Lyndon Rivers: “Heart To Heart” – a mix of nostalgia and current innovation

The people who decide the sounds of the future are the producers and songwriters of the present. They blend familiar sounds and emotional beats with modern-day lyrics and studio advancements, often capturing the world’s imagination with a mix of nostalgia and current innovation — throwback pop no longer has to sound plainly retro; even the past can pick up future sheen. This is exactly what English-born and Australian based producer Lyndon Rivers is getting up to lately. His latest creative effort is the single, “Heart To Heart”. This reminded me of the some music from the 50s, whimsical, with great energy.

Digital Down: “Open Source Nervous System” – pulsing rhythms, mingling with the spiraling synths

Digital Down is located in central Arkansas and consists of sole member, Melville Bragg. Melville started his professional career in late 2015 with the release of the first EP entitled “Incunabula”. Melville has since placed 2nd in an international music contest hosted by software company Open Labs and sponsored by Linkin Park, as well as release his first full-length album, entitled “Open Source Nervous System”. At this point, many decades into its existence, it can be fairly expected that rock is not going to cough up a new paradigm anytime soon. The advent of digital sampling technology and electronic manipulation,

HALO: “Expressions” moves between various soundscapes which have distinctive influences

Darnelle Treadwell aka HALO, was born and raised in Gary, Indiana. He started singing in the church at the age of 4, by 13 he found that he wanted to pursue a professional career in singing but didn’t know how to go about it. He met an artist by the name of B.L.O.U.N.T. who introduced him to M80 a producer from the Midwest that owns an independent label called G.S.P. Music & Film. Halo signed to G.S.P. and has been working closely with M80 for the past 9 years. Their latest artistic collaboration has delivered the album “Expressions”. The recording

Detroit artist – The Infamous Crackhead

Born on the Eastside of Detroit, the youngest of six, The Infamous Crackhead was kept off the streets and into music which became his passion. He worked hard at his craft as a DJ, then a beat-maker, and improving his mic skills before creating The Law Breakers. A couple of months backed The Infamous Crackhead dropped the 14 track album, entitled “Mental”. Focused and furious this is an album that has moments of great energy, toughness, lyrical smartness and a great old school atmosphere. How long have you been in the music business and how did you get started in the first place?  The Infamous Crackhead: About

Adam Idris: “Count On Me” – rich with influences and thoughts

Formerly known as Adamjlss, Adam Idris is musician and composer based in the United Kingdom. Almost a freshman to the scene, Idris started recording and making music seriously in 2016. Entrenched in the urban genres and blending R&B, Pop and Dance elements, the artist has a host of singles in circulation, including “Count on me”, “I’m incarcerated” and Power hungry”. The songs are by turn oblique, smolderingly direct, forlorn, funny, sad and gorgeous: a vertiginous marvel of digital-age urban pop. On the lead single, “Count On Me” Adam wraps his voice in woozy emotion and pivots in the space of

John Grind: “Numb” – a track brimming with confidence and energy

John Grind is a hell of a songwriter with an undeniably cracking voice, brilliant lyrics, colossal tunes, grungy swagger and of course, as always, the right amount of light and shade in his songs. Through his life experiences riddled with pain, darkness, and self-destruction he has quickly moved towards being an adventurous and psychedelic musical maverick and author of timeless sounding pop-rock songs that effortlessly became part of our consciousness. Grind is a masterful song writer. Raw, brash and yet supremely polished – “Numb”, the single taken from his “Beauty Of Decay” EP, is an impressive track an ever-reliable artist.

TONI REDD releases “Take Me To Paradise” featuring the smooth sax of Walter Beasley

Atlanta, GA – The tantalizing talents of multi-faceted entertainer Toni Redd is in the music spotlight with the new release of her latest gem, Take Me To Paradise, a jazzy, soulful, up-tempo feel good song that features the smooth sounds of renowned saxophonist Walter Beasley. Its a brilliant collaboration that will be a signature standout from her forthcoming jazz project. Her soaring, feel-good vocals coexist harmoniously in the infectious tune. I recorded Take Me To Paradise because I love the song and I wanted to show my listening audience the jazzier side of me, just in case they forgot.  Jazz is

A Silver Lining: “Don’t Let me Down” – absolutely massive and immaculately performed

