Kali Ma & Cypher the Avatar – ‘Peaches n’ Sage’ – A hypnotic and fitting foundation

If you ask the duo of Kali Ma & Cypher the Avatar, better known as CxA what the goal of their music was, their reply would probably be, it’s to make a place where all listeners can come to feel safe and relieved from their pain, anxieties, and all other stresses in life. Because that’s exactly what their Cloud Rap single, ‘Peaches n’ Sage’ sounds like. Cypher the Avatar is one of the best alternative rappers mainly because of his presence. He’s confident but not cocky; honest but not vulgar. Cypher comes across as someone who is genuine and sure

VerseBorn: “Cheat Code” ft. Menhir demands a huge amount of respect

“Cheat Code” by VerseBorn ft. Menhir is a mostly uninterrupted stream of consciousness. Breaks in the story only occur when one the language switches from English to Italian and back, and when the plot ends and another begins. To call this track unique would be inadequate. The storyline is extremely complex, with recurring motifs. It’s hard to follow, but that’s the point. VerseBorn and Menhir want your undivided attention for the track’s entirety. Straight off the cuff, the listener is thrust right into the action. In true artistic fashion, interconnecting storylines are articulated through interconnecting verses. But even when they

New Songs to Confront Rising Tide of Hatred by Rev Peter Unger

Rev Peter Unger embraces a pastoral sense of beauty on the spacious skies of I Believe in Second Chances. Throughout the piece Rev Peter Unger explores the oft-ignored benefits of faith. One of the greatest elements of faith rests within the idea of forgiveness for past transgressions. No one is perfect and attaining perfection is a life-long goal. Lyrics focus upon this concept the improvement of the self. Without forgiveness however, this goal becomes impossible for if all were judged by their worst actions self-improvement would remain illusionary at best. Low key arrangements help to place Rev Peter Unger’s voice

Brian Hutson’s Debut Album “Habit” is Released

This week saw the release of Brian Hutson’s Debut Album. Habit is the name of the album that coincides with the song title track featured on his debut album. The album which has already sparked early interest follows the critical acclaim of his EP Midnight Sessions and enormous success of his single released in the fall of 2018. Like many artists, Brian draws influence from his personal life and experiences. This driving force allows him to express his feelings through music. Reflecting on love, lust, heartbreak, and triumph Habit is the result of memories from the past two years, all

YHN Hammertime: “Cash Out” – relatable lines over a sleekly banging beat

YHN Hammertime is a rap/hip-hop artist based in Washington DC. He often collaborates with fellow artists from the DC area. After a string of single releases, he has dropped his first official mixtape “Gang Meets Gang”. From the album comes the highly infectious single “Cash Out” along with its classy visual, now viewable on YouTube. With this album, YHN never seems to be trying to make one track for the thugs, one for the hip hop heads, one for the club, one for the backpackers, and one for the playas, etc. Although you could still attribute those labels to the

Hro Palyan: “White China” scores many transcendent moments!

Hro Palyan is an up and coming Armenian-American Hip Hop artist based in Granada Hills, CA. His journey into a musical career started during childhood when he learned how to play the electric guitar. Hro’s older brother was influential in introducing him to the world of rap and hip-hop and to fellow artists who encouraged him to learn music production tools like Fruity Loops, Reason, and Pro Tools. Influenced by the likes of Dre, Eminem, Xzibit, Nate Dogg, Snoop Dog, Tupac, Naz, Jayz, Dmx, Hro used the production tools as a coping mechanism that allowed him to express himself, and

Enzo: ‘Light Me Up’ – an absolutely sublime listening experience

DJs speak with their hands. Producers who can’t use words, express themselves through sound. On the other hand, it’s almost true that in the electronic music realm, the weight of the music can render words secondary. That’s not to say that producers aren’t using their voices…it’s rare but quite possible. Some producers over a number of electronic genres have stepped up to the mic to express themselves vocally, others engage the perfect voices to execute the needed emotion. Once such creative is Enzo, a self-taught musical artist from Boston, Massachusetts. His work as a producer and DJ has led to

Exit To Eden: Describes the extreme situation of hate-love, on their new Goth ‘n Roll single “Love At First Hate”!

