Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

Baby Lu releases her first single “Bad Stuff” on all major streaming platforms

Luna Elisabeth Jezebel Pool aka Baby Lu was born on February 5, 2002 in Frankfurt, Germany. Lu began singing and songwriting in her early teens and went to several music auditions where she was rejected because of her young age. She then decided to start making her own music after graduation in 2018. As she didn’t have any connections yet she wasn’t able to produce something properly. In 2019 she met the producer Austin Asiegbu (2aBeaatz) and started to produce her own songs. Pool has cited Adele and Demi Lovato as her major musical influences. Her other influences or inspirations

Darshae Kiér: “Translation” – poised to take its place on the global stage

Darshae Kiér is a pop artist based in Miami, FL. After the untimely death of his parents, he entered the foster care system where he was shuffled from foster home to foster home. Despite his rough start in life, Darshae has always been determined to rise above and lead with positivity. Inspired by artists like Aretha Franklin, Sam Cook, Prince, Christina Aguilera, Justin Timberlake, and Coldplay, Darshae latest single “Translation” rides on a steamy Reggaeton beat, and strives to spread the artist’s message of hope and inspiration. His melodic flow and lyrical style are potent. He creates hooks with ease, bouncing around the track in creative and entertaining ways. His voice is distinct and this in itself allows him to rise above his contemporaries.

Reggaeton is best when served with minimal production, because it is centered on thick bass lines and driving looped percussion. Which is exactly what happens on “Translation”, leaving plenty of room for Darshae Kiér’s lead vocals and harmonies. His high-octane delivery and blend of Reggaeton vibes and pop stylings have the potential to resonate worldwide.

Darshae’s singing style is intense, melodic and instantly distinctive. The track itself is just a great listen, pretty much start to finish, and the replay value is high. You will, as we say in my neck of the woods, “rinse” this single.

“Translation”, is absolutely radio-friendly, and an even better club song that will surely achieve maximum spins all throughout the summer, no matter which joint you walk into. For a music style still in some way associated with the mayhem and sweat of the backyard clubs that spawned it, the leap from outcast to mainstream music has been astonishing.

Now Darshae Kiér takes those raw Reggaeton stylings and smooths them out into a perfect pop anthem on “Translation”. What makes Darshae’s crossover achievement so sweet and surprising is that his music remains pure and raw at its core.

This aligns well with Darshae Kiér’s plans for world domination. He seeks to seduce, not subjugate, and seems poised to appeal to an audience at least as wide. Though music that tries to appeal to everyone often appeals to no one, “Translation’s” inclusiveness is a plus. The song seems to be an accurate representation of Darshae as an artist; he’s not just trying to seduce the woman in his song, but us, the listeners, as well.

In an industry that often pushes artists towards prioritizing streams over substance, Darshae seems aware that the work he puts out now will determine whether he’ll be encased in the amber of independent pop for the next decade, or whether he’ll break free and soar to new heights, reaching audiences well beyond his current reach.

“Translation” is the next logical step in this progression. Its lyrics are relatable and intoxicatingly catchy. The melody is effortless and hard to forget. The production and beat is engineered for the mainstream, and poised to take its place on the global stage. “Translation” is a showcase for Darshae Kiér to flaunt his aptitude for making hits, and show just how much he can do when he’s given the opportunity.

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