INTERVIEW: Rz Shahid – An Alternative Hip-Hop artist based out of the Twin Cities of Minnesota!

Rz Shahid is an Alternative Hip-Hop artist based out of the Twin Cities of Minnesota! Known for providing smooth flows with ear catching and even catchy lyrics over unique production. Being Vulnerable and being free is what’s provided into the groovy tunes. Rz is also one of the seven founders of the people’s protection coalition that runs a mutual aid service in Minneapolis. Plus his company Art Of Xanadu where he releases his music under and has his AOX clothing line. Rz has a hand in many creations, whether it’s his day job as a personal trainer or working on

THE JOHNSON PARTY DELIVER A SONG AND VIDEO FOR “CAN’T LET THE BASTARDS WIN”

AS MANY PEOPLE GRAPPLE WITH THE UPCOMING US ELECTION AND POLITICAL MOTIVATIONS THE JOHNSON PARTY DELIVER A SONG AND VIDEO FOR “CAN’T LET THE BASTARDS WIN” A SINGALONG ANTHEM FOR ALL While protest songs never went away, a worldwide awakening has created a need for more voices to rise, enter The Johnson Party a musical collective based out of the mountain ski town of Truckee, CA. At the height of the 2020 global pandemic and social unrest, while millions of people are risking their health and safety by waiting in long lines to cast their vote. The Johnson Party are

7 Lord – “Drop” – a melody-driven banger with a very good verses

7 Lord’s single, “Drop”, has everything to do with his wordplay and storytelling prowess. And even more to do with his flow and his voice: a deep, swollen and smooth resonance that quietly rumbles over the piano-driven and bubbling bass influenced soundtrack, with mellifluous grace, stringing together vowels and consonants until any one word can rhyme with any other word. 7 Lord’s baritone voice is perfectly fit for the sleek music that he came up with on “Drop”, and that is what makes this release much more than your average rap track. And also why 7 Lord’s name will soon

The Amatory Murder are proud to release ‘Room 208​’, the third single off their upcoming record ‘Singularity Complex’

The Amatory Murder are proud to release Room 208​, the third single off their upcoming record Singularity Complex.​ ​Room 208​ is shot by director Jonathan Rivera — who is no stranger to working with the band on their visual endeavors (Rivera attended high school with singer Christian Peppas aka Xian Murder and has been a go-to filmmaker over the years). This fun, sexy, short “horror-esque” film has Rivera taking an initial gritty, abstract idea and bringing it to life — this time pushing some boundaries. Really looking to think outside the box, the band also enlisted the services of longtime

YAGI – “How You Do That” – Turn up the volume and the roof will be levitating off your house!

The legendary city of Houston has produced a number of artists that will go down in history as hip hop pioneers, who helped expand rap music within the south. Currently coming out of Houston (TX), YAGI is an emerging artist born in New York, and who moved to Houston to play football at U of H. The production on YAGI’s latest single “How You Do That” consists of the same dramatic, emotional, somewhat dark, and banging sonic backdrop, fans have come to expect of rap’s new wave of artists. YAGI has a deep and resonant voice ready for hard-edged gangsta

Lokye – “Color Coated 2” – the sound of an artist evolving directly on record

Brian H Newman is an abstract artist from NYC who has been living and creating in Detroit since 2009. Graduated from CCS with BFA, he is the owner of Art Gallery Granny’s Chandelier in Hamtramck M.I. Primarily a mixed Media artist with a focus on figurative abstraction, and surrealist philosophy, when he switches his artistic gaze towards blending lyrics and instrumentals he takes on the moniker of Lokye. His album, “Color Coated 2”, pushes the genre forward musically, by looking back stylistically. The beats are extremely alternative and jazzy. It is not a hook-heavy record, instead this is hip hop

The 4PACK Ent. Music Group Presents MACKronyms – “Take Me Away” Video

The 4PACK Ent. Music Group Presents MACKronyms “Take Me Away” ft. Johnny Blk Reese as Heckle and Racci AK Ashy Knuckles as Jeckle. By and large, “Take Me Away” has the classic MACKronyms sound: a warm and crisp confluence of cinematic hip-hop, old school lyrical flows, and a modern soulful hook, all mixed and mastered impeccably. Here MACKronyms have once again captured the energy and depth that has made them such an important and inimitable act in the first place. Johnny Blk Reese and Racci AK Ashy Knuckles come with a sense of urgency, deep introspective thought, and camaraderie. It

PlantBassed – “Lambo” (Original Mix) – a banging combination of percussion, synths, and voices!

In most cases, EDM producers are reacting to what’s going on around them. On a basic level, some produce in line with trends, while others produce in contrast to them. Sometimes though it is possible that an artist as singular as PlantBassed is able to blend everything that’s going on in the electronic environment. And he can do it in one single project. Put another way, if you listen to the track “Lambo” (Original Mix), you’ll notice that there aren’t many producers out there making PlantBassed music – a rhythmic and frenzied banging combination of percussion, synths, and voices. The

MajorHardcore hits the scene with “One Shot Deal”!

