Franco Esteve: “The Hunt” – a backdrop to life itself

Three years in the making, the loosely tied together, classical crossover, concept album, “The Hunt”, represents a masterwork for Puerto Rican multi-disciplinary artist, Franco Esteve. The award-winning filmmaker and music composer, once again forges his intense-storytelling, and vivid imagery-driven compositional skills. Esteve’s music not only engages the ears but also intrigues the mind and feeds the soul. “With The Hunt, I wanted to do something different, expressing through classical, orchestral music, the images and feelings one gets from life itself,” explains Franco Esteve, continuing: “Whether it’s the drive of ‘The Hunt’, the insomnia of ‘The Wait’, or the sadness of

Plastic DJ: “Giving Up” – Truly euphoric, refreshing and atmospheric!

The album “Giving Up” by Barcelona-based producer and singer Plastic DJ, is the very best that the blended genres of Deep House, Downtempo and Electro have to offer. The thing that sets Plastic DJ so far above his contemporaries is that he’s genuinely talented as a musical composer, and stunningly enchanting as a singer. The music is of a baroque complexity, and here’s no overpowering bass or wailing synths. It’s like listening to a dream. You’ll play this in your car when you want to relax, at home when you’re at the beach or sitting on the porch, or as

One Step From Everywhere: “Somewhere in Between” – an insistent rhythmic thrust, adorned with fiery guitar work, and soaring vocals

One Step From Everywhere is a Seattle based band that does not limit themselves to genre or style. Primarily a rock band, with a passion for playing live, they are not afraid to add shades of any style that may strike a chord within them.  Their album, “Somewhere In Between”, is a full and complete artistic statement that can function equally well as an introduction to and summation of the varied strengths of this band. The production and engineering also aids immeasurably in this regard. The sumptuous mixes place the listener deep within the instrumental interplay of a band whose

Kingdom Atlas: “Severe Spheres” – ripping rock combined with lucid moments of intense and beautiful melody

Kingdom Atlas is a Georgia-based hard rock band that was originally launched as Rising Tide in 2013by, Grant Purvis with friends Nick Blake and Adam Chiarella while studying music with them at Georgia Southern University. The lineup of Purvis (vocals, guitars) and Blake (guitars, keyboards), along with Devin Ruiz (bass), Aaron Coburn (drums) and Cody Barber who replaced Chiarella as lead guitarist in 2015, was stable until the groups disbanded in 2017 due to schedule conflicts and some members graduating. In 2018, Purvis, Blake, Coburn, and Barber reformed with the new name Kingdom Atlas to record their debut album “Severe

Tiaday Ball drops two new singles – “Current” and “Good To You”

Tiaday Ball has released two follow up singles to her first release “Favors”. The songs “Current” and “Good To You”, are both now available anywhere you get digital music from. Tiaday stated: “R&B has been the foundation of my life in music since I can remember. Gospel, soul and R&B were always playing in the house or being sung by my father who was also a singer and he loved Stevie Wonder, Otis Redding, Donny Hathaway, etc. One of the first songs I ever learned how to REALLY train singing along to was “A Song For You” by Donny Hathaway.

DAV!D&CLARA: “Repair” – rugged and intense!

The man and machine duo of DAV!D (David Castillo) and his computer CLARA, better known as DAV!D&CLARA, are back with a new single in 2019, called “Repair”. The track is taken from the upcoming album, “CONFESSIONS OF THE MACHINE” to be released early 2020. Much of this latest single displays a minimalist, almost survivalist element, as if every movement, gesture, and note is conserved and used for maximum effect. DAV!D’s songwriting principle seems to be “less is more”, a sentiment CLARA seems to adhere to perfectly. Together they have an artistic sensibility that’s far from common. The song is based

Catch up with Boston based group Urban Lights Band

Boston, MA based Urban Lights Band is an eclectic group of musicians and artists who harness the power of all styles of music to create unforgettable experiences. They are seasoned professionals committed to providing quality musical showcases that bring various audiences together. Their global mission is simple; aspire to inspire! If you are in the Boston area you can find them at:  May 25th 2019 – Darryl’s Corner Bar & Kitchen- Boston, MA June 20th, 2019 – The Milky Way – Jamaica Plain June 21st 2019 -The Middle East Night Club (Corner Room) – Cambridge, MA Hook up with Urban