A Silver Lining is a five-member alternative rock band from Bay City, Michigan. Formed in 2017, the band is treading new ground with old influences, and re-discovering the sense of purpose and fun in rock music. Their single “Don’t Let me Down”, taken off their debut album “Paralyzed” is covered in a welcome confidence and swagger that has been disconcertingly absent from the genre for far too long. On this latest offering, we are presented with a concise magnum opus – prepared to weave and shapeshift, prepared to embrace the unknown with reckless abandon, utilizing crunching riffs, pounding percussion, soaring

Shashika Mooruth: “Jogan”- Indian traditional influence on her music style

Jogan is an album of folk songs in the Hindi language that enthralls the listener with an uplifting experience. Shashika Mooruth is an independent artiste from South Africa. Her lineage extends to her forefathers from India hence the dynamic Indian traditional influence on her music style. Under the auspices of her music label, Urja Music, she displays her holistic musical artistry at every level of production. Her voice, however, is her main instrument. In Jogan, she has rendered her voice to compositions based on styles that are popular in North India, particularly the state of Uttar Pradesh, which praise Krishna

Jessie Wagner: “I Want To Dream” – Few can soulfully croon a love song as convincingly

Jessie Wagner returns, and boy do you need this track in your collection. “I Want To Dream” is the kind of quality R&B that brings a tear to the eye. Composed by P.M.B, the strong, emotional lyrical content of this song is a giveaway that Jessie, or perhaps her some of friends have been through a fair amount of dubious moments with the men in their lives. This is more than evident on this smoldering vocal interpretation. The jaw-dropping classy piano lead, the lyrical content, the production, and sheer power of the vocals, would suggest that “I Want To Dream”

Mr. Jet Black: “Ambidextrous” – It’s all about consistency and quality

Mr. Jet Black litters his album, entitled “Ambidextrous”, with eccentric phrases both homemade and specific to the Bay, making sure his colorful verbiage infiltrates hip-hop throughout the country. The 10 tracks on the album, certifies that Mr. Jet Black is a music making machine. But it’s impossible to talk about anything Mr. Jet Black does without talking about his voice, which is the most compelling element on “Ambidextrous”. It’s an elastic, supple, but taut thing that can waver between a persuasive whisper and a heated growl. Straight out of California’s Bay Area, Mr. Jet Black is the master of lingo.

Mr. Jet Black raps with such ease that it sounds like he is constantly in his comfort zone.  He’s a hustler, party man, prankster, and lover of ladies, so if you’re looking for anything else, you’re listening to the wrong guy. His latest release is the perfect example of how an artist can deliver exactly what hip hop fans have come to expect – banging beats, rip-roaring rhymes, and a high energy flow.

Mr. Jet Black not trying to pen a philosophical treatise; he’s trying to keep it real, give his point of view, and have some fun.  From that angle, the album works perfectly.  Although the production excels at blending ear-friendly beats with Mr. Jet Black’s unique lyricism.

I wouldn’t be surprised if the crew spent many a frustrated night in the studio trying to fashion the right sound.  Not only that, but the producers managed to blend the flavors of the Dirty South with the bounce of the West Coast.  That’s not an easy task.  The result is an eclectic mix of more diamond cuts than lumps of coal.

The album is supported by the singles “I Don’t” Ft. Vitani and “Keep ’em Waiting” Ft. Mitchy Slick. And listening to Mr. Jet Black rap on them is a singular experience. He’s an enunciator of the highest order, syllables tumbling out of his mouth, at times speeding up his words to squeeze them between the elephantine drum slaps, and at others stretching them out to emphasize certain phrasings.

He can also be an abrasive vocal presence as he bellows and guffaws gutturally from time to time.  Mr. Jet Black has substance, a broad vocabulary, and a flow that’s hot enough to melt ice glaciers. His transitioning from sentence to sentence, is truly a thing of beauty, and can be sampled on tracks such as “On The Low”, “Cloth I’m Cut From”, and “In My Face”.

“Ambidextrous”, combines a set of great banging songs with plenty of Mr. Jet Black’s ambitious flows, remaining extremely notable for its fulfilled promise as for its even execution. The album is curated carefully and put together meticulously, in a way that will actually hold up over time.  It’s all about consistency and quality.

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