Greek Electronic Producer Tasos Petsas Releases His Latest Single – “Untitled”

Tasos Petsas a Greek creator of electronic music, this week released his new single called “Untitled” via FM Records. For the first time the sound of his music is house with an addictive and nostalgic rhythm that manages to “hypnotize” you from the first minute. As the creator intended, the track brings together the memories of the past, the everyday life of the present, and the expectations of the future. And because he doesn’t have any title for all of these events, he called it “Untitled”. The track has already reached the #1 spot on the Gr-Top 100 and it’s

BEEA: “Ride Or Die” – Classic soul tropes are juxtaposed with modern pop touches

Slick, soulful, and melodic – this stuff is made for the radio. BEEA is a world class singer and performer, and she’s miles beyond some of her pop star peers, currently on the scene. Her brand new track “Ride Or Die” showcases her voice and passionate delivery, which keeping things intense and emotional. Aside from the song’s sonic and stylistic consistency, one notable difference between the material here and BEEA’s peers is the rawness of Brazilian beauty’s vocals. The frayed edges of the singer’s voice, are played as assets here. Her voice feels lived-in and wizened and she turns in

Baltimore 80s Tribute Band The New Romance Invited Back To China To Perform Exclusive Business Gala

It has been said that with enough talent and determination that music can take you anywhere. Well, for Baltimore’s highly-acclaimed 80s tribute band The New Romance that means half away the world twice. The group has revealed that they have been invited back to China to perform at the illustrious Starworld Casino in Macau, China as the headlining act for The British Business Association of Macau Annual Ball on June 22 and June 23. The New Romance, who describe themselves as not just a a tribute to the 80s, but an authentic concert experience, specializes in recreating the sounds of

BWH Music Group Releases the Hottest Album of the Summer – ‘That Summer, Vol. 1, by Various Artists’

You don’t have to go the ocean to hear the best songs this summer!  BWH Music Groups June, 2018 release titled That Summer, Vol. 1 by Various Artists is the hottest indie release of the summer and perhaps the entire year. This extraordinary compilation album features 15 songs by internationally acclaimed and award-winning artists in multiple genres.  Featured artists include: Skinny Fresh, Coastal Club, C.K. & The Rising Tide, Frank Migliorelli and The Dirt Nappers, Ed Roman, Jeremy Parsons, Cole, Nina Amelio, Jenny Vinatieri, Erick Blu, 0 hype feat. Chris Chand, AntoineRNB, Natalie Jean & Levi Moore, Luna Keller, and

THE BAND OF THE HAWK: “BOHUP VOL.2” FLEXES ITS LYRICAL PROWESS

When it comes to groups that are uniformly considered to be underground rap royalty, few acts eclipse The Band of the Hawk. Whether its impact, bodies of work, or just pure creativity, few unsigned groups in hip-hop come close. Though they individually continue to release great music, as a group the quality and consistency of their projects has undeniably been coherent and consistent. Noah Archangel, King Aka Yeaux Majesty, Ash Ra Aka Houey Freeman Fka Ashtonomics, P.ey3, Grynd Seazon, and Juskwam better also known Band of the Hawk are now back with their latest work – the 2nd installment of

Bad Bullet invites the listener to gain power with their grunge / alt-rock debut album “Use The Energy”

Austrian Newcomers Bad Bullet introducing their brand new Album Use The Energy. Use The Energy is pure energetic Rock for Fans of Nirvana, Foo Fighters, Blink 182, or Nickelback. Released on June 2018 via NRT-Records, Bad Bullet combines Grunge, Alternative Rock and Metal and creates their unique Style. The Band amongst guitarist and songwriter Gernot Neumann, Lead singer & Rhythm Guitarist Manuel Schlogl, Drummer Steven Scheer and Bassist Michael Jursche, show their versatility as musicians and songwriters. Positive Lyrics (Never Give Up, Free or Follow Your Dreams) but also mean themes (Last Chance, Judgement Day, War Never Changes or Poison

Union Five has a groove-centric sound

Rhythm is as important as melody throughout the amalgamation of tracks on the self-titled album by Union Five. This is evidenced by the alternating emphasis on one aspect or the other – and often the fusion of the two elements, which enlivens the musicians as they play. In turn, this spontaneity commands attention because surprises abound within each track. At a given juncture the band may slow the growing momentum of the music, giving itself and the listener time to ponder what has preceded, in preparation for what is to follow. But this moment is often fleeting, as temperate paces

The Keymakers: “Burning Me Up” – smooth romantic rhymes dressed in satin

After dropping their critically debut single, “Good For You” during September 2017, the brothers Rome Alexander and Rederic who form the musical project The Keymakers, are back with their third, and brand new project – the single “Burning Me Up”, released on the 6th of June 2018. This track obliterates, all of the commercialized trash that is cluttering the airways and giving listeners ear-infections with tired materialistic and blasé content. The Keymakers dish out smooth romantic rhymes dressed in satin and steel voices that resonate with ear-worming falsetto tones. While R&B dominated the charts through most of the mid-90s, it

