FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good

Dan Friese – ‘Jane Songs’ is something to be treasured!

Dan Friese is an Oregon-based songwriter, performer and multi-instrumentalist. In April of 2020, he released his debut EP, ‘Happiness’, a collection of self-reflective psychedelic indie-folk tracks. His first full-length effort, ‘Jane Songs’, was released on September 18th, and is available on all major platforms, along with the singles “Streetlight” and “I Can’t Say”. There’s a lot to appreciate on the new album, and Dan’s voice is arguably the most attractive aspect. Moreover, his vocals are often enhanced by inspiring songwriting and raw emotion, not to mention a wealth of down to earth acoustic guitar strumming. Dan Friese has an organic,

INTERVIEW: C.E.N. – the voice of the people

Born in Oklahoma City, Oklahoma, and currently a resident of Dallas, Texas, C.E.N’s natural proficiency over poetry allowed him to produce meaningful and profound lyrics. Although he initially took the initiative to become a music artist for fame and fortune, he later realized that all he desires as a musician is to be respected and valued for the art he brings to the table. His music is deep lyrically and spiritually. Can you tell us a bit about where you come from and how you got started? C.E.N.: I was born in Oklahoma City, OK, and was raised in a

Hitrocker – “Project One” – breathtaking sound design!

Hitrocker is a German based producer who creates mainly within the EDM subgenres of House, Electro and Deep House. His first album, entitled “Project One” was released at the end of July, while “Project Two” is also out now. When I clicked on the playlist of “Project One”, I was met with song titles that were merely numbers – such as “Project 1.1” or “Project One.Four”. This falsely led me to expect generically themed instrumentals, simply meant to rock the dancefloor. Wrong. Well not totally. They do rock the dancefloor. But they also do a whole lot more. These are

Rashod Holmes Announces New Single ‘The One’

The soul singer relives how he met his wife and started his family on a tender new song. Rashod Holmes is known for bringing romance to life with his evocative voice, but he has never told as personal a story as the one he tells with his latest single. ‘The One’ is a true life love story that acknowledges the struggles and triumphs that go into building a long-lasting relationship. “I found the one for me” Rashod sings. “She is the girl of my dreams.” While Rashod is convinced that he has found the perfect partner, there is much more

Billy Ray Rock – “Get The Funk”- hitting up all the classic tenets of funk

Washington State Singer-Bassist, Billy Ray Rock, plays more than 10 instruments and produces and performs every instrument you hear in his music. From Rock to R&B and Dance, Billy delivers them all. His single “Get The Funk”, simply adds another delicious flavor to his sonic menu. His unearthly bass chops, resonant vocal wobble and inner funk DNA is scorching hot, while it straddles the genre’s trademark grooves. Blaring horns and slapping drums accompanies the party-styled adlibs, as the track treads its momentum. If you’re looking the glossy high-tech dance-club funk perpetuated by bands like Chromeo, then this is not the

Vincent Krennerich – “Verlassene Stadt” – plenty of delicate aural color

Vincent Krennerich is a composer, songwriter and pianist from Germany. The artist, who has featured on our pages before, has released his double-side single, entitled, “Verlassene Stadt”, which translated, would mean ‘abandoned city’. The second track, contained in this set, is called “Morgengrauen”, which in English, would mean ‘dawn’. However if you heard these compositions, there would be no need to translate them, as Krennerich’s music describes itself rather poignantly. Though stripped back and basic solo piano, the key to the success of both these recordings, is the propensity Vincent Krennerich has in composing subtly fine melodies. Both tracks have

Hybrid Blues fuses stellar musicianship, heartfelt songwriting and soul-stirring vocals

Out of Aotearoa (New Zealand), Hybrid Blues are a 4-piece band, made up of Mike Everard (guitars, vocals), Adam Pendred (bass), Mark Schaumann (drums) and award winning front-man, singer-songwriter Roy Hudson. The band signed to SGNB Records USA, has just released its self-titled blues-based album. No two songs on “Hybrid Blues” sound the same. The record not only showcases Roy’s abilities as a singer and a songwriter, but also highlights the wide range of influences that have impacted on his music. The album takes you in so many different dynamic directions that it can feel a little dizzying, while the

Marshall Artz Productionz – “Go Missing” ft. SeanQ – is incredibly hypnotic, with crystal-clear production

Released Aug 28th, “Go Missing” Prod. by Marshall Artz Productionz, is the producer’s 3rd single release since June. The track will be featured on his upcoming 2021, self-titled LP “Marshall Artz Experiment”. The song features singer-songwriter SeanQ, from Dallas, Texas. The producer’s blend of R&B-inspired neo-soul and smooth chill sounds becomes its own entity within the hip-hop and urban music world. Marshall Artz Productionz work should gain high appraisal through its colorful and subtly amped vibes that play to any genre lover’s ears alike. After listening to this track, I expect that the outpouring of demand for more of the

Evie Calabasas – “STARGIRL” – strong, sensitive vocals and soul-baring songs

Evie Calabasas is a 20 year-old singer and songwriter. She started playing guitar at the age of 6 and started singing at 15 years old. After attempting to be part of band on numerous occasions, Evie finally opted for a solo career. Her first solo project, the 3 track EP “STARGIRL”, has its title inspired by the first song she ever played live.  It is a tempered and exceptional record. It shakes, rattles and rolls with minimal, almost absent percussion, a dominantly strummed acoustic guitar and occasional keyboard interludes. Above all, is Evie Calabasas’ voice, which delivers an untethered, sweetly

The Rude Dudez – “An Act of Protest” tell us everything we already should know, but are afraid to speak up about!

