Yung Wavii: “Come Over Feat. Tai Smoove” – crystalline delivery and professional wordplay

New York based Nocturnal Seven Entertainment has a rich history of working with an array of artists in the R&B, Hip Hop, Reggaeton, and Freestyle genres. Since the late 90s their work as an established management company has led to partnerships with big names in music including Supreme, a Producer from Wu Tang and Positive K, Grand Puba, Will Traxx, DJ Red Alert among many others. The company is proud to announce its new wave of talent, including thrilling new artist Yung Wavii. Wavii is a charismatic rapper whose lyrics get to the point quickly. He is a rapper that

Bizeeee: “Looking For It” – an out-of-this-world scenario!

What separates #Bizeeee aka #4ez from many of today’s rappers, is his indestructible delivery. Every verse no matter what he is rapping, he relentlessly pound his rhymes into your head mercilessly, with bone crushing stanzas and a ruthless attitude. Every word spoken shows an aggressive mood and seemingly cannot be stopped by anything. With this intensity also comes a very dramatic and cinematic driven production. This intense style is especially shown 4ez’s latest single, “Looking For It”. This song is driven by a rhythmic drumbeat, hissing hi-hats, and harmonized by futuristic and spacey keys. This is a chance for 4ez to step

A Talk With Singer-Songwriter Rob Sky

Rob Sky first appeared on the NYC music scene with his debut single, “Beautiful”, in 2007. His debut album, Right Now, was released in 2010 and followed with a tour in the UK. Rob has performed on stage with MJK, Blu Cantrell, and Monique. In 2017, he released TEN, an anniversary album that included previous unreleased tracks from the recording sessions of his debut album. After an 8 year hiatus, he returned to the studio and began recording again, releasing a few singles before finally completing his latest album, “What’s Left of Me”. Rob is already back in the studio,

Quintin Tarintinto: “No Self Pity” – dense articulation!

Tallahassee, Florida rapper, Quintin Tarintinto has his 2019 fifteen track project, “No Self Pity”, out right now. This is the record many of Tarintinto’s contemporaries would love to make, but they don’t have a sufficient enough state of consciousness to draw inspiration from, or truly focus the menagerie of their minds upon. It’s the most topically cohesive, palatable and headily conscious Tarintinto ever been for an entire set of songs. His universal vision makes it all work together in perfect, coalescing, high-tech harmony. A less knowledgeable Quintin Tarintinto might have asked compelling questions and never get to present the answers projected

3Mind Blight: “Make This Right” – transcribes emotions into music perfectly

Let’s begin with the fact that 3Mind Blight doesn’t make music for the fans or the label. In the era of rappers who are doing it for the gram, 3Mind Blight is all about the art of self-expression: he isn’t rich, he isn’t cocky, and he respects those who came before him. His style is not rap focusing on bling or hedonism, instead he observes and tries to teach us everyday lessons about ourselves, but his focus is also knowing he is better now than he once was and only plans to get better, something that should be recognized as

Flo: “Mix in a Water” – all of it is crisp and gorgeous!

James Florio aka Flo, is a Toronto, Canada based producer, songwriter, and multi-instrumentalist. His signature style combines diverse musical elements and genres together to create an immersive listening experience. The rich mixture of delicate sounds, booming basslines and silky, chopped vocals will keep listeners coming back for more. His latest single is “Mix in a Water”. Is there any way to describe the music of Flo other than stylistically shimmering, and rhythmically hypnotic? Not really: write down those words and free-associate as much as possible with eclectic and luscious, and chances are you’ll have written Flo’s press blurb. The Flo

Capo 2G: “Pullup” ft. KirkoBanz – a tidal wave of aural sensation!

Capo 2G is a Hip Hop artist currently based in Las Vegas, Nevada. Originally from Lagos, Nigeria, his unique, island fused sound which he defines as AfroHipHop is one of the many factors giving rise to his growing fan base. Capo 2G’s close relationship with A-listers such as Rae Sremmurd gives him the opportunity to learn from the front lines as he prepares himself to step into the spotlight. He begins his first solo tour in Trinidad, Colorado on February 21st. This isn’t exactly a startling revelation, but hip-hop has always been rife with emcees who style themselves as unrepentant

J.R.Clark: “Zenith Spokes” – Capable of balancing and articulating his conceptual goals

J.R.Clark is a hip-hop artist based in Virginia Beach, VA. He started his career behind the mixing board as a studio engineer. In 2014 started releasing his own music and building a following in the underground hip-hop scene. Inspired by artists like Curren$y, Stalley, Big K.R.I.T, J.Cole, Rick Ross, Schoolboy Q, and Chance the Rapper, J.R.Clark’s latest project, an EP titled “Sunset Symphony”. If, after listening this recording, you’re under the impression that J.R.Clark is preparing to take over the world, you’re neither alone nor unjustified. For decades hip-hop has seen myriads of artists fleetingly captivate the attention of listeners

