FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

Dubgee – “Truth” is a prime example of how much of a dedicated artist he is

Doug Tree better known as Dubgee is a rapper, producer, beat maker, and label owner, from Vancouver, Canada. As an old school hip hop head, I’m so thankful that I stumbled on to his latest album “Truth”. Dubgee is a genuine artist and a true musician. Whether the media pays attention or not, at this point there are enough people who can hear the truth – we are witnessing one of the more versatile artists in the genre. Dubgee’s inner confessional memoir style is reminiscent of Eminem. A style that creates descriptively terrifying wordplay, but refrains in his subtle and undoubtedly potent storytelling. Even more effective, is Dubgee’s powerful nuanced presence, making the tracks delightfully more hard-hitting.

“Truth” gives a fierce and talented taste of Dubgee’s range as a rapper. Flexing his bars, the track jumps out with energy. From a creative standpoint, the artist does all he could possibly do. Dubgee has a knack for infusing diverse elements into his music while still crafting Hip Hop at its core. The proof is easily verifiable on the soul-infested bang of “Let the Music Heal Me” ft. Tiago Vasqusz, the instrumental, “Coffee and C.R.E.A.M”, and then the percussive driven “Hustle Harder”.

There is an impressive amount of work done with his vocals, as Dubgee proves himself to be just as capable behind the boards, as he is behind the mic, but it’s ultimately his writing that shines just as bright. I think this is a prime example of how much of a dedicated artist he is. The storytelling on is top-notch, on the inspirational and empowering “Gotta”, which comes just before the Rhythm & Blues inflected instrumental, “Lunch Break”.

“Maria” is another highly lit narrative, showcasing Dubgee’s sharp wordplay and tireless flow. He gets even better on “Time for Some Action” unleashing a flurry of mind-boggling rhymes, without catching his breath. Every line he delivers from the first to the last feels like a roller coaster and machine gun combined.

“Not Enough” keeps the momentum going, before the banging instrumental “Hittin’ My Stride” kicks in. Up next is the eclectic “Off Duty” ft. Jakub Evolved, before the album closes with the Dire Straits sampled “Money’s Worth Nothing”, which also keeps Dubgee’s dazzling lyrical tirades on point with a plethora of verses that are damn near impossible to discredit.

Dubgee has returned with another fresh album chock full of sounds and rhythm, bringing with him some intense flow and great lyrics. Dubgee has created a piece that is made with a lot of effort, care and time. Full of sonically dynamic production that’s always trying to impress with new tricks, Dubgee masterfully does great work with the cards in his deck.

Meanwhile, each featured appearance feels meaningful and enhances the full vision for the track they’re on. For those who’ve been following along with his journey, “Truth” is the culmination of the promise and potential Dubgee has shown throughout the years. The album is consistent with both production and lyrics and can be cemented as one of the artist’s best works.

STREAMING:
https://open.spotify.com/album/2pDnfmReM9nbjPZMU4Kw4Y
https://dubgee.bandcamp.com/album/truth

WEBSITE AND SOCIAL MEDIA:
https://instagram.com/beastvandubgee
https://twitter.com/dubgee
https://www.facebook.com/dubgee
https://www.youtube.com/user/dubgee
https://beastvanrecords.com/dubgee

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