In March 2018, Penny Lane (vocals) and Reverbero (lead guitar) opened the doors of their “Red Spades Tattoo Studio” in Bray, Wicklow Co. (Ireland) which has become a common center for local musicians to play and get tattooed, and it was during a local music event that they met Aaron Doyle (rhythm guitar) and Cormac Feeley (bass): The Rude Dudez were formed, bringing their highly energetic sound which is defined as “Tribal Skunk” – a blend of ska-punk and folk. Soon The Rude Dudez were making a name for themselves on the local circuit, and working their way towards playing prestigious venues. In the meantime they had also found the perfect drummer in Rory Lahart, after a laborious search.

Committed to their craft, The Rude Dudez dropped their debut album, “Cause I’m Rude”, on the 30th November 2019, and now follow it up with their highly anticipated sophomore album, “An Act of Protest”, out on the 27th August 2020. The Rude Dudez – where ‘rude’ is meant to signify ‘sincere’, ‘outspoken’ and ‘frank’, as opposed to the derogatory significance society usually attaches the word to.

And it is with this very sense of wholehearted, unstoppable candor that “An Act of Protest”, attacks the ills of modern society and a warped culture driven by frenzied consumerism, environmental destruction, debauched religious ideologies, and untrustworthy mass media. In fact, The Rude Dudez tell us everything we already should know, but are afraid to speak up about.

The album opens with quick bombast of “Involution”, which describes humanity’s self-selection process in order to become the higher version of ourselves. The drums bang, and the guitars roar, as Penny Lane’s vocals lead the charge with confidence and conviction. Immigration and multicultural living takes center stage between the jangling guitars, fast distinctive chord progression, and the soar of the vocals on “Tired of Everything”.

So far, there is so much to like and the songs are impeccably constructed and performed. This album takes what is spectacular about The Rude Dudez – their impeccable musicianship and large vocal presence, and judiciously mixes in the best of what is currently on hand in the studio, without adding any glossy gimmicks and technological trickery, except raw power.

“Out of Stock” continues the unbridled, high-powered momentum of the album, as The Rude Dudez tackle the theme of consumerism head on. The song also allows Reverbero the space to showcase his soloing skills.

“Liberty Search” is awash with thick bone-crushing guitar riffs and a driving rhythm, as Penny Lane narrates a dialogue between the Statue of Liberty, the ideology of freedom, and the consequences of being trapped by mobile phones.

“Mirror of Me” describes a conflict between two people who are simply mirroring the reflection of themselves in each other. The freedom of an independent release allows the The Rude Dudez to set their own pace and tone. What results is a powerful punk-rock blueprint filled with a raw emotional feeling.

Never once letting up, The Rude Dudez’ insistent rhythmic stride will leave you breathless, as they break into “Savin This Planet”, which directly points a finger at the blue chip companies responsible for environmental damage. This leads to the sprightly bounce of “Between Time and Space”, which takes an expansive look at love, comparing relationships to drug addictions.

Penny Lane along with the band look to provide a healthy dose of confrontation and confession into the music world, as they attempt to show the shortcomings, mistakes and deceit of society, and not the false perfection of conformity that has invaded our mindsets.

“Tax The Priest” takes a scathing look at the workings of church corruption, before delving into the abominable practice of acceptance into society, in the fairytale-styled “The Girl and the Tower”.

Strong reggae flavors propel the rhythm of “Rise Up”, which specifically, and critically, scrutinizes the Italian socio-political situation. The song aims at instigating reaction in the population, urging people to act in their own interests, instead of allowing others to decide their destinies.

“An Act of Protest” is an energetic and enterprising recording meshing together musical, existential and humanitarian aspirations. The album presents the costs and complications of human vulnerability, along with an aggressive rejection of embracing surrender.

The Rude Dudez envision a world far removed from the one we are currently creating. Through the throbbing palpable rhythms, they lay the groundwork for an album that examines our shortcomings, and the measures we need to take, to turn theses trends around. “An Act of Protest” is evocative and dynamic with powerful messages.

The lyrics were written by Penny Lane and the music composed by Reverbero, while the album was recorded DIY during the 4 months of Quarantine in the hills of Roundwood, Wicklow County, Ireland.



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