NazB: “When We Were Young” boasts an impeccable flow

As a child growing up in Nigeria, NazB was surrounded by the music of his native West African homeland. With members of his immediate and extended family playing instruments and singing, music was a part of his upbringing. His persistence and perseverance eventually gained him the nickname Nazodobas, which eventually evolved into NazB and became his rapper alias. Now based in Zurich, Switzerland, NazB has been performing, recording and releasing hit songs, almost at will, since his debut album “Money In Da Game”, dropped in 2006. His brand of music blends hard-hitting urban beats, funky bass driven rhythms, and African

Croatia’s Sudar Percussion Ensemble is and Award-Winning Group

The Sudar Percussion Ensemble is a successful, award-winning group from Croatia that consists of very talented Croatian percussionists. They have completed a very high number of performances, tours and projects in Croatia and abroad since 2010.Their distinguishing characteristic is the original interpretations of famous works by classical and popular music composers, as well as their innovative and humorous ensemble members who have incredible musicality and technical skills. Throughout the years they have performed many remarkable concerts and appeared at important festivals. The Sudar Percussion Ensemble have also performed alongside world-renowned artists, as well as some of the biggest names in

RAVENSCROFT- “STAND UP” Video is the sound of a band inspired

Ralph Buso (Vocals), Brett Gorke (Guitars), Devin Baker (Bass), Pat Magrath (Drums), collectively known as RAVENSCROFT, are working on their most unique, creative, exploratory, and bone-crushing recording they have ever produced. It’s a progressive work of metal and rock art, delving deep into the nature of their craft. This six song EP “Rebel” will be released on March 25th 2018.  And there will be a release party held at The Slidebar in Fullerton California with Killset. The soaring melodies, the intense guitar solos, the deeply profound lyrics all take part in painting the picture that the band’s works regularly deliver.

Exit 22 Music: “Last Goodbye” – one of the finest musical acts in the pop-rock underground

It seems almost impossible that an artist that has been around this long – 20 years in Chris Calamera’s case, can keep making records that stand up among the best that he has ever done. Let’s be clear: “Last Goodbye” is a great song. It’s poppy, with a big melody and an insistent rock rhythm, and it’s catchy as hell. Sounds like authentic Exit 22 Music to me. This is pure Calamera from his pop-rock songwriting style standpoint, and pure Exit 22 Music, considering the breathtaking vocals and high production-value quotient. The perfect, power-pop formula. Exit 22 Music has been keeping

Lake of the Lion embodies embody emotive sounds and textures

Lake of the Lion is the brand name and moniker for Luxembourg music composer and producer, Daniel Kohnen, who is steadily building up his catalog and increasing his fan-base with regular new releases. In recent years, ambient instrumental and soundtrack scores have been following a certain trend. Composers seem to have this motif of creating overblown pieces with harsh lead instruments blasting out from the blue and background strings creating suspense with their melodies. Sure it was fun for a while, but within that little span of time listeners were just begging for it to stop because composers had this

Natalie Jean and Levi Moore: “The Letting Go” speaks the language of the ordinary person

A good duet, in our modern age, is a rare thing. There are plenty of features, guest verses and co-writes, and the cameo drop-in is a dime a dozen. The number of genuine duets, where vocalists share verses and tell a story together in the space of a song, is very small. If your optimism fails you, as you wonder whether there are enough great acts to keep hit radio stocked with worthy pop music duets, it’s reassuring to find that Natalie Jean and Levi Moore have a first-rate single to carry us through the next few months, all by itself. The

MAKI: ‘Waking Up With The World On Fire’ – truly majestic — grandiose, slowly unfolding, and extremely cinematic

The world is a fragmented place, with fear and hate giving rise to isolationist movements around the globe and huge portions of the population turning inward rather than outward towards each other. As such waves of bigotry spread like wildfire, the music scene becomes extremely important, not just because it means more great music, but because it connects us all together on a wavelength that hits the human heart, soul and mind even harder, faster and deeper than anger can. A creative constant in the field of communicative contemporary Instrumental music, is MAKI who focuses his ample talents on a

3 Phase – ready for genre domination!

The names Chirag Shah, Prasham Deliwala and Melvin Saldana may in themselves not ring a familiar bell in your ear right now. Probably, neither will the moniker ‘3 Phase’, nor their 6 track self-titled EP. It’s logical, it’s the law of the industry’s hype machine – cast a light on the big label clones, and leave the independent creatives in the shadows. Luckily the internet has a different set of rules.  On hearing the 3 Phase EP, the lofty ambition, the focus and dedication of this creative collective of producers, songwriters and vocal talent, makes sense – its six tracks

