Acemattz & Bipha shine on “Tshanana”

Watching Acemattz & Bipha perform in any of their videos is like watching friends realize they’re onto something big time. They are accomplished rappers individually, on their own terms, and as collaborators, as a unit, their styles gel perfectly. They’re not just comfortable performing together—they are feeding off of each other, refusing to be one-upped, beaming and grinning and head-bobbing as they take turns impressing one another. By the end of each of their performances, their formation into a real show-stopping combination seems inevitable. In the new wave rap scene, there is plenty of talent to go around, Acemattz &

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

W.B. and The Geezers – “Bits and Pieces” takes the listener to a level that is rarely heard in Country anymore

After hearing W.B. and The Geezers for the first time in 2015, I’m glad Nashville hasn’t found them yet. These fellas make real country music, and not that canned stuff the radio sells you. W.B. and The Geezers is comprised of two Navarre area musicians – William Lake and Bill Crouch. Their past works have included songs about senior dating, the laughable and ridiculous ED commercials, but that’s just on the surface. They have always explored the deeper themes involved with the experience of getting older, and they invite you to listen and embrace it as well. Their latest, and third album, “Bits and Pieces”, is described as “Country/Americana with a touch of Wild Grass”. So if you’re tired of trying to dodge all the noise on the radio today that’s coming out of Nashville, and long for the old days of real country writing, singing and instrumentals, then W.B. and The Geezers and this album specifically is a must have.

The recording kicks off with a hip-swaying groove called “Dixie (Remix)”. But that’s just a prelude to the real stuff that gets going with the fiddle and banjo-filled anthem, “Road to Nowhere”.  If you wear bedazzled jeans and foreign made boots to your weekly line dancing class, then stick to your corporate cowboy crooners. If it’s the authentic thing you want, then turn up the resonant sound of the title track, “Bits and Pieces”, with its thoughtful narrative and easygoing melody.

There isn’t a subject that country music hasn’t featured before. However, there is a quality to W.B. and The Geezers song writing that takes the listener to a level that is rarely heard in Country anymore.

Possessing a rich country baritone, W.B. and The Geezers take us across a witty storyline with “Don’t Tell Me You Love”, which teaches us to accept people for what they are, before they switch to “Weekend Angel (Remix)” that takes a sensible look at the lives of truckers.

An album of this consistent quality doesn’t merit a selection of stand-outs but we must highlight the impeccable vocals and melody on the ballad “Tell Me Lie”. “Barney Fife of the TSA” is a tongue in cheek look at the certified body searchers of transport security, and it will certainly put a smile on your face. Up next is the slow-burn strum of “When The Bottle Call’s Your Name”, which is pretty self-descriptive and a common affliction.

It remains to be seen if the world of country music embraces W.B. and The Geezers with quite the same vigor as is reserved for their radio-ready peers. However, these guys have literally worked their butts off to present their brand of music, and there is no better testimony to this than on “Spirit of the Rockies” and “Father Time”, where W.B. and The Geezers lay all their artistic wares out on the table.

All-round, “Bits and Pieces” is an honest and introspective set of songs that establishes W.B. and The Geezers as artists who aren’t afraid to evaluate who we are, and how and why we are, what we are.

They possess a sense, not only of self, but of the world around them and aren’t afraid to let us in with songs that are forthright, meaningful, and some of the finest of the year. Their music and narratives prick just the right nerves. W.B. and The Geezers is the exact shot of country-infused goodness that real country fans need right now.



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