Karen Salicath Jamali Set to Take the Carnegie Hall Stage Saturday for Her Debut Concert

Karen Salicath Jamali – Two Performances Set For December 15, 2018 New York City, New York – Karen Salicath Jamali is an award-winning pianist who earned a chance to play not once, but twice at Carnegie Hall on Saturday, December 15, 2018. Winning second place in the American Protégé Music Talent Competition and an honorable mention winner at the American Protégé International Competition of Romantic Music this fall has given Karen Salicath Jamali the chance to play twice in one day on the world famous Carnegie Hall stage. Locals can check out her performances of her original piano composition, Rainbow

True Media Independence (TMI): Building a Music career with Khady Thiam Gueye

The ability to market your music is an essential skill. Without properly promoting yourself or your music, no one would know you even make music. Regardless of status or stature, administration is a great equalizer of all businesses. If you want exposure, you have to put in the time for marketing - that or hire it out. Independent artists have more opportunities than ever before to launch their own career without the backing of the major labels. Hiring a professional PR executive to handle your campaign is generally the best way to get great coverage. You might prefer the DIY approach

Kill the Reflection: “Forever & Always” keeps itself tight and consistent throughout

Kill the Reflection is group from Oklahoma City, OK, consisting of Morgan Routt (Vocals/Guitar), Mark Martinez (Bass) and Starr Raven (Drums). Their new album, “Forever & Always” is currently available for pre-sale and will release on Dec 27th 2018 on digital and physical CD format with Vinyl to follow in 2019. On the album, Kill the Reflection presents an interesting musical mélange of alternative rock with excellent musicianship and vocals, as well as exceptionally strong lyrics. The instrumental work on the album is worth listening to repeatedly, and the songs are intelligent, though generally dark. “We have adopted the moniker

Son of Andy: “Looking Up” – creating lyrical atmospheres!

Detroit area native, Son of Andy got his start in 2011 and has been producing music and beats since then. His first album, “Wendigo”, was released in 2017, and his second album “Looking Up” is available for Pre-Order right now. Son of Andy takes it to another level with his latest album. He’s on top of his game and easily out does his past couple of releases. Newcomers can appreciate this just as well as previous fans. Likewise, you don’t even have to be a fan of hip hop to appreciate what’s bought to the table here. For those not familiar,

Fitzsimon & Brogan: “Big Blue World” – a full, punchy pop sound!

Fitzsimon & Brogan is a musical project based in London, whose creators therefore logically are songwriter Neil Fitzsimon, and vocalist Bee Brogan. The two setup their songwriting and production to produce, what they describe as “pure pop for now people.” Both were previously in a band called Pretty Blue Gun who featured guests musicians such as members of The Art of Noise, Dave Bronze (Eric Clapton’s bass player), Tobias Boshell (Moody Blues) and Pip Williams, who played guitar on the Walker Brothers’ track, ‘No Regrets’.  The two critically acclaimed albums were produced by Pat Collier, who produced Katrina and the

Lord Conrad: “Only You” – a journey through sound, emotion and introspection

Italian DJ, producer and model Lord Conrad, continues his prolific run with a series of acclaimed crossover hits like “Touch the Sky”, “Day After Day”, “1 Minute” and “Fight Till The End”. Lord Conrad has made it so far since his introduction to the music scene with his first release. With his innovative sound that only he can perfect, his reception is steadily growing, to beyond the strongest communication devices on the planet. Now with the release of his brand new track, “Only You”, the producer once again takes the music world by storm. His sound has drastically improved through the years, and it

Arush Dayal is a triple threat!

With a career spanning acting, singing, and writing, Arush Dayal is a triple threat. Originally hailing from India, Arush has seen a wide swath of the globe on his quest to hone his craft. He has studied at prestigious acting programs across the world including the Acting Program at the International Academy of Film and Television in Hong Kong and the One Year Conservatory at T Schreiber Studio in New York. Meisner Technique, Acting for the Camera and Commercial Acting are all facets of the industry Arush has studied in depth. He continues to perform both onstage and in front

The Frost: “Keep It Real” – There’s a classiness to this!