Sy: “Get Out Of My Dreams” – grab this R&B and Soul extravaganza

The singer, songwriter and author, Sy, releases a brand new single produced by Rueben Wood. The track “Get Out Of My Dreams” is the first single release written by the artist in 2018, since writing two self-help books, “A Swan Among Ducks” and “Saying Yes to (No): Learning the Power of (No) before the end of 2017. This track soulfully captures the spirit and feel of the emotional journey of grown womanhood. It is juicy, dynamic, soulful, gorgeous, and it is nourishment for the soul…and mind, as it examines the intricacies of a relationship built on want and lust. As

IJK: “Johnny & June” – sounds invigorated!

Alternative rock artist Imad Jack Karam, known by his initials and stage name IJK, is a Dubai-based, Lebanese singer-songwriter, who has released critically acclaimed songs and recorded with internationally known music producers in prestigious London studios. Both his singles “Space Odyssey” and “Dancing Shadows” garnered a positive reception from fans and critics alike. IJK has a style that can move between edgy modern-day alt-rock and sixties rock n’ roll crooning.  He recently published his latest single and supporting, fully animated video, for the song “Johnny & June”. So, how does this new offering cope? Very well, in truth. “Johnny &

Glenn Polin collaborating on new songs

Glenn Polin is an amateur artist, singer and producer. Frank Topper is an organizational development consultant from Greenbrae, California, who writes lyrics on his day off. Together the two moonlighters have been working on a couple of songs in their spare time. Well, three songs, to be honest. The songs roughly deal with religion, women and money, sometimes all at the same time. It’s difficult to find another 3 topics as controversial as these, anywhere on the planet. Lyricist Frank Topper has proven himself to be incredibly versatile over the last couple years, mixing vein-bulging intensity, emotion-laden elegance and a humorous flair in his verses.

But Frank has always had to hand over half of the work to someone else to get the job done, and relying on various singer-songwriters to slot his words into appropriate pieces of music. Some collaboration efforts were magic, others better than the rest, but on the odd occasion it wasn’t always a match made in heaven – until Frank met up with someone like Glenn Polin of course.

Glenn Polin

Glenn Polin

Glenn has the same irony, hard-nosed tongue in cheek expressions, and offbeat smartness in his voice that you can read in Topper’s lines. Now I wouldn’t be as presumptuous to say that this is a match made in heaven, but it’s damn near close.

“Pay Me” is a track that has Frank and Glen sharing the lyric writing, while Glenn completed the music too. Starting out on a sumptuous electric piano ditto Glen digs in with “Pay me if you wanna get God”. That one line is enough to let you know where these fellows are heading thematically.

This is a smart arrangement with Glen recording a series of layered vocal harmonies and injecting the song with plenty of horns and his preacher voice: “Don’t need gyms, don’t need affairs. Just pay me for God and you’ll get there.”

“Bottom Line Woman” is a Blues-induced lament, where the narrator loses all his money to good times and good women…or is that bad women. Glen turns in another sterling performance. This time he uses his deep gravelly crooning voice, which is as effective as it is charming to the ear. “The money’s all gone, and there’s a hole inside where my heart used to be,” is sung between a wailing saxophone and a yearning lead guitar.

Frank Topper

Frank Topper

Besides the vocals, Glen shows off all of his instrumental skills, sculpting a rich, heart-wrenching soundscape, before throwing down the trump line “She’s not interested in my plans, don’t care about future dreams. Well she lookin’ at my coffee, she only wants the cream.”

“Every Moment at Once” sees a complete change of tone, timbre and style, as Glen bathes his romantic swooning, inside a smooth, laidback but groovy, traditional pop standard-type backdrop – “When you took my hand, when I revived. When you said yes, that’s when I arrived. Every moment at once.”

This is the kind of jazzy music that Sinatra or Tony Bennett would have cherished in their catalogs. These songs show the kind of simple magic that can happen when two artists who were made for each other, join forces to create something special, without pretense or particular ambition, other than fulfilling their personal dreams and spreading a bit of wisdom, wit and love, towards whoever wants it.

OFFICIAL LINKS: YOUTUBE

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