Matt Draco – “Get Off” – a cautionary tone that’s burned into every word!

Raised in Inglewood, California, Matt Draco’s prowess blends his aggressive West Coast personality with his nimble New York inspired rhyme schemes. As a child he studied the lyricism of creatives such as Notorious B.I.G, J. Cole, and Jay-Z, and by the time he was 14, Matt also taught himself how to compose orchestral music, enhancing his musical understanding and vision. By the age of 18, Matt Draco had the honor of conducting University Preparatory School’s orchestra twice, with two different pieces composed by himself. He then returned to his native Hip-hop roots releasing a series of freestyles and singles on

Kiing Dee! – “Black Kings (ft. King Los) flows with such a captivating style!

Kiing Dee! has been boxing since the age of 6. He grew up in the Pawtucket/Providence area where he fights out of Big Six Boxing academy. He has won many regional tournaments as well as fighting in the 2016 Olympic Trials Qualifiers and previously being ranked #2 in the country. Kiing Dee! went professional in 2018 but an Achilles injury changed his life. It forced him to do the only thing he could do while recovering on his couch and that was make music. Once he realized that people actually liked his music, he decided to take it seriously. Constantly

DREAM BIG EMPIRE presents Blacc Cuzz – “Wadd Up Doe” – outbursts of authenticity and real Hip-Hop

Blacc Cuzz is committed to forging a glorious way forward in his career. More importantly, he’s underscoring his critical lapses in the past for sake of the young guns who may admire him. At this stage, the Pittsburgh, PA, born and raised creative, who fashions himself as a self-made businessman in the mold of Jay-Z, is well aware of his status as an artist and record label boss at Dream Big Empire. The good-natured don of the working class can rap like the most vulgar deacon you’ll ever meet, driven by reactionary outbursts of authenticity and real Hip-Hop. Much like

Ramirez Coiva – “I’m Walking Away” shines in the way the guitar and string arrangements are so well put together

Ramirez Coiva regards himself as a Citizen of the World, who has been writing and making music since 2000. His single “I’m Walking Away” was written and recorded in Istanbul (Turkey), a couple of years ago. The song is a hybrid between the alternative rock guitar sound of the past and a look toward a more modern, sleeker pop sound. One thing is clear on this track, there are very few people that can match Ramirez Coiva’s all-embracing songwriting talent. Regardless of style, whether it’s heavy guitars or strings, keyboards and drums, a great song is a great song, and

“Time” – The new single and video release by APKLYPZ

“Time” in the world of APKLYPZ is the unknown march into darkness. The trippy mind-bending perceptions of infinity. The psychedelic wanderings of a consciousness loose in the cosmos. The groove between space and time, the analog and the digital, reality and illusion.  Audiovisual artist APKLYPZ combines dense dreamy trip-hop and psychedelic visuals to create a cinematic experience called a “form of escapism” by Electro Wow. Every APKLYPZ production is a vivid world of expression and “…an enthralling and emotive listen which is accompanied by a spellbinding video”. Seasoned by decades as a bass auteur and years as a globetrotting

“KETAMER” – Doc Ketamer is absolutely at the top of his game

Doc Ketamer is a DJ / producer born in Naples. At the age of 20 he started traveling throughout Europe organizing juggling shows. From the year 2000 he began to collaborate and play with different sound systems. In those years he focused on live sets. In this same period he founded the KML sound system KML, which almost immediately joined the larger collective Black Sheep. After this experience, and having played all over Europe, DJ Ketamer – as he was called then – rediscovered his passion for vinyl and began playing different styles on various occasions in social centers and

International Independent Entertainer, Cips is preparing his latest album and tour!

Cips, pronounced (Sip’s) is an international independent entertainer who has done various showcases and has toured multiple times across Canada and United States. Cips has currently accomplished three Canadian tours and two American tours so far. Performing in various major cities across Canada and United States such as Vancouver, Toronto, New York, Miami, Houston, Detroit, Chicago, Pittsburgh, Philadelphia, etc. Cips has also worked alongside various artists in the music Industry such as Sayzee, Big Trill, Merkules, Stitches, and many more. His latest project titled ‘Codeine Cowboyz’ was completely created, mixed and mastered in Miami, FL, produced by Supply & Demand,

THE BRKN releases “The Motions” from their upcoming debut EP titled “No. 3”

Punk n’ Rock newcomers THE BRKN debuted their first single and accompanying video for the song “Your Existence” this summer and the buzz started to build. The band has already racked up over 113k streams on Spotify playlists. See the video for Your Existence here – https://youtu.be/vSJiJrb87h4 THE BRKN is Jacob Cade – Vox and lead guitar, Kick Stevens – rhythm guitarist, Mike Bokenkamp – drums and Tristan Verghese – bass. The band recently released the second song and video for “The Motions” from their upcoming debut EP titled “No. 3” which will be out in early 2020. See the

Moonie Music Releases “Good Vibes” From The Album “Carolina Kid”

An unequivocal depiction of truly operating in the assurance and faith of purpose. We say it’s the spirit that comes from the Most High, others may call it a good vibe! Moonie Music, who previously starred in the “Man Up” movie as Brian co-starring alongside Lecrae. He also worked alongside KB, Trip Lee and Reach records while on the Man Up tour. He has music featuring Sho Baraka in the Christian arena and music featuring Da Baby and Renni Rucci in the secular arena. His new album “Carolina Kid” is a ministry album and was released 11/18/2019. He has re-dedicated

PROJECT GRAND SLAM RE-RELEASES “GET OUT!”