The Frost is a multi-genre group comprised of Leah Evans (Vocals) and Christian Gratz (Guitar, Piano). Located in Pennsylvania, their brand new single “Keep It Real” was released on December 7.  The duo emerge at a time when the ranks of sophisticated pop contenders seemed to have disappeared on a daily basis. Simultaneously chic and very creative, they thrive on the considerable charm of lead singer Evans, with her smooth chocolate voice, the instrumental talents of Gratz, as well as the pair’s impressive abilities as a songwriting unit. An absolute stand-out aspect of the new song is the way it’s

Forest Robots: “Timberline and Mountain Crest” – Inspired by natural landscapes

Let’s start of by saying that Fran Dominguez aka Forest Robots is a master at producing chilled out electronic music with heavy beats, and lots of orchestral instrumentation thrown in the mix. To call it electronic music almost seems unfair, as it implies this is music made by machines. Yes, I realize he is called Forest Robots, but this could not be further from the truth, as Dominguez’s music is pumping with life and human emotion. His latest album “Timberline and Mountain Crest” showcases 10 tracks of stunning depth, the kind of album you just throw the headphones on, turn

Edward St. Martin: “Lullaby” – blur the lines between savvy pop stylings and hard hitting kinetic soundscaping

Hailing from San Diego, Edward St. Martin has a background in film composition and classical music. His most recent single is “Lullaby”. Expectations met, superseded and immediately I hit replay. This track is going round again and I’m not the only one within ear shot of my stereo who is pleased about it. The easy laid back crossover Pop/EDM groove take is not unexpected, as I had already read that St. Martin was one for mellow tones combined with pop and soul vibes. But this track has another key element which makes a record of this nature standout. Intelligence. This

Luna 13: “The Hollywood Ripper” – exacerbated by an augmented world of extremely dark electro!

Luna 13Dr. Luna (Producer) and Lilith Bathory (Visuals) – blasted onto the scene with their debut ‘Phantom Bass Queen’. Luna 13’s tracks have since received national support from the Dark Drum and Bass world and their last two releases debuted at number 1 in America, Greece and Germany on the Amazon and ITunes Drum and Bass charts.

Their latest release “The Hollywood Ripper” is a collection of pounding Dark Deathtronica mixed with heavy electro-groove. Starting out with the emaciating “Backward up the Wall (Intro)” and flinching into the searing “Waking for Blood” is something that Luna 13 can do so easily. Pounding through next is “Beverley Hills Bogey” then “Elisa Lam (Elevator Girl)” which brings to life a souring instrumental. One of my favorite tracks is “The Possessions of Emily Rose”, while “Monroe of the Dead” is another one of the albums pulsating highlights. “Drift in a Dream” continues an acrimonious and ritualistic reveal in song. “Black Widow Bitches”, the album’s first official single, is inspired by the B-movie, Hollywood Chainsaw Hookers, one of Luna 13’s favorite films.

LUNA-13-350This album is brought to you with blood, sweat and tears. Exacerbated by an augmented world of extremely dark electro, “The Hollywood Ripper” is brooding and wicked. It’s cohesive and taut. Luna 13 uses an Arturia Microbrute hooked up to Mixcraft 7 to create his brutal soundscapes. “I do not use stringed instruments at any time,” says Luna 13, “I am a core electronica musician.” But there is more to Luna 13 than just being someone with technical prowess.

“The Hollywood Ripper” is like taking a ride on the wild side of the chemical rainbow, only there isn’t the wonderland you’ve always wanted to experience on the other side. Instead of an encapsulated merry-go-round within the synthetic rainbow, it a dark and foreboding place where the world is not your friend. And it makes you question, seethe, and want to ultimately dismember the world one limb at a time. This has a barrage of dark emotions that we all suffer from. It doesn’t pretend not to be consumed by them, either, allowing the audience to sit and listen as they spill out of a mouth in which they were allowed to fester.

Loud, brutal and harsh, Luna 13 is the product of a dark stream of sound traveling through a brooding canvas of thought. Sometimes the voice, shrouded in a garb of heavily-voxed words, tries to make a profound statement, and sometimes they forgo the supposed nobility in that and go for the primal pounding of beats thrashing against the acceptability of thinking grand thoughts. Whatever Luna 13 is doing here, it’s almost always overcast and foreboding, assaulting the mind while shoving the taboo in your face. And that’s actually a refreshing facet of the band and the change it underwent with this release.

“The Hollywood Ripper” does not elicit anger or sorrow, it just reams out a gaping hole in your mind, to let the tenebrous things blow through. Altogether, it is a very solid effort, but prepare yourself to be caught unaware by its completely atypical style. No matter what, the most adhering thought that seems to circulate about this album is that it is one of the best the Dark Deathtronica genre has ever known.

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