Royal: “Letter To Cecil” narrates his hardships, his grind and his contributions

Royal is a hip hop artist who currently resides in Hockessin, Delaware. He understands the importance of giving back and he performs at dozens of middle schools and high schools. In the past, he has donated the proceeds from concerts and albums entirely to the community, spreading his generosity to the surrounding neighborhoods. Royal has performed alongside artists such as Waka Flocka, Meek Mill, Yo Gotti, YG, and Tory Lanez. His latest project is the single, “Letter To Cecil”. Here Royal seems to be hungrier than ever and is out to remind hip-hop of the abilities that should eventually bring

‘The World We Live In’ EP by ‘Redford’ is Out Now on Glasstone Records

Simon Ratcliffe (BASEMENT JAXX): “Redford have a unique fresh and lush sound with strong heartfelt songs, gorgeous melodies – not to mention superb musicianship.” Mastered by Greg Brooker (Dejstil feat Peter Hook – Joy Division / New Order, You Love Her Coz She’s Dead, Micky Diana) Polish indie-rockers Redford have announced their arrival with a brand new single, cinematic video clip and a new Ep on Glasstone Records. The new Ep The World We Live In is on streaming platforms now, and you can watch the video for the single To The Morning below on YouTube.  With a brand

Iskar D’Abrel: “Ruins of You” – a compelling musical depth

Perhaps Iskar D’Abrel’s only misfortune is releasing his music at the wrong time.  Had he dropped the track “Ruins of You” in the 70’s, 80’s or even early nineties, he surely would have been recognized universally along with other greats of those eras.  It was a time where artists were not defined by a specific genre and allowed to approach different styles of music with a creative freedom almost totally lost today. Iskar is a master of song construction.  No song in his catalog is just a repeat of parts.  Each song is its own story; each follows its own

Jake Ward: “Sound With Intention” gives you plenty in each song

Jake Ward, a longtime singer-songwriter, producer, performer, and multi-instrumentalist with years of experience writing original songs, performing, and contributing to a plethora of musical projects. Ward attributes his musical awakening to listening to the Goo Goo Dolls when he was just 13 years old. His other musical influences include John Mayer, U2, The Script, and a ton of 2000s era pop punk, like Fall Out Boy, Panic at the Disco, All Time Low, and Yellowcard. Ward says that every one of his songs was written with an acoustic guitar as the base instrument. Jake Ward has now officially released his first solo musical project, “Sound With Intention”, a 5-track E.P produced entirely by himself and Nick Loiacono at Fang Studios in San Mateo.

Jake Ward has sort of perfected his own genre — acoustic indie-pop with some rock mixed in and electronic influences. Ward, as you will hear, is well-versed in the recent past. There’s no doubt he has spent his formative years studying the guitar scene of the post-millennium intently. But it is his air of confidence and zest that lifts Ward out of the cheese saturated pseudo-guitar quagmire inhabited by his odious ilk who profess to peddle wares of a similar nature.

Jake Ward’s decent onto unsuspecting hordes of potential fans, with his EP, “Sound With Intention”, is one of tremendous hard work and belief, not just in his own ability but in order to ensure anyone outside of his hometown would take him seriously. That’s the absolute first feeling these songs gave me.

Ward’s stunningly melodious, yet spiky songs are tighter than a kiddie cap on a pill bottle. Each track is an economical three minutes or so with no wasted bars, or even notes for that matter. This the kind of music that is very hard to stop listening to once you’ve heard a few songs, because Ward gives you plenty in each song, but 3 minutes just seem not quite enough, forcing you to want to hear more – to discover how far he will push his skillset.

There are those artists who don’t just write songs, they write songs, and then there are artists who don’t just sing songs, they really sing songs. These are artists who know a thing or two about the math and emotion of music and how that corresponds into making a song sound awesome. Jake Ward is part of the latter categories

With his talent Ward can reach any audience, and it’s clear that he is very familiar with the construction of the pop matrix. It is evident from track one, “If You Leave Me Know”, with its sumptuous harmonies, glorious falsettos and jangling layers of gritty guitar.

It is evident on track two, “I Don’t Really Know”, with its edgy, hand-clapping urban beat, its coy vocal intonations and soaring bridges wrap in multiple choral embellishments. It is evident on track three, “Make It Right”, with its funky guitar strumming, the ever-evolving and uplifting beat, and the heartfelt vocals.

It’s evident on track four, “Never Letting Go”, with its sweeping, epic choruses, and summer breeze-like sonics that is simply heartwarming. It’s evident on track five, “Picture Perfect”, with its soothing, feeling-good verses, the crisp and clean acoustic-guitar soundscape and the sweet as syrup choruses, which really are bittersweet when you listen to the lyrics. It really is all too evident, to simply overlook or miss listening to “Sound With Intention”.

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