INTERVIEW: Marc Marut of Cool Ass

Cool Ass was created by Marc Marut, with a sound that’s reminiscent of 90’s alternative. Combining a hard hitting, toe tapping, energetic rock style with other influences, Cool Ass music gets people moving as much as the lyrics get them laughing. Not only is Marc a musician/songwriter, he is also an accomplished actor. He has starred in feature films such as “The Paperboy (1994)”, as well as many TV shows such as “Goosebumps” and “Road To Avonlea”. Marc does all the composing, recording, and audio engineering himself. Can you tell us a bit about where you come from and how

Lino Camilo drops the video for new single ‘shut the fuck up’

Lino Camilo’s new single ‘shut the fuck up’ is an answer to a busy society, a noisy mind, and a cathartic outlet for pent-up aggression and transgression. The video features Viennese buildings of the renaissance, hinting at a sense of rebirth while balancing imagery of the innocent with the promiscuous. Connect with Lino Camilo on INSTAGRAM and SPOTIFY 

Social Distance – “I’m Outside Your House” – takes the spirit and emotional energy of classic punk-rock and add a more mature flavor

The Los Angeles punk band, Social Distance could easily have fallen into the trap of focusing on their female lead singer as eye candy and letting image triumph over quality music. Instead they have managed to avoid doing this and just focus on crafting brilliant punk-rock tunes instead. In an age when image and marketing nearly always take priority over substance Social Distance should be cherished. “Quarantine brought us together,” says the band. “We play because we’re musicians and we are not really good at much else.” If you are sick of fake image focused bands and artists who put

Ike Tanner – “Garden Talks” – a string of brilliant vocal performances

Ike Tanner is a 21 year old Music artist From Russellville AL. He is The CEO of YungGMusic & Gravity XO which are Film/Music Marketing Companies. He has 3 music artists from Alabama, namely JayGoldz, Trench Godd and Yung Cody TYBG signed to a marketing contract with his companies. Tanner is currently promoting his mixtape “Garden Talks”. Tanner’s style, lyrical content and overall attitude as expressed on this mixtape reflect a rapper trapped in the body of an R&B singer and a rockstar. His rich timbre and genre bending implies an influence of esteemed hip-hop singers. Combining soulful singing with

Mason Monroe and Haze present the visuals to “Crown” the first single from the project “Genesis”

Underground Tampa artist Mason Monroe has been on the prowl undercover for years all throughout the south and east coast. As an event curator and local promoter Mason has worked with his team to piece together shows and tours for artist such as Young Bans, Xavier Wulf, Famous Dex, Kid Trunks, Yund Simmie, Key!, and other major artist in aid of their early careers. From there they started creating a sound that can only be described as his own. The song “Crown” ft. Haze, is an introduction into the world of cadence and rhythm, in which he thrives in. 

Zoey The White Lioness – “Annihilation” – beautiful and brutal!

Zoey The White Lioness has the most incredible and unusual female voice you’ll hear this year. She can bring the heavy while keeping the melody in check, delivering thought provoking angst-filled lyrics. She’s amazing, really. The guitar riffs are tight, massive, and atmospheric, while, the presentation is both bombastic and stylish. A determined and fierce hard rock artist, Zoey strives to put out quality content complete with harsh realities, personal mental struggles, and songs of pure angst. The EP, “Annihilation” is an incredible effort by an incredibly original and talented woman. Zoey The White Lioness demonstrates that she has one

Swamp Doctor Drops Official Video for “Goodbye To Nashville”

Swamp Doctor’s second single “Goodbye To Nashville” is taken from his Debut Album ‘The Swamp Doctor’ released on Silverfox Records Internationally on the 21st August 2020. “Swamp Doctor’s voice puts me in mind of 70’s crooner/whistler Roger Whittaker, It’s so deep (it’s so deep) and has the same comforting tone that brings back childhood memories for me.” – Forever British Country  OFFICIAL LINKS: SILVERFOX RECORDS: https://www.silverfoxrecords.com/swampdoctor YOUTUBE: https://youtu.be/I7lO3gO0xzA FACEBOOK: https://www.facebook.com/Silverfoxrecordings/ APPLE MUSIC: https://music.apple.com/gb/album/the-swamp-doctor/1495862118 AMAZON: https://amzn.to/31KhLcL

Neptyoon – “Laid Back” – expect moments of pure mesmerism on this track

Influenced by artists such Juice Wrld, 50 Cent, Future, Jay Z, Kevin Gates, Project Pat, Juicy J, and more, Neptyoon makes music that kids can, and do relate to. His brand new release is entitled “Laid Back” produced by CJ Beatz, LLC. Fueled by weed and chilling with his homie, Neptyoon recorded this track on a laptop in the heat of the moment. “Laid back getting high, yeah. I’m just tryna to smoke. Stay fly go away and die,” sings the rapper, as he makes his thoughts clear: “Life been getting to me. I don’t know which way 2 go.

