Forget, Forget Deliver an Electrifying Indie Electro-Pop Experience with “what should we do today?”

With their latest album, Forget, Forget demonstrate an exceptional ability to combine electronic sophistication with irresistible pop sensibilities. “what should we do today?” moves effortlessly between infectious choruses, imaginative synthesizer arrangements, and introspective musical passages. Tyler DeVos and Patia Maule bring their distinctive voices together to create an engaging vocal dynamic throughout the collection. Adventurous compositions and carefully layered instrumentation give the ten tracks a refreshing sense of character and variety. The result is an accomplished album that celebrates creativity, musical freedom, and the enduring appeal of great songwriting.

Forget, Forget have a particular gift for finding extraordinary musical possibilities in ordinary experiences. The Portland, Maine-based indie electro-pop duo, formed by Tyler DeVos and Patia Maule, have developed a distinctive approach to songwriting that combines accessible melodies with imaginative production, expressive vocal performances, and an adventurous appreciation for musical detail. Their latest album, “what should we do today?”, released August 28, 2026, brings these qualities together across ten compositions that reveal an increasingly confident and sophisticated artistic identity.

Following the excellent albums “We Are All” (2013) and “You’re Not Gone” (2017), alongside the two-track release “Two New Songs” (2015), this latest collection represents another compelling chapter in the duo’s creative development. Produced and arranged by Forget, Forget, the album demonstrates an impressive understanding of how different musical elements can interact without compromising the individuality of each composition. Guitars, synthesizers, percussion, and vocals are woven into arrangements that balance electronic sophistication with the warmth and immediacy of alternative pop. What makes the record particularly rewarding is its ability to maintain a recognizable sonic identity while continually introducing fresh ideas, textures, and emotional perspectives.

The opening track, “staying in,” immediately establishes the album’s appeal. Its contemporary, relatable narrative unfolds within an engaging musical arrangement that gradually gathers momentum, building toward a powerful crescendo and an exceptionally memorable chorus. One of its strongest features is the interplay between Tyler and Patia’s voices. Rather than simply following conventional lead and backing vocal arrangements, the two performers alternate and intertwine, creating an engaging musical conversation that adds movement and personality to the composition. The result is an outstanding introduction that establishes the melodic sophistication and expressive character of the album.

“errands” maintains the momentum with an entirely different kind of energy. Opening with hard-hitting rhythms and an unmistakable 1980s-inspired flavor, the track immediately commands attention through its driving bass lines and energetic percussion. The arrangement becomes particularly effective through its contrasts, with stripped-back choruses giving way to mesmerizing pre-chorus passages and explosive returns to the full instrumental intensity. The production makes excellent use of these changes in dynamics, ensuring that the song never loses its forward motion. Infectious, rhythmically compelling, and packed with personality, it is another excellent example of the duo’s ability to make sophisticated arrangements feel effortlessly accessible.

With “if i knew how,” the atmosphere becomes more introspective. The composition allows its reflective qualities to develop naturally, gradually opening into expressive choruses that provide a satisfying emotional release. Rather than relying on excessive instrumental complexity, the track finds its strength in the relationship between its melodic progression, vocal delivery, and carefully developed atmosphere.

That more delicate sensibility continues with “floating away,” one of the collection’s particularly intriguing moments. Beautiful vocal melodies, fascinating rhythmic structures, and evocative lyrics combine to create an immersive listening experience. Patia’s contribution as the song’s lyricist adds another dimension to the composition, while the musical arrangement gives its reflective character plenty of room to breathe. It is a lovely demonstration of how effectively Forget, Forget can balance subtlety and atmosphere without sacrificing melodic appeal.

The album continues to reveal its strengths through a succession of distinctive compositions. “couldn’t matter less” stands out for its brilliant synthesizer architecture, with electronic textures contributing significantly to the song’s identity and overall momentum. Meanwhile, “jumpin off the walls” combines introspective songwriting with irresistibly catchy vocal melodies. Tyler’s warm, rich voice brings considerable character to the performance, delivering the lyrics with an engaging mixture of energy and soul. The composition’s melodic immediacy makes it particularly memorable, while its more thoughtful elements prevent it from becoming simply another straightforward indie-pop song.

One of the album’s most adventurous creative statements arrives with “socialize like a butterfly, hibernate like a bee.” Its experimental structure, intricate vocal harmonies, and wonderfully fluid musical progression reveal just how imaginative the duo can be when exploring less conventional compositional territory. The arrangement has a fascinating internal movement, with its different elements interacting in ways that continually invite closer attention. The additional contributions of Emma Stanley on trumpet and Andrew Bedard on saxophone provide further instrumental color, expanding the sonic palette and giving the composition an especially distinctive character. It is a fascinating highlight that demonstrates the creative freedom underpinning the entire record.

There is no shortage of melodic appeal elsewhere, either. “kristina” is another genuine indie electro-pop gem, built around the kind of engaging musical identity that makes the album so enjoyable. Its memorable melodic qualities reinforce the duo’s instinctive understanding of pop songwriting, while the surrounding production keeps the composition firmly connected to the album’s inventive sonic character.

As the collection approaches its conclusion, “take care” introduces a slower and more intimate atmosphere. The arrangement is particularly appealing for its thoughtful compositional choices and beautiful vocal melodies, allowing the emotional qualities of the performance to become the central focus. Patia delivers an outstanding vocal contribution, bringing a delicate, expressive quality to the song that gives it a distinctive presence within the collection. Her performance demonstrates the importance of vocal personality throughout the album, where the different qualities of Tyler and Patia’s voices provide an essential part of the duo’s musical identity.

The closing composition, “standby,” provides a fitting conclusion to this impressive collection. Its beautiful lyrics and intense sonic architecture combine to create an almost magical soundscape, bringing together many of the qualities that make “what should we do today?” such a compelling listening experience. The arrangement possesses an absorbing musical character, while its melodic and atmospheric elements leave a lasting impression. It is an especially effective final statement, bringing the album to a close without diminishing the sense of discovery that has accompanied its ten tracks.

The creative achievements of “what should we do today?” are supported by a talented group of musicians and collaborators. Tyler DeVos contributes guitar and vocals, while Patia Maule handles synthesizers, vocals, and percussion. Glen Capen adds guitar, with Aaron LaChance contributing drums and percussion. The album was mixed by Chris Zane and mastered by Adam Ayan, with recording sessions taking place at The Halo Studio, Dove Pax Productions, and Hush Puppy Studios. All ten songs were written by Tyler DeVos and Patia Maule, with Tyler responsible for the lyrics except on “floating away” and “take care,” both written by Patia. The artwork, another personal creative contribution, was designed by Patia Maule.

Ultimately, Forget, Forget have delivered an exceptionally imaginative and musically accomplished album with “what should we do today?”. Its greatest achievement lies in the way it combines immediate melodic appeal with compositional sophistication, creating songs that are enjoyable on first contact but continue to reveal new details through repeated listening. The contrast between energetic electro-pop arrangements, intimate vocal performances, experimental passages, and reflective songwriting gives the collection an engaging sense of variety without ever compromising its cohesion.

This is indie electro-pop with personality, intelligence, and an impressive appreciation for the possibilities of sound. Forget, Forget have created a record that feels refreshingly individual, demonstrating that inventive production and accessible songwriting can coexist beautifully when guided by genuine artistic curiosity. “what should we do today?” is a brilliant addition to their discography and a thoroughly rewarding album that leaves us eager to hear what Tyler DeVos and Patia Maule create next.

OFFICIAL LINKS:

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https://forgetforget.bandcamp.com/album/what-should-we-do-today

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