The BoyEatsGirl “Zugzwang” Interview

Australian extreme metal project BoyEatsGirl is driven by one man – Rick ‘Cleveland’ Pinto who launched the project in late 2015. BoyEatsGirl has since been establishing itself as a favorite extreme metal project: Pinto is one of the few underground artists to offer a complete conceptual and experiential package in the genre – food for the heart, mind and senses, as intellectually stimulating as it is emotionally intense. BoyEatsGirl creates a nice balance of standard, aggressive metal riffs, intermingled with fast, monstrous, ultra-heavy, ultra-complex mechanical cyber-grinding percussion, and a crazed use of sonic extremities. Also, there is use of growling vocals, which produces a thick, beastly, darkly regal, searingly

ZALI: “Girls Like Us” – an ambitious blend of bravado and sultry charm

ZALI is an emerging Irish Singer-songwriter creating a buzz in Ireland and the UK with her powerful vocals and the distinct cross-genre sound of Soul-Pop. Passionate about music since her childhood ZALI began performing to crowds of all sizes via her church choir which confirmed her artistic calling. Years of vocal training and a signature sound blended from old-school R&B, mixed with Soul-Pop brings ZALI to her latest single “Girls Like Us”. An anthem for woman around the world, the track was written after the singer had been suffering from heartbreak. ZALI is a powerhouse vocalist, stylistically contemporary but one

PnB ROCK Performing at the Gas Monkey Live November 24, 2017!

PnB ROCK the American artist, singer, songwriter, record producer, and actor from Philadelphia, Pennsylvania, is getting ready to set the Gas Monkey Live!, in Dallas Texas alight with his live performance programmed for 7 p.m. November 24, 2017. The Billboard Hot 100 artist, whose album “Catch These Vibes”, features Wiz Khalifa, Juicy J, Roy Woods, Smokepurpp and more, will also be performing his smash hit single “Selfish”, among others. Below are all the details relating to the artist and live concert. Music Group Name: PnB Rock Date: November 24, 2017 Venue: Gas Monkey 10110 Technology Blvd E, Dallas, TX 75220 Time:

Prilho: “Stay” is set to become a favorite of modern club culture

Although only a couple of years into a career as a DJ and producer, Prilho has quickly become one to watch on the EDM scene, not only in his native Portugal but across the European dance scene as a whole. “Stay” is a song which pulses with the positivity and euphoria of the contemporary dance sound, it glows with great vibes and even though it is built on a fairly mid-paced tempo, its clever use of dynamics, its ability to build musical peaks and sonic troughs means that it is packed with punch, but it is punch which comes from

Grey Smith’s music can easily serve as therapy for music fans

Grey Smith solidified his sound and his soul, engraving it in stone with the first track, “Fear”, taken off his upcoming project, the “Ghost Notes” album. Grey, who wrote, played, sang and engineered every piece of the record is fundraising the entire project via to finance the mixing and mastering of the album, the back-end administrative items like trademarking, publishing, copy-writing, marketing, publishing to  iTunes, Spotify etc., as well as shooting a video for the first song. You can be an important part of this process by logging on to his fundraising page HERE. On “Fear” Grey Smith sounds so

Singer-Songwriter Wants to Flood the Earth with a Love and Peace Revolution

Singer-Songwriter, Sankarshan Das, who began his songwriting career in the late 60’s during the legendary love and peace revolution era days in San Francisco’s Haight Ashbury district, has a written a song called “The Peace Formula,” which was very much appreciated by former US President Obama when he was in the White House. It has now been released on the Turn-On- the-World-Records label.  (www.TurnOnTheWorld.com) Listening to the song, it’s blindingly obvious that Sankarshan Das possesses a real passion behind the message he is trying to convey. This is reflected in his lyrics and performance that is delivered throughout the song.

