THE JOHNSON PARTY DELIVER A SONG AND VIDEO FOR “CAN’T LET THE BASTARDS WIN”

AS MANY PEOPLE GRAPPLE WITH THE UPCOMING US ELECTION AND POLITICAL MOTIVATIONS THE JOHNSON PARTY DELIVER A SONG AND VIDEO FOR “CAN’T LET THE BASTARDS WIN” A SINGALONG ANTHEM FOR ALL While protest songs never went away, a worldwide awakening has created a need for more voices to rise, enter The Johnson Party a musical collective based out of the mountain ski town of Truckee, CA. At the height of the 2020 global pandemic and social unrest, while millions of people are risking their health and safety by waiting in long lines to cast their vote. The Johnson Party are

7 Lord – “Drop” – a melody-driven banger with a very good verses

7 Lord’s single, “Drop”, has everything to do with his wordplay and storytelling prowess. And even more to do with his flow and his voice: a deep, swollen and smooth resonance that quietly rumbles over the piano-driven and bubbling bass influenced soundtrack, with mellifluous grace, stringing together vowels and consonants until any one word can rhyme with any other word. 7 Lord’s baritone voice is perfectly fit for the sleek music that he came up with on “Drop”, and that is what makes this release much more than your average rap track. And also why 7 Lord’s name will soon

The Amatory Murder are proud to release ‘Room 208​’, the third single off their upcoming record ‘Singularity Complex’

The Amatory Murder are proud to release Room 208​, the third single off their upcoming record Singularity Complex.​ ​Room 208​ is shot by director Jonathan Rivera — who is no stranger to working with the band on their visual endeavors (Rivera attended high school with singer Christian Peppas aka Xian Murder and has been a go-to filmmaker over the years). This fun, sexy, short “horror-esque” film has Rivera taking an initial gritty, abstract idea and bringing it to life — this time pushing some boundaries. Really looking to think outside the box, the band also enlisted the services of longtime

YAGI – “How You Do That” – Turn up the volume and the roof will be levitating off your house!

The legendary city of Houston has produced a number of artists that will go down in history as hip hop pioneers, who helped expand rap music within the south. Currently coming out of Houston (TX), YAGI is an emerging artist born in New York, and who moved to Houston to play football at U of H. The production on YAGI’s latest single “How You Do That” consists of the same dramatic, emotional, somewhat dark, and banging sonic backdrop, fans have come to expect of rap’s new wave of artists. YAGI has a deep and resonant voice ready for hard-edged gangsta

Lokye – “Color Coated 2” – the sound of an artist evolving directly on record

Brian H Newman is an abstract artist from NYC who has been living and creating in Detroit since 2009. Graduated from CCS with BFA, he is the owner of Art Gallery Granny’s Chandelier in Hamtramck M.I. Primarily a mixed Media artist with a focus on figurative abstraction, and surrealist philosophy, when he switches his artistic gaze towards blending lyrics and instrumentals he takes on the moniker of Lokye. His album, “Color Coated 2”, pushes the genre forward musically, by looking back stylistically. The beats are extremely alternative and jazzy. It is not a hook-heavy record, instead this is hip hop

The 4PACK Ent. Music Group Presents MACKronyms – “Take Me Away” Video

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PlantBassed – “Lambo” (Original Mix) – a banging combination of percussion, synths, and voices!

In most cases, EDM producers are reacting to what’s going on around them. On a basic level, some produce in line with trends, while others produce in contrast to them. Sometimes though it is possible that an artist as singular as PlantBassed is able to blend everything that’s going on in the electronic environment. And he can do it in one single project. Put another way, if you listen to the track “Lambo” (Original Mix), you’ll notice that there aren’t many producers out there making PlantBassed music – a rhythmic and frenzied banging combination of percussion, synths, and voices. The

MajorHardcore hits the scene with “One Shot Deal”!

✊🏿IM🎖MAJ🌍RHARDC🏀RE🎤NE✈️T LEVEL🚀HIPH🎱PARTIST🎧EST.6/2/20🥳AND🏋🏿‍♀️STILL☄️SOARING 🦅ALREADY🥊HIT🥁A🔥MILLI🍾IN🥇STREAMS 👏🏿LETSGOYANKEES⚾️JESUSISKING💒✌🏿 https://linktr.ee/MajorHardcore Im in a Yankee hat from where the Yankees at being a snitch nigga can’t be that no 🐀 being a bitch nigga can’t be that no 💪🏿being a rich nigga that’s a fact yeah 💵 straight off the wake up 🥱 hit the bodega, feens running like they just caught a caper, or I hear is let me get give me major. Now like a BBL (Brazil but lift) my pockets cake up. I’m from the projects public housing. Stair cases those my couches. My louie belt cause a thousand, and my job is flipping

Winchester 7 & the Runners – “My Super 8” – The song is so bright it’s practically glowing!