Passionate, yet hateful is the story of Exit To Eden’s latest video clip. The Austrians around frontman Bernie Pfeiffer, celebrate the March 22nd, 2019, release of their associated Goth ‘n Roll single, entitled ‘Love At First Hate’ and give an audiovisual preview of their upcoming mini-album “Love And Other Nightmares”, especially Fans of traditional gothic rock alá The Sisters Of Mercy, The Cure, or Bauhaus are guaranteed to find it appealing.  In a nightmare of hate-love, the protagonist described in ‘Love At First Hate’, whose story is presented in first-person perspective, seems to be. Two extremes, passionate love and

Javyn Knight: “Exodus” – Relatability, positivity, and general geniality

Javyn Knight releases his debut EP, “The Gospel Of Javyn” on March the 24th. The artist’s arrival to this event has not been an easy one. He left home at sixteen to join the army, completing his basic training and part of his AIT training, when he was diagnosed with schizophrenia. He went on to be officially discharged and found his way back to civilian life. It was then that Javyn decided to flip his future and pursue a different, but just as passionate, career route. Javyn Knight aka The Blacc SINatra grabbed hold of a mic and started reppin’ South

Silvertung: “(BUT, AT WHAT COST??!)” – assailing swagger, an abrasive bring-it-on vibe!

Award-winning rock band Silvertung, has landed on the Billboard Mainstream Rock Radio Chart three times. The Mid-Atlantic quartet, made up of vocalist Speed, lead guitarist Codey, bassist Sam Sour, and drummer Danno, have also opened for groups like Godsmack, Disturbed, Shinedown, Slipknot, Staind, Papa Roach, Buckcherry, Filter, Drowning Pool, Anthrax, P.O.D., and others. With three albums and one EP under their belt, Silvertung, in collaboration with Thermal Entertainment, have dropped their latest album “(BUT, AT WHAT COST??!)”, produced by Steven Wright, whose credits include Slipknot, Mars Volta, and Rihanna. This is the type of release that occurs when a band

Jake Ward: “Sound With Intention” gives you plenty in each song

Jake Ward, a longtime singer-songwriter, producer, performer, and multi-instrumentalist with years of experience writing original songs, performing, and contributing to a plethora of musical projects. Ward attributes his musical awakening to listening to the Goo Goo Dolls when he was just 13 years old. His other musical influences include John Mayer, U2, The Script, and a ton of 2000s era pop punk, like Fall Out Boy, Panic at the Disco, All Time Low, and Yellowcard. Ward says that every one of his songs was written with an acoustic guitar as the base instrument. Jake Ward has now officially released his first solo musical project, “Sound With Intention”, a 5-track E.P produced entirely by himself and Nick Loiacono at Fang Studios in San Mateo.

Jake Ward has sort of perfected his own genre — acoustic indie-pop with some rock mixed in and electronic influences. Ward, as you will hear, is well-versed in the recent past. There’s no doubt he has spent his formative years studying the guitar scene of the post-millennium intently. But it is his air of confidence and zest that lifts Ward out of the cheese saturated pseudo-guitar quagmire inhabited by his odious ilk who profess to peddle wares of a similar nature.

Jake Ward’s decent onto unsuspecting hordes of potential fans, with his EP, “Sound With Intention”, is one of tremendous hard work and belief, not just in his own ability but in order to ensure anyone outside of his hometown would take him seriously. That’s the absolute first feeling these songs gave me.

Ward’s stunningly melodious, yet spiky songs are tighter than a kiddie cap on a pill bottle. Each track is an economical three minutes or so with no wasted bars, or even notes for that matter. This the kind of music that is very hard to stop listening to once you’ve heard a few songs, because Ward gives you plenty in each song, but 3 minutes just seem not quite enough, forcing you to want to hear more – to discover how far he will push his skillset.

There are those artists who don’t just write songs, they write songs, and then there are artists who don’t just sing songs, they really sing songs. These are artists who know a thing or two about the math and emotion of music and how that corresponds into making a song sound awesome. Jake Ward is part of the latter categories

With his talent Ward can reach any audience, and it’s clear that he is very familiar with the construction of the pop matrix. It is evident from track one, “If You Leave Me Know”, with its sumptuous harmonies, glorious falsettos and jangling layers of gritty guitar.

It is evident on track two, “I Don’t Really Know”, with its edgy, hand-clapping urban beat, its coy vocal intonations and soaring bridges wrap in multiple choral embellishments. It is evident on track three, “Make It Right”, with its funky guitar strumming, the ever-evolving and uplifting beat, and the heartfelt vocals.

It’s evident on track four, “Never Letting Go”, with its sweeping, epic choruses, and summer breeze-like sonics that is simply heartwarming. It’s evident on track five, “Picture Perfect”, with its soothing, feeling-good verses, the crisp and clean acoustic-guitar soundscape and the sweet as syrup choruses, which really are bittersweet when you listen to the lyrics. It really is all too evident, to simply overlook or miss listening to “Sound With Intention”.

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