✊🏿IM🎖MAJ🌍RHARDC🏀RE🎤NE✈️T LEVEL🚀HIPH🎱PARTIST🎧EST.6/2/20🥳AND🏋🏿‍♀️STILL☄️SOARING 🦅ALREADY🥊HIT🥁A🔥MILLI🍾IN🥇STREAMS 👏🏿LETSGOYANKEES⚾️JESUSISKING💒✌🏿 https://linktr.ee/MajorHardcore Im in a Yankee hat from where the Yankees at being a snitch nigga can’t be that no 🐀 being a bitch nigga can’t be that no 💪🏿being a rich nigga that’s a fact yeah 💵 straight off the wake up 🥱 hit the bodega, feens running like they just caught a caper, or I hear is let me get give me major. Now like a BBL (Brazil but lift) my pockets cake up. I’m from the projects public housing. Stair cases those my couches. My louie belt cause a thousand, and my job is flipping

Winchester 7 & the Runners – “My Super 8” – The song is so bright it’s practically glowing!

Winchester 7 & the Runners are focused on the future, but their latest single “My Super 8”, takes them nostalgically into the past. From the first jangly guitar-like notes and steadfast drumming, we get a hint that this track may not stray too far from its legendary indie rock predecessors.  It hearkens back to a time when guitars shimmered, and shoved throbbing bass and drum arrangements, supporting ear-catching melodies bouncing over the top. The song is so bright it’s practically glowing, with a simply layered arrangement that embraces both distortion and playful spontaneity. Of the most surprising elements here, is

Steve Sperandeo – “Contagious Emotions” – intimate storytelling that inebriates the senses

Like all works of music, there are always going to be some you absolutely love and some you only like. “Contagious Emotions” by Steve Sperandeo one is going on the absolute love list. Steve has added some jazzy, bluesy touches in this album, while maintaining a soft organic-rock style made of elegant guitar work and graceful melody. It’s a masterful blend by a thoughtful musician. But be forewarned, Steve’s music needs more than a single playing to fully savor its nuances. So grab a drink of your choice, sit back and enjoy the storytelling as Steve Sperandeo delivers 11 unhurried and deeply resonant songs.

Steve knows how to make a long playing record, and which buttons to press. A lost art in the digital download age. Throughout it all the guitars, piano and rhythms are measured and tasteful, mirroring his clear, understated drawl.

Singer-songwriter die-hards will adore every twang and crooned note. “Contagious Emotions”, they would doubtless agree, is the best kind of adult contemporary sound. An album at pains not to reinvent the wheel, but instead to give the audience exactly what it craves.

“Contagious Emotions” precisely the opposite of everything modern music exemplifies. Steve Sperandeo fills our nostalgic buckets with melody, harmony, organic instrumentation, and arrangements that don’t fit into a formulaic commercial box.

From the moment he opens the album with the poignant “Junkie”, waves of strummed acoustic guitars and intimate storytelling inebriates the senses: “Your momma don’t love me, and you daddy’s a junkie. Your brother’s suicidal, and your sister quotes the bible.”

It’s many an artist’s dream to be able to produce their work, unfettered by the constraints of commercialism. This is the happy situation that Steve Sperandeo finds himself in, and it shows in the beautiful and bittersweet glow of the slow-burning ache of “For Ann”.

Steve turns up the tempo a notch, on the sweeping groove of “Love Me Crazy”, but it’s on the slower cuts like “Forever” that he is absolutely superlative. The reason simply being, Steve Sperandeo has a poised but relaxed way of singing lyrics, as though he were telling you a story across the flames of a campfire.

This is perfectly illustrated on “Nothing” – a poignant song that draws you into its silken embrace, before you even realize it – and the fiddle-inflamed “I’m Going Insane”. In an industry presuming loudness and digital compression, it comes as no surprise that an artist like Steve Sperandeo fancies the warmth of a dynamic recording, which is displayed in all splendor on the expansive “Tell Me Why”.

“Love Me” is a beautiful piece, and just an outstanding song. Steve throws down lines like, “Love me. Learning how to love me. Spending so much time, just wondering who I am. Once I learn this basic fact of life, then I can learn to love you.” Total introspection, and chill guitar work dominate this song.

The album proceeds with more mesmerizing tracks – “Luvox” and “Alone In His Chair”, allows Steve to unravel the gravelly top-end of his vocal range, before closing the show down with the catchy “21 Grams”.

A blissfully journey from start to finish, “Contagious Emotions” is a showcase of Steve Sperandeo’s Homeric ability to weave a fine tapestry of vivid story-lines over a lush fabric of beautifully haunting music.

Each of these songs perfectly displays Steve’s gift for melody and, above all, rarely does his voice, or the instrumentation, wander off on a tangent. Everything is always constructed with the intent of adding something to the song, rather than simply displaying skills. This is an impressive and consistent trait throughout the album.

OFFICIAL LINKS: MUSIC STREAMSFACEBOOKYOUTUBE

About The Author

Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.