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About The Release Flyguytk releases an anthemic, grand, and powerful trap/jazz single ‘Religions,’ featuring BigMoneyAce. The release features a groovy beat with a vocal performance that will grasp the listener. ‘Religions’ will hook the listeners in with the lyricism and mesmerizing instrumentation. The single delivers an uplifting progression, a driving bassline, and a raw, uplifting vocal by the artist. Undoubtedly, the single has the ability to resonate with the listener as it contains a unique style and sound that will have people playing it over and over. Flyguytk does an outstanding job of keeping the track refreshing and engaging through

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Kindle Flame – “Get In My Bag” – an exceptional flow and a gift for conveying emotion through personal experience

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Den – “3 in the Morning” – witty and explicit lines abound

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Pulse take the fans of industrial metal on a journey through time and space with the video for their song “Black Knight”

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INTERVIEW: Songwriter and Producer from Norway -VOFF

VOFF is a songwriter and producer from Norway. He has just released his debut album “Know You”, which contains 17 songs in a wide spectrum of styles. The album is created to motivate people and inspire them to live out their potential through telling his own story of changing his mindset after a traumatizing childhood. VOFF’s intention for the future is to continue to make music with like-minded people, travel the world and experience different cultures to expand his knowledge so he can be more creative with his music production and songwriting. Can you tell us a bit about where you come from

Eli Purks – “Music Is A Revelation” happens to be one of the best groove tracks of the year!

It may be 2030, but don’t ever think for a second that the power of funk and disco has totally gone away. Eli Purks takes these flavors and blends it into his explosive pop aesthetic on his latest single release “Music Is A Revelation” – a true bass-heavy and jangly guitar throwback that also just so happens to be one of the best groove tracks of the year. Purks marries the worlds of ’70s dance and funk with modern pop music, pulling the track into 2020 with ease. From the very first moments, when the guitar jangles rush in, it’s

Mr. Jet Black: “Ambidextrous” – It’s all about consistency and quality

Mr. Jet Black litters his album, entitled “Ambidextrous”, with eccentric phrases both homemade and specific to the Bay, making sure his colorful verbiage infiltrates hip-hop throughout the country. The 10 tracks on the album, certifies that Mr. Jet Black is a music making machine. But it’s impossible to talk about anything Mr. Jet Black does without talking about his voice, which is the most compelling element on “Ambidextrous”. It’s an elastic, supple, but taut thing that can waver between a persuasive whisper and a heated growl. Straight out of California’s Bay Area, Mr. Jet Black is the master of lingo.

Mr. Jet Black raps with such ease that it sounds like he is constantly in his comfort zone.  He’s a hustler, party man, prankster, and lover of ladies, so if you’re looking for anything else, you’re listening to the wrong guy. His latest release is the perfect example of how an artist can deliver exactly what hip hop fans have come to expect – banging beats, rip-roaring rhymes, and a high energy flow.

Mr. Jet Black not trying to pen a philosophical treatise; he’s trying to keep it real, give his point of view, and have some fun.  From that angle, the album works perfectly.  Although the production excels at blending ear-friendly beats with Mr. Jet Black’s unique lyricism.

I wouldn’t be surprised if the crew spent many a frustrated night in the studio trying to fashion the right sound.  Not only that, but the producers managed to blend the flavors of the Dirty South with the bounce of the West Coast.  That’s not an easy task.  The result is an eclectic mix of more diamond cuts than lumps of coal.

The album is supported by the singles “I Don’t” Ft. Vitani and “Keep ’em Waiting” Ft. Mitchy Slick. And listening to Mr. Jet Black rap on them is a singular experience. He’s an enunciator of the highest order, syllables tumbling out of his mouth, at times speeding up his words to squeeze them between the elephantine drum slaps, and at others stretching them out to emphasize certain phrasings.

He can also be an abrasive vocal presence as he bellows and guffaws gutturally from time to time.  Mr. Jet Black has substance, a broad vocabulary, and a flow that’s hot enough to melt ice glaciers. His transitioning from sentence to sentence, is truly a thing of beauty, and can be sampled on tracks such as “On The Low”, “Cloth I’m Cut From”, and “In My Face”.

“Ambidextrous”, combines a set of great banging songs with plenty of Mr. Jet Black’s ambitious flows, remaining extremely notable for its fulfilled promise as for its even execution. The album is curated carefully and put together meticulously, in a way that will actually hold up over time.  It’s all about consistency and quality.

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