Winchester 7 & the Runners are focused on the future, but their latest single “My Super 8”, takes them nostalgically into the past. From the first jangly guitar-like notes and steadfast drumming, we get a hint that this track may not stray too far from its legendary indie rock predecessors.  It hearkens back to a time when guitars shimmered, and shoved throbbing bass and drum arrangements, supporting ear-catching melodies bouncing over the top. The song is so bright it’s practically glowing, with a simply layered arrangement that embraces both distortion and playful spontaneity. Of the most surprising elements here, is

The passionate Brooklyn lyricist V The Saint Presents “BONAFIDE”

Born in Brownsville, Brooklyn, V The Saint is no stranger to hustling and grinding. From rapping as a part of a group when he was 12, to internal conflict forcing him to relocate to Mobile, Alabama for 2 years, V has persevered and weathered many storms to present you with his latest body of work. The passionate Brooklyn lyricist presents, ‘BONAFIDE’, the trials and tribulations of a BONAFIDE hustler, grinder, and father, with witty lines and truth-filled bars. Every song is littered with an honest, brash, and real accounts of what it’s like for a young black man in 2020,

FuzzKill – “The Get Better” reaches all the expected heights!

FuzzKill is a four-piece rock band that started in Boston, MA. Introduced to one another through musical theatre, the band’s sound is firmly rooted in early 2000’s pop-punk influences. They released their debut studio album, “Happen”, in early 2019, and their sophomore album, “The Get Better”, just dropped on September 19th 2020. We have all heard the biggest punk bands of the 90’s and early 00’s. Their music mainly consisted of driving drums, distorted pop-punk guitar work and a set of memorable lyrics to go with the angst-filled high energy vocals. Today punk bands are a rarity, and any good ones usually stay locked and undiscovered in the underground. Until FuzzKill arrived on the scene with their sophomore album, that is.

From the outset Fuzzkill has inadvertently set themselves up for some lofty expectations that many punk fans have been wishing the genre would achieve once again. So with their newest album, aptly titled, “The Get Better”, these new tracks find the group reaching all the expected heights, they or any fan of pop-punk have previously set. Track after track, FuzzKill achieves the 2000’s pop-punk sound, updated into the here and now, in a wall of supersonic exposition without distraction.

The thunderous drums become the full beating heart of the music. Crisp and crunchy driving guitars are expertly placed, throbbing basslines ignite the rhythms, and throaty, soaring vocals are boosted by washes of mellifluous harmonies.

You actually feel the vibrant atmosphere and urgent attitude of the music. It soon becomes clear that members, Jake Smerechniak, Jordan Potash, Jude Torres, and Trey Lundquist, are taking you to new heights, rather than just floating around on the sidelines, waiting to be heard.

This superb feeling is set ablaze from the opening track, “Stupid Fucking Summer”, which comes right after the playful “Intro”. Aside from the explosive forward motion of the percussive momentum, the genius of the music, is in its ability to captivate all of your senses and stimulate your emotion. FuzzKill throw thick layers of melody and harmony into their cauldron of pulsating rhythms that will leave you breathless.

The ferocious upbeat instrumentation continues on the bone-crushing “Iced Tea” and dynamic stop-start arrangement of “Save The Date”. This is uplifting, euphoria-inducing sonics designed for the bold-hearted. The lead singer’s genre-advance in pure vocal ability, truly shines throughout here.

“Intimate Affair” even brings groove into the punk-pop equation, and it’s a marvelous thing. FuzzKill get out the acoustic guitar, and turn on the emotional floodgates on the poignant “Melodrama”. It’s easy to get caught in the web of downtempo vibes here.

“Wolfman” ups the ante with a punchy singalong anthem at its core, before the crushing guitars of “Everything is Better (September)” re-adjusts the template with another towering performance by the band. The lead vocals here, are truly astounding, showing range and power. The narrative in “Society,” places itself within a lofty context, while the song also hosts a marvelous, head-rush of a chorus that sticks in your head for days at a time.

Honestly, if all of pop-punk sounded like FuzzKill do on “On Your Own”, the genre would still be thriving in the mainstream charts today. However, having said that, I like FuzzKill best, when they flaunt their abrasive alternative rock tendencies, as on the fully powered, riff-laden “Taking Damage”.  Few bands can bridge alternative rock and pop-punk, with such a level of conviction, style, and overall coherence.

Moving forward FuzzKill continue switching their template with absolute mastery. On “Sun/Down” they’re in full, high-speed punk mode. Then “The Break”, featuring John Tyler Kent, sees them brandishing those blistering guitars and another killer melody, supported by excellent drumming and a fiery lead solo.

“The Feel Alright” offers the album’s most eloquent moments in a power ballad which thrives on a mesmerizing lead vocal, and minimal instrumentation. In the end, FuzzKill and “The Get Better”, exceeds all the hype, I or anyone else could possibly deliver, within a collection of fourteen songs that stand amongst the decade’s strongest pop-punk records I have come across – indie or major label!

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