tone: “Girl You Know that I am down for you, in the fire shooting rounds for you, ain’t no

Gabe Lopez – “End Of The Lost Summer” deserves top level recognition!

It is extremely rare to come across an artist like Gabe Lopez, who is poised, multi-talented, bold, self-confident yet humble – and surprisingly, one whose name you should already be very familiar with. The reasons are evident. Gabe Lopez is a Billboard Top 5 singer-songwriter and producer, who has produced and written recent music for Belinda Carlisle, New Kids On The Block, RuPaul’s Drag Race, Twice, Key and other multi-platinum artists. He has also produced and written for Joey McIntyre, Charice, James Brown, The Other Two on Comedy Central, SHINee, Tae Yang, VeriVery, DreamNote, Gayme Show, American Idol finalists and

Jae’ Morrissa – “AWOL” and “Butterfly” will send chills up and down your spine

Born Ingrid Jasmin, professionally known as Jae’ Morrissa has gone from singing to patients and residents in hospitals and nursing facilities, to becoming a fast rising singing sensation in the music industry. She started singing at the young age of 3 years old, as her talents were nurtured through her Mother’s taste and love for music. Jae’Morrissa was also inspired and influenced by such artists as Deniece Williams, Stephanie Mills, Minnie Rippleton, Phyllis Hyman and Teena Marie. Her debut single “Just My Next Song”, is being considered as a Nominee for the 62nd Grammy Awards 2020, as well as a

Downtown Mystic – ‘3-Way Heartbreak’ – more than just a nostalgic listening experience!

One of the things Downtown Mystic notoriously excel at is masking emotional lyrics with upbeat, driving-with-the-windows-rolled-down kind of melodies. Their double-side single, ‘3-Way Heartbreak’, which also includes the track ‘Same Old Lover’, recorded in 1983, has all that and more. While for most other contemporary bands, it’s hard to recapture the real magic of rock n’ roll, for Robert Allen and his crew, this comes easy. They grew up during rock’s golden era, hence Downtown Mystic’s music lives up to the genre’s legacy, rather than just riding on its coattails. The ‘3-Way Heartbreak’ single, on the Sha-La Music, Inc. catalog,

P Bailey – “Change The World” – a lush blend of mid-tempo R&B and Soul

P Bailey has adorned our pages many times over the last few years, but just in case you missed it, we’ll fill you in again. Originally from the UK, Paul Bailey aka P Bailey grabbed his first musical influences from Motown and Muscle Shoals, as well as Stevie Wonder and Michael Jackson. Without any formal training, the 5 octave singer, developed his singing and writing style by listening to artists like, Ron Isley, Donny Hathaway, Luther Van dross, Prince and James Brown. Bailey had his first major break when Rick James sampled his track ‘Part time Lover’ for the sound

Mandalan and So Foreign Productions Launch Campaign For ¿CÓMO SABRÉ? ft. Emarie Video

Mandalan is the music project of Los Angeles-based musician, songwriter and producer James Brennan. He produces a tropical house genre of dance/pop music with a dramatic sound including heavy drums and electronic elements. Together with So Foreign Productions, Mandalan is creating a music video experience for his new dance single ¿CÓMO SABRÉ? ft. Emarie, which you can be part of. On PATREON, they have launched a campaign inviting Patrons to be part of an upcoming official music video for the song. Supporters will receive a digital download of the song along with credits in the music video. They will also

Sofi Maeda – “ASHITA” bursts with sound and energy!

Sofi Maeda was born in Takamatsu, Japan. The alternative pop-punk starlet has been doing music seriously since 2016. She has released the album “You Know Me Well” in 2017 and has followed up with a series of successful singles. She has won singing as well as song contests, and has performed on the Red Square in Moscow, at the festival in Gorky Park, as well as concerts in Depo, Live Stars, San Diego, Glastonbury and many more. This year Sofi has dropped 3 singles so far, including “ASHITA”. If you like Sofi Maeda then you should already have “ASHITA” on

Jona Da King – “Roots Of Love” EP – balancing rhymes, and soulful crooning|

Jona Da King is a hip-hop artist from Toronto, Ontario, based in Edmonton, Alberta. Jona is set to release his EP “Roots Of Love” which is scheduled to drop September 30th 2020. The artist has an eclectic musical palette which is colored by Hip-hop, R&B, Pop, as well as Jazz and Rock tones. We checked out his prime tracks in anticipation of the EP, and if the goal of this release is to make a breakout statement that Jona Da King is getting seriously started, he’s succeeded, delivering some of the smoothest, most mellifluous urban sounds we’ve heard in music

