Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

The Drama Dolls: “The Sublime Art of Self Importance” – burning with abrasive crunchiness

The Drama Dolls are the brainchild of ex Colony bassist, guitarist and main songwriter, Mike Cambridge, who also handles the mixing and production. Mike, along with drummer Alan Bristow and Agatha on keyboards form the nucleus of the band, with vocals by acclaimed US rock singer Chris Hodges. The mastering of the 3-sided single, “The Sublime Art of Self Importance EP”, released on Velvet Ant Records, was handled by the Pete Mayer of U2, Muse and Jack White fame.

The cover artwork

The cover artwork

The reason the music business is in shambles has something to do with piracy…but in a strange way. The main problem is that there is virtually no talent who merits anybody’s hard earned money. Nowadays, any ass with auto-tune and a laptop gets a contract and radio-play. If there were more talent like The Drama Dolls in the industry, music as a whole would not be at the point it is today, people would spend their money to buy singles, Eps and albums, and the artists would reap the benefits of their hard work. Instead everything sounds the same, as if it was manufactured with the same software…and it probably was!

The Drama Dolls are different. They deliver genuine, raw, alternative rock and come out with all guns firing on “Don’t Waste Your Prayers”, the opening track from “The Sublime Art of Self Importance”.  If there is a constant on this Ep, it is the fist-pumping anthems and melodic tunes. The guitar-attack blasts through the opening bars, burning with abrasive crunchiness, as the galloping bass and drum rhythm, tests Chris Hodges’ vocal cords which bellows and soars. The Drama Dolls demonstrate their versatility and musical strength with this Ep.

The-Drama-Dolls-400There’s plenty of heat here, mixed with guitar solos, mood inspirations, and straight ahead rock like on “I Want More”, which steams and boils with pressure-cooker precision without ever shooting off its lid. The band turn things up a notch on “King For A Day”, infusing the song with as much melodic catchiness as they do with crusty energy. The cherry on top is provided by the smoldering guitar solo. Apart from each individual member of the band bringing their own remarkable talent to the table, Mike Cambridge seems to find the perfect rock n’ roll sound to each song.

Mike handcrafts these tunes and treats each individual song as though it is Plasticene that he can mold into perfection. And ‘perfection’ here doesn’t mean glossy, shiny, slick production. It means finding that raw, sometimes abrasive but always melodic sound mix that makes rock n’ roll’s controlled chaos so alluring. Sleek production in rock can sometimes be likened to freckles on a hot blonde. No one gives a sh*t about the freckles because they’re all so concentrated on how tight the blonde’s ass is!

“The Sublime Art of Self Importance” defines pure rock with no strings attached – packing riff awesomeness, emotionally charged vocals, a solid guitar attack, and an amazing rhythm section, that culminates in hard-hitting, balls to the wall rock.  It would be a complete understatement to say that this is a great unbridled rock recording by The Drama Dolls!

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