G Angels – “Born” – a true genre-transpiring gem!

G Angels is an independent group that released their debut single “Never Confident” on 24th May 2020. The group consists of singer-songwriter Gleb, and composer, engineer, and sound producer Tosha, who initially made electronic music. The duo, who create in different styles and genres, released their second single, “Born” on July 24, and the track shows a remarkable amount of confidence. And that’s a fantastic thing for a new group. Through the atmospheric buildup of the opening bars, though the spectacular swirling verses, and right up to the aching choruses, the darkened atmosphere is as relentless as it is cohesive

Paolo Virdis is back on the scene with a new release: “Abisso” (Abyss)

Paolo Virdis is back on the scene with a new release: Abisso (Abyss). A brand new production with a tech feel and other influences. Artist and producer Paolo Virdis is back on the scene with a distinctive sound and a one-of-a-kind attitude. His most recent release is titled Abisso (Abyss), and it showcases some of his best creative output to date. The track has a distinctive beat and a nice layering of synth parts, reminiscent of techno, as well as trance music and other EDM currents. This production has a nice retro vibe, but it also feels compact and direct.

Mortinus – “Star Chariot (Yellow Odyssey)” and “Oceania” – gently beatific music

As the months pass slowly into years, it becomes increasingly plain to all concerned that Danish electronic music producer, Mortinus is taking his craft very seriously. He has been extraordinarily prolific and has maintained an enviable level of quality in his releases. When approaching his two singles “Star Chariot (Yellow Odyssey)” and “Oceania” the question that arises is how will Mortinus sound fare in the altered musical terrain of 2020? Well the two new singles, are fine examples of some of the best ambient, chillout, downtempo and cinematic instrumental music being made today.

Mortinus’ sound is alive and well, and his trademark luscious basslines, and infinitely deep percussion has been joined by stirringly orchestrated horns and strings, resulting in his richest sound palette yet recorded.

There can be no doubt that Mortinus is very good at what he does. There is also a satisfying professionalism that leaves the listener with a refreshing cosmopolitan buzz. Sometimes the ever-shifting musical landscape can make the listener pause to consider where a returning artist exactly fits in.

Mortinus’ prepossessing, gently beatific music first appeared a couple of years ago, and each subsequent release has seen him navigate his sounds with a calm authority and quiet modesty.

There’s a sense with “Star Chariot (Yellow Odyssey)” and “Oceania” that Mortinus has consciously tried to do something different, delivering something a little distanced from his other work, without sacrificing his core principles.  Few artists write instrumentals that stick to your brain like flies to food. Mortinus is filled with such a talent, which is evident in the epic sound of “Oceania”.

The producer understands the power of simplicity, consistently creating with a linear touch and a fully textured soul. His music is confident and easy like a Sunday morning, complete with richly resonating horns, and crisp percussion on “Oceania” which inevitably inspires much humming and head nodding.

Mortinus seems to be able to create atmospheres of sound which although at first seem somewhat simplistic, are actually quite deep and entrancing. “Oceania” also has the strange quality of being really ominously epic and yet really relaxing at the same time.

If you’re looking for cleverly structured, tightly played, wonderfully enchanting music that avoids the boringly tropes that sink many of the current flood of instrumental electronic tracks, look no further than “Star Chariot (Yellow Odyssey)”.

Mortinus’ skills as a serious ambient and downtempo innovator get the make-over with the underlying complexity which augments on this track, without destroying the melodic content. The end result? A song you’ll play over and over again because you keep finding more and more layers behind its inherently catchy tune.

Mortinus keeps making high-class tracks that draw you back for more. This is what meticulously crafted and beautifully atmospheric studio music is all about. I definitely found “Star Chariot (Yellow Odyssey)” and “Oceania” to be more mature in structure and sound, than any of Mortinus’ previous releases.

The tracks are poetic in a more sophisticated way. The sounds and instruments are authentic, vivid and evoke an ethereal depth, lucidity, and timelessness. Both of these songs are virtually flawless, flowing from front to back with an effortless harmony that has to be heard. This is what the beautiful world of electronic music sounds like.

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