FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

“ABC” – DON DADA’s production is a weapon as sharp and beautiful as SLM’s verses.

DON DADA’s consistency is felt through his beats, and is delivered like he’s demanding we pay attention. “ABC” – a track off DON DADA’s upcoming album named DROPGODS 3 – his project with recording artist SLM, is both the perfect solidification of existing fans’ devotion and something to show to people who know of DON DADA, but for some reason don’t know what all the fuss is about just yet. He’s showing the kind of prowess that could someday put him in the top tier league. DON DADA’s production is a weapon as sharp and beautiful as SLM’s verses. The producer is the ideal match for rappers who feel they’re the heat for what they can do on a track. When DON DADA goes hard, so does SLM, constantly on the cusp of setting the track alight.

DON DADA, who tailors his production to perfection, showcases his instrumental chops aligned with SLM’s delivery. The song is brief, but immensely effective in its composition and ability to draw listeners into its storyline.

DON DADA ethereal mood-inducing instrumentals allows the spotlight to shine on SLM’s vocals and lyrics, which are refined yet carefree. The different inflections of her voice as she lyrically acts out the song’s sequences reinforce the narrative’s unfolding.

This song is also an example of how DON DADA takes hold of the reins and steers the music in a dark, bass-heavy manner with twisted synths and spooky voicings to add another level of depth. These sounds add to the record’s cohesiveness but also throws listeners a curveball. A truly out-of-this-world song. It’s the definition of elevated hip-hop, a speculative track with futuristic tones.

“ABC” is high quality, representing an intricate artistic level. It wouldn’t pack the punch it does without DON DADA laying down the perfectly chosen groove, and both he and SLM clearly playing to their strengths. The beats and production from DON DADA is varied, imaginative and often flavored with abstract elements not usually found in commercial beats. He use that same captivating formula here.

“ABC” has a tumbling off-kilter quality, whilst flaunting a lucid psychedelic atmosphere and an ear-grabbing synth pad. It’s easy to see why DON DADA is one of the most interesting independent producers around right now. “ABC” has plenty meat on its bones, and it’s incredible to hear such chemistry between the producer and the artist who are clearly happy to work together.

SLM’s flow and wordplay is so sharp that it’s a joy to hear her voice throughout “ABC”. SLM has displayed her ability to be both a scrupulous artist and a rapper who can create with words. She has proven that her venerable flow can be the perfect vessel for storytelling. DON DADA’s desire to stray away from current music trends and styles is a welcome direction, as the track as a whole feels like a fresh listening experience.

“ABC” is a listening experience that differentiates itself from the ubiquitous flood of stylized rap being disseminated through mainstream audiences in the quest for commercial success. It is exceedingly apparent that DON DADA and SLM put a great deal of inventiveness into this music, making this song an exquisite standalone piece of art.





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