Subreel offer decades of experience in various areas of music

Subreel is a website designed to help aspiring musicians, a music hub with a goal of offering equipment reviews, how-to guides and loads of other musical information. Their writers offer decades of experience in a lot of different areas of music, from live sound to instruments and music technology. Some of the areas Subreel cover include: “Recording and microphones” – Home recording has become something we can all do, and with a real lack of information online, Subreel have taken it upon themselves to provide guides such as how to make your own homemade acoustic panels and microphone reviews, from USB

Jaief & Asong: “Don’t Need To” – an understated showcase of minimalistic rap and pop

The two friends Jaief & Asong live in separate cities in the south of Germany but plan and execute their musical projects with producer KasAkustix in Berlin. In 2014, with a baggage of musical tastes that stretch across genres like Hip-hop, Country, Jazz, Soul, Rock, Pop, Electronic, and Afro-pop, among others, Jaief & Asong formed a musical duo that released its debut project, “EARWORMS”, in the fall of that same year. The recording amassed over 1 million streams; over 200,000 downloads and several sync licenses, were totaled exclusively on the Jamendo music platform. 2017 sees the duo working on new

The Book Of Harmony album is a spectacular achievement

Kind readers, if you know nothing of Book Of Harmony, start here. Book Of Harmony is a 7-piece NYC based Progressive Rock band who recently released their 14 track self-titled album. As is usually obligatory with this genre, the band displays outstanding technical musicianship, a flawless grasp of form, a captivating depth of lyricism, great vocals and complex harmonies. Members Leah Martin (Vocals), Jon Perkins (Guitars), Phil Duke (Bass), Anupam Shobhakar (Guitars and Composer), Michael Sutton (Drums), Takahiro Izumikawa (Keyboards) and Kensuke Shoji (Violin), also add warm ambience, an almost “live” feel, and lots of little progressive motifs…however they are

Earl Adamant Allen: “Can’t Get Enough” – cleverly structured storytelling and positive, open thinking

Listen to the latest track “Can’t Get Enough” by Earl Adamant Allen while you’re reading this. Do you hear that? It’s innovation in hip-hop. Adamant is a mic controller if there ever was one. His songs are the kind of laid back that makes the listener feel like they just woke up on a sunny Sunday morning, lying next to a beautiful woman after the deepest most romantic night they’ve had in weeks. Yeah, it is that good. Earl Adamant Allen is most definitely an inventor when it comes to the world of hip-hop. Not because he mixes R&B into

Mr. Jet Black: “Ambidextrous” – It’s all about consistency and quality

Mr. Jet Black litters his album, entitled “Ambidextrous”, with eccentric phrases both homemade and specific to the Bay, making sure his colorful verbiage infiltrates hip-hop throughout the country. The 10 tracks on the album, certifies that Mr. Jet Black is a music making machine. But it’s impossible to talk about anything Mr. Jet Black does without talking about his voice, which is the most compelling element on “Ambidextrous”. It’s an elastic, supple, but taut thing that can waver between a persuasive whisper and a heated growl. Straight out of California’s Bay Area, Mr. Jet Black is the master of lingo.

Mr. Jet Black raps with such ease that it sounds like he is constantly in his comfort zone.  He’s a hustler, party man, prankster, and lover of ladies, so if you’re looking for anything else, you’re listening to the wrong guy. His latest release is the perfect example of how an artist can deliver exactly what hip hop fans have come to expect – banging beats, rip-roaring rhymes, and a high energy flow.

Mr. Jet Black not trying to pen a philosophical treatise; he’s trying to keep it real, give his point of view, and have some fun.  From that angle, the album works perfectly.  Although the production excels at blending ear-friendly beats with Mr. Jet Black’s unique lyricism.

I wouldn’t be surprised if the crew spent many a frustrated night in the studio trying to fashion the right sound.  Not only that, but the producers managed to blend the flavors of the Dirty South with the bounce of the West Coast.  That’s not an easy task.  The result is an eclectic mix of more diamond cuts than lumps of coal.

The album is supported by the singles “I Don’t” Ft. Vitani and “Keep ’em Waiting” Ft. Mitchy Slick. And listening to Mr. Jet Black rap on them is a singular experience. He’s an enunciator of the highest order, syllables tumbling out of his mouth, at times speeding up his words to squeeze them between the elephantine drum slaps, and at others stretching them out to emphasize certain phrasings.

He can also be an abrasive vocal presence as he bellows and guffaws gutturally from time to time.  Mr. Jet Black has substance, a broad vocabulary, and a flow that’s hot enough to melt ice glaciers. His transitioning from sentence to sentence, is truly a thing of beauty, and can be sampled on tracks such as “On The Low”, “Cloth I’m Cut From”, and “In My Face”.

“Ambidextrous”, combines a set of great banging songs with plenty of Mr. Jet Black’s ambitious flows, remaining extremely notable for its fulfilled promise as for its even execution. The album is curated carefully and put together meticulously, in a way that will actually hold up over time.  It’s all about consistency and quality.

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