Project Grand Slam, the acclaimed band led by celebrated bassist/composer Robert Miller, has re-released their single “Get Out!”, Miller’s anti-Trump political protest song. Like many Americans, Miller has been profoundly upset by so much that the president has said and done. In response, he wrote “Get Out!”, which does not mention Trump by name but nevertheless contains a clear message. Says Miller, “I wrote the song last fall in response to all the insanity of this Administration, which I thought at the time couldn’t get any worse. But with the ongoing impeachment inquiry the song is even more relevant today”,

HATEBEAN: “FetusInFetu” – an all-encompassing giant monolith of sound

Based on a story by Jason Ellis and Michael Tully, “FetusInFetu” is an album about Dirt Bones: A man fighting a dark secret in a post-apocalyptic world. It is a concept of a set of twins born into one body, but of two different minds. Mixed by Michael Patterson (Puscifer/Nine Inch Nails/Beck/Moby) and Mastered by Paul Logus (Anthrax/Pantera/Public Enemy), the album was created and performed by HATEBEAN, a collective featuring members of the Jason Ellis Show off Faction, SiriusXM channel 41.

hatebean-300I’m not even going to attempt to describe the breadth of the work of HATEBEAN in a few sentences – it would take a book, frankly, and that’s meant as a compliment.   They have created just about everything under the sun on this album that is crazy, conceptual, progressive and artful.

The depth, intricacy, intimacy and diversity of “FetusInFetu” is astounding. Taken as a whole, the can album seem a bit overwhelming at first, but when you bite off one piece at a time and just enjoy it for what it is, you will be enchanted by its magnificence. If HATEBEAN continue to produce albums of this magnitude, no-one is going to give a flying fig what they call it or in whatever guise it comes.

Kicking off in truly dramatic style with ‘In The Beginning’, it’s a curtain raiser which acts as an overture to the vast scale and grandeur of what is to follow. Given a taster, you might expect a lull, but second track in, ‘Heinous’,  feels like it would be more at home as  the final track in the way it builds into an all-encompassing giant monolith of sound – akin to a final flurry rather than an introduction.

It’s no false dawn either; the sound of the album is huge with each passing song possessing blockbuster qualities.  “FetusInFetu” is ambitious and grand on a big scale, occasionally verging towards musical theatre, maybe not surprising considering the massive production on display here.

Packed with stirring moments, there is a surprising lack of the indulgence you might expect with the genre, no endless guitar noodling, or extravagant keyboard gestures. Outdoing anything contemporaries have recently offered, HATEBEAN toss aside the usual clichéd rock rulebook.

As each track goes by you become aware that the music of this band is the uncommon result of an uncompromising vision and style. All put together, you have an album that retains the rich quality and atmosphere of an epic cinematic experience.

The atmosphere remains bold and vast throughout, and it can easily be said that individual songs have a memorable impact, due to what’s probably one of HATEBEAN’s biggest skills — writing structurally complex songs while retaining simplicity – a similar trait also runs through Pink Floyd’s music.

Without breaking down each track, I can truly say that there are plenty of immaculate moments on “FetusInFetu”. Particularly impressive are songs such as “Blue”, “Out Of Mind”, “Twin Within”, “Sunburn”, “Motionless and Obedient” and “Amen”.

hatebean-coverWhile the material on the album is impressive to say the least, I can also safely say that the group delivers practical execution of their material to the point of virtual perfection. “FetusInFetu” enjoys a rich, almost symphonic production that sometimes even attempts to outshine the music itself. It’s one thing to have a polished big-budget sounding production, but it takes some level of vision and genius to find the optimal warmth and frame for a band’s sound.

Something HATEBEAN, Michael Patterson and Paul Logus have achieved here.The drum work is thick and heavy, the guitars sound rich and layered, and the bass work is consistently audible. From a technical standpoint, “FetusInFetu” arguably succeeds beyond any other concept rock album I’ve heard this year.

Not bad, considering that the idea of a band and album, started out as a joke when radio host Jason Ellis on SiriusXM told his boss, Will Pendarvis, “Well YOU should make an album! One of those concept records.”

Pendarvis took the statement to heart and set out to make a graphic novel in audio form, with help from his son, Wylie Pendarvis, who wrote a major slice of the music. Bear in mind too, that Will Pendarvis had never sung or written lyrics in his whole life, before this challenge became a recorded reality.

OFFICIAL LINKS: CDBABYINSTAGRAMYOUTUBE

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