Natalie Jean: “What Would You Do For Love?” – a show-stopping exhibition

Admittedly I have been waiting years now for Natalie Jean to surpass her previous levels of excellence; she had arrived quietly with not much fanfare, and she steadily declared her arrival with a number of albums, singles and collaborative efforts. Needless to say I was impressed. Yet, while I immediately acclaimed and understood that Ms. Jean was indeed extremely talented, she had, as far as I was personally (and secretly) concerned, yet to produce anything indicating she was even close to showcasing what I suspected to be her fully unrealized potential—that is of course until I listened to “What Would

Jevil Project: “Shade” – Positive artistic aggression!

The Jevil Project is a France-based instrumental metal act, who does not perform live, but prefers to create music meant to be listened to. Jevil Project is proficient at marrying sludge metal riffery with dirtier post-rock guitar melodies. Trudging, down-tuned riffs drive each song, while subtle melodic movements develop on top. This pattern works to fantastic effect on the 4 track EP – “Shade”. There are tons of incredibly inspiring moments on this album. There are also plenty of riffs that will make your head bang uncontrollably. Moreover there seems to be sense of adventure on the recording, and with

Track Seven Band: “The Try And The Fail” – a crossover-flavored hip-hop album for smart people!

New York’s very own Track Seven Band brings to you a collaboration that connects the elements of Rap, Rock, R&B, and Funk into one cohesive and melodic sound. Track Seven Bands music is deeply rooted in traditional Hip-Hop, over stepping the boundaries of looped samples and beats by introducing the fresh sounds of live instrumentation.

Track-Seven-Band-CostThe bands roots date back to 2011 in the Bronx, New York when front man, Cost was in search of assembling a band to compliment his lyrics of socially hidden struggle messages and awareness with his sound and live stage show.

For almost four years Track Seven Band played live shows and decided to go into the studio mid-2015 to finish up the highly anticipated EP “The Try And The Fail” in which front man Cost says is an emotional roller coaster based on different events he experienced in his lifetime.

“The Try And The Fail” is such a pleasant surprise. Not only is it instantly captivating and beautifully produced, but it actually has sheer emotion. Not simply well-thought ideas but genuine feeling. Not only does it sound good, it feels good. It is a seamless listen that must be enjoyed to in its full rotation.

This is a perfect example of why I still appreciate hip-hop music. With all the mainstream garbage they have been playing on the radio and TV for the past decade or more, Track Seven Band have stayed humble and have made good quality music here.

Track-Seven-Band-LiveI’m not a hip-hop connoisseur but it makes me feel good when hearing something like this because this to me is what hip-hop music should be all about – profound and positive messages, live instruments, uniqueness and creativity.

Straight out of the box, the first thing you grasp when listening to the opening track, “The Message”, is that this band is not confused or burdened by their own, or anyone else’s expectations. They sound like they are on top of their game and comfortable about what they are doing.

The organic aspects of the EP are admirable; real instruments and beats instead of touchpad and computer generated musings, while the pop-sensibility of each chorus is solid and nearly unmatched by modern day rap, save some older Kanye or Jay-Z tracks. In fact Cost’s flow is very reminiscent of Jay-Z’s voicings in places. Particularly on the tracks, “I See Your Body” and “Die”.

Track-Seven-Band-350The songs are personal, intelligent narratives, but catchy; “Today”, “Doubt Me”, and “The Try and the Fail” all got stuck in my head a lot. But unlike many of their more popular peers, this is not simply a vehicle for a few hot singles with some filler in between. This is a real record in that old school sense of the word.

A collection of carefully crafted songs that go well together and mean something. Track Seven Band is a collective that flies high above the anchors of musical genre. This is not really just a rap album or a hip-hop album or a pop album or even a rock album, it’s…well, it’s a Track Seven Band album.

Cost (Frontman, Writer), Silver Fret (Guitar), Eugene RIvera (Drums), Omar Osorio (Keys) and Tony Torres (Bass), essentially deliver a rap-infused, crossover-flavored hip-hop album for smart people, and as such it succeeds brilliantly.

Once in awhile the hip-hop genre will take a break from its occasional obsession with narcissistic posturing and actually deliver on ideas that actually live up to its cultural roots. And it’s no secret that many of the genre’s greatest moments have been those instances where it looks inside itself, and finds something new to say – and a better way to say it. “The Try and the Fail” EP is one of those occasions!

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