Bulat: “Still So Far Away” – Immediately easy on the ears, there’s something quietly intense and absorbing here

Bulat is a singer, songwriter, guitarist, and actor who was born in Russia, raised in England, and is now based in California. His music mixes folk, rock, reggae, and Latin influences with his own unique way of writing both vocal and instrumental songs. He started put learning to play songs by Green Day, Blink 182, and Red Hot Chili Peppers, before going on to study music technology and commercial music production. His most recent release is the 3 track Ep “Still So Far Away”. Whether you’ve been on board with Bulat since his earliest releases and cottoned on to him

Marcel Heah: “Travelogue” – beautiful and deceptively simple elements

More like personal sketches for piano than traditional, structured songs, the music of Melbourne-based Australian artist Marcel Heah plays like a poetic soundtrack to the world’s tangible and intangible elements, and nowhere is this more brilliantly enacted than on his album, “Travelogue”. There are wondrous, beautifully understated melodies here, but what’s amazing is Marcel’s intense inspiration that spills from his spirit and flows straight to the keys. He uses simple techniques that are not meant to impress the most intellectual of music critics but are woven to bring any listener with an open heart to emote. Affecting and full of

HATEBEAN: “FetusInFetu” – an all-encompassing giant monolith of sound

Based on a story by Jason Ellis and Michael Tully, “FetusInFetu” is an album about Dirt Bones: A man fighting a dark secret in a post-apocalyptic world. It is a concept of a set of twins born into one body, but of two different minds. Mixed by Michael Patterson (Puscifer/Nine Inch Nails/Beck/Moby) and Mastered by Paul Logus (Anthrax/Pantera/Public Enemy), the album was created and performed by HATEBEAN, a collective featuring members of the Jason Ellis Show off Faction, SiriusXM channel 41.

hatebean-300I’m not even going to attempt to describe the breadth of the work of HATEBEAN in a few sentences – it would take a book, frankly, and that’s meant as a compliment.   They have created just about everything under the sun on this album that is crazy, conceptual, progressive and artful.

The depth, intricacy, intimacy and diversity of “FetusInFetu” is astounding. Taken as a whole, the can album seem a bit overwhelming at first, but when you bite off one piece at a time and just enjoy it for what it is, you will be enchanted by its magnificence. If HATEBEAN continue to produce albums of this magnitude, no-one is going to give a flying fig what they call it or in whatever guise it comes.

Kicking off in truly dramatic style with ‘In The Beginning’, it’s a curtain raiser which acts as an overture to the vast scale and grandeur of what is to follow. Given a taster, you might expect a lull, but second track in, ‘Heinous’,  feels like it would be more at home as  the final track in the way it builds into an all-encompassing giant monolith of sound – akin to a final flurry rather than an introduction.

It’s no false dawn either; the sound of the album is huge with each passing song possessing blockbuster qualities.  “FetusInFetu” is ambitious and grand on a big scale, occasionally verging towards musical theatre, maybe not surprising considering the massive production on display here.

Packed with stirring moments, there is a surprising lack of the indulgence you might expect with the genre, no endless guitar noodling, or extravagant keyboard gestures. Outdoing anything contemporaries have recently offered, HATEBEAN toss aside the usual clichéd rock rulebook.

As each track goes by you become aware that the music of this band is the uncommon result of an uncompromising vision and style. All put together, you have an album that retains the rich quality and atmosphere of an epic cinematic experience.

The atmosphere remains bold and vast throughout, and it can easily be said that individual songs have a memorable impact, due to what’s probably one of HATEBEAN’s biggest skills — writing structurally complex songs while retaining simplicity – a similar trait also runs through Pink Floyd’s music.

Without breaking down each track, I can truly say that there are plenty of immaculate moments on “FetusInFetu”. Particularly impressive are songs such as “Blue”, “Out Of Mind”, “Twin Within”, “Sunburn”, “Motionless and Obedient” and “Amen”.

hatebean-coverWhile the material on the album is impressive to say the least, I can also safely say that the group delivers practical execution of their material to the point of virtual perfection. “FetusInFetu” enjoys a rich, almost symphonic production that sometimes even attempts to outshine the music itself. It’s one thing to have a polished big-budget sounding production, but it takes some level of vision and genius to find the optimal warmth and frame for a band’s sound.

Something HATEBEAN, Michael Patterson and Paul Logus have achieved here.The drum work is thick and heavy, the guitars sound rich and layered, and the bass work is consistently audible. From a technical standpoint, “FetusInFetu” arguably succeeds beyond any other concept rock album I’ve heard this year.

Not bad, considering that the idea of a band and album, started out as a joke when radio host Jason Ellis on SiriusXM told his boss, Will Pendarvis, “Well YOU should make an album! One of those concept records.”

Pendarvis took the statement to heart and set out to make a graphic novel in audio form, with help from his son, Wylie Pendarvis, who wrote a major slice of the music. Bear in mind too, that Will Pendarvis had never sung or written lyrics in his whole life, before this challenge became a recorded reality.

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