Berani – “Cut And Taste” strikes an incredible balance of disparate elements

Berani is an electronic beat maker with a diverse sound spectrum and a tendency to produce bouncing rhythms or spacious and relaxing aural experiences. In a short time span, this emerging artist out of Byron Bay in Australia, has discerning music fans and casual listeners paying attention. The sound design throughout his latest single “Cut And Taste” is what we’ve come to expect from this creative top tier producer: popping percussion, basslines that melt like butter and a healthy dose of twisted horns to make everything bump in a soul-like fashion. Sprinkled around the track are sonic effects that keep

EsZ – “Liquor & Emotions” – introspective and emotional

Hip-hop has been cranking out bangers and high energy anthems for decades, but the average genre historian is well aware that dark or emotional thoughts on a chill backdrop is not a foreign concept for the game. After all, profound moodiness feels rather natural for a culture that grew out of urban plight and the trauma of purposely disenfranchised people. It makes sense that at least some mellow tunes in the genre, reflect deep-thinking speculation, in what artist EsZ, describes as thoughts on “life, growth and fake friends” in his track “Liquor & Emotions”. The song is a drunk text

The Jon Johns: “Road Trip Mixtape” – an adventurous attitude!

The Jon Johns are a duo of musicians/producers who have been making music together since 2018. Their music binds the past and the present together into a harmonious sound with musical influences from the 60’s to now. One-hundred-percent independent, the Jon Johns do everything from writing, playing, recording, producing, mixing and releasing their own music. They currently have their 9 track “Road Trip Mixtape” out now. Within minutes of the mixtape kicking into life, this supremely confident recording suggests a band at the peak of their powers, occupying their own orbit.

It starts with “Make My Day”, a vast, expansive song that shifts its shape multiple times. Initially, its drifting vocals, languidly rumbling drums and twisting bass guitar conjure up something of a bluesy ambience. The drum pattern tightens up, the bassline comes to the fore and it sounds unexpectedly like something off an alternative rock album – a much lusher version of the White Stripes, which during the course of the mixtape, the duo blend with flavors of The Black Keys and Chromeo, among others.

By the time you hit the second track, “Smile” with its rich harmonies and smooth reverbed melody, The Jon Johns sound suspiciously like a band with a hugely beguiling sense of well-placed confidence. It’s like they’re on their 20th anniversary release.

“Stories” only confirm their versatility, and their ability to not be boxed into any one genre. Americana and folk-rock roots abound on this track, as one singular trait powerfully threads its way through all of The Jon Johns songs – a confirmed knack for writing catchy, singalong melodies.

“Fleetwood” again sees the duo switch their style and mood, introducing plenty of warm keyboards into the sonic equation. The vocals too, switch register and tone here, becoming beautifully smooth and conversational.

Intense and funky, “Teenage Love” steps up the momentum and could easily persuade you to take to the dance floor. For all its musical diversity, the “Road Trip Mixtape” never sounds incoherent.

The songs are retro embellished, and however radio-friendly the choruses or the instrumental dynamics, the tight-knit relationship between the vocals and the break-beat percussive rhythms is always at their center. The ability to sound polished and commercially viable, without seeming artistically tentative or compromised, is an impressive stunt to pull off.

The absolute diversity of the moody, bass, drum and guitar driven “I Know”, and the ominous synth waves of the expansive “Stallion” perfectly encapsulates The Jon Johns boldly contrasting approach to their music. The sense of evolving song structures, dynamics, and textures is what makes this band so entirely captivating.

“Na Na Song” is a microcosm of the kind of diversity that pervades the “Road Trip Mixtape”. A track with a bass pulse as impellent and hypnotic as anything else you’re about to hear this year. “Play The Game” closes the recording with a multiplied kaleidoscope urgency to that which opened it.

For a two-man unit like The Jon Johns, studio wizardry is helpful in both widening the mixtape’s general scope, and highlighting songs one at a time. But, ultimately, it’s their adventurous attitude that will bring excitement to the airwaves. With that in mind, we have no idea what their next album will sound like, but it’s impossible to not be excited to hear what comes next.

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