Delta Station: “An Unexpected Turn of Events” – the experience is more epic and cinematic

The little 14 year old Australian genius who goes by the moniker of Delta Station, has a new album out. And, somewhat predictably, it’s another utter and perfect treat. Before you listen to Delta Station’s latest album you really should leave all preconceptions at the door. Despite the connotations of the album’s title, “An Unexpected Turn of Events” is a joyous affair. It is an album that is warm, exhilarating, and incredibly uplifting and it is his greatest piece of work to date. Delta Station has only been in the production craft since June 2016, but has already released two EPs, previous to this album.

The Valium: “Amazing Breakdowns” – walking the high-wire intersections of visceral punk-rock expression and high art perfection

The Valium hooked me as soon as I heard the first track “Too Many Dreams Of Rock N Roll” from freshly released album, entitled “Amazing Breakdowns”. This was an album that hit me in the gut and instantly dragged me along for the ride. After listening to it, I must say that this is one of the most unique, interesting and high-energy bands I have ever heard in the alternative rock scene of late. Though taken from a myriad of influences, their sound is completely their own and every song sounds unique to their band. I can’t really imagine some

Newborn: “Honey Trap” – something of a perfect alchemy

The Coney Island, Brooklyn-based band Newborn was formed by  high school friends Allen James (vocals/guitar) and Eric Weglicki (guitar/bass/vocals) and a love of rock spanning from Metallica, Nirvana, to Muse. After many years of jamming together they decided to form a band. Newborn played their first show December 2014 which was followed by the release their debut EP “Broken Virgo”. The band has since evolved musically, adding drummer Dave Goldenberg, and going from strength to strength, culminating in the release of their latest single, entitled “Honey Trap”. The song features Newborn’s most diverse lyrical palette to date. The result is a cohesive,

Gloom Influx: “First LP” – looping the listener into a nostalgic yet futuristic world

Montréal-based musician Luc Leclerc, aka Gloom Influx, delivers a unique and powerful blend of metal and synthwave, influenced by 80’s movies and video game soundtracks, heavy metal, and contemporary artists like Justice, and Carpenter Brut. Sometimes you need to listen to music that makes you feel like you are in the future in outer space and somehow the 80s never ended. And sometimes you want to add elements of robots, monsters and fear. When you want those things, there are few better than Gloom Influx . Whether you come at this album from the perspective of someone into synthwave, darkwave

Jigsaw Man: ‘No Home’ – a self-produced EP with strong stoner overtones

The 4 track ‘No Home’ EP is the debut release from Jigsaw Man, the moniker under which singer-songwriter Steven Faulkner is releasing original material. “It’s nice doing things under a pseudonym because you can be more personal about the lyrics, and because you have that separation,” said Faulkner, continuing: “In my head the lyrics belong to Jigsaw Man, so I can be more honest and personal. I can write far more honestly and I’ve certainly done that on this EP. In the past I’ve always looked for metaphor or simile but this EP is very honest.” Playing since he was a

Corlioni: “Destiny” has a genuinely refreshing effect!

In case you’re not down with the nomenclature being thrown around the EDM community currently, on his latest track, “Destiny”, electronic producer Corlioni, comfortably slides into the trend-setting genre called ‘Tropical house’. Though, it would be correct to say that the masked British producer is not really confined to that specific genre at all. Tropical house is a more relaxing yet uplifting form inside the EDM craze, a response to the grimy, dark sounds of the dubstep craze which has been losing steam for the last several years. Rather than deep bass growls that sound like a broken inkjet printer,

DJ DezZ: “SometimeZ” – a tour-de-force!

Fast forward a quarter of a century and the phrase ‘Deep House’ has become to mean something completely different from its first incarnation during the halcyon days of house. It’s hard to move in the overpopulated market of all things ‘deep’ these days, but in amongst the monotony of the same old EDM samples and generic preset bass lines are a number of artists that really are able to tickle your fancy. One such EDM producer that we believe has kept it deep, down and dirty so far in 2017, with the release of his single “SometimeZ”, is Charlie Desi aka DJ

Toni Castells: 2045: The Year Man Becomes Immortal? – The emotion is very compelling

Toni Castells is a Hispano-British composer currently based in London. A lecturer at Imperial College London and the London College of Music, his sonic worlds transpire an inherited precocious classical training with an inventive use of modern technologies to create unique and distinctive soundscapes. Castells latest musical endeavor is entitled ‘2045: The Year Man Becomes Immortal?’ which explores the prediction by computer engineer and futurologist Ray Kurzweil that the year 2045 will see the start of a new era in which human and artificial intelligence will merge, man will cease to age and so acquire the potential to live indefinitely. In the original interview with Kurzweil

POOL MOON ELEPHANT: “FLUKY ISLAND” – a relentless appetite for new music

Released June 21 via the Symphonic Distribution label, “FLUKY ISLAND” is the brand new 5-track EP from electronic duo POOL MOON ELEPHANT. A storming journey through various rhythmic styles, combining the duo’s skills to create imaginative feel-good moments, the EP spearheads a new wave of indie dance electro-inspired tracks while embracing the love for warm synths, sparkling heights, gentle electric textures and deep drums. POOL MOON ELEPHANT is the moniker under which the Swiss electronic music duo composed of Riccardo Studer and Ivan Nurchis, undertake their creative journey through the electronic world of music and animation. Both have double-decade experiences in audio-visuals, and working for film and TV

The Hooplas: “Midas Touch” – a statement of intent!

The Hooplas are a modern progressive rock group from Ocean City, MD. Twin brothers Adam (Vocals/Guitar) and Ben Martin (Bass/Vocal) started the band. While their musical influences might not be identical, they share the love of making music. Musicians Cody Bush (Lead Guitar/Vocals), Lovechile (Drummer) and Seth Paul (Synth) round out the band’s roster and form the unique, fresh sound that defines The Hooplas. From their “American Junk EP” comes the band’s latest single “Midas Touch”.The musicianship on this single is impeccable. Flawless guitar riffs changeup like Adam’s voice, from wall-shaking, twin guitar rhythm crunch, to the divine solos straight from the

Kris Woodbird: “Monsters of Heart” – a purveyor of persuasive folk!

Kris Woodbird aka Krister Svensson was born in the south of Sweden. He played and was a part of the punk, new wave and art music scene in Lund before moving to Stockholm. He went on to play drums in various indie bands before getting into vocals and songwriting in a band called Wan Light, which he formed with Magnus Karnock, releasing three albums and two EPs. In 2016 Kris Woodbird began his journey with the release of the single “Alien & River”. This led to the album “Monsters of Heart” recorded in Kris’ apartment by producer Håkan Folkesson from Ambitus Production.

I fell in love with this album at first listen. It’s rare to hear an album in its entirety and genuinely enjoy every track, but each of these songs take your mind and your heart on a wistful ride through our collective experiences of life, love and getting to know ourselves in good and bad times.

You can tell Kris Woodbird took great care with “Monsters of Heart”. He’s an everyday guy with the not-so-everyday ability to translate life into lyrics in a meaningful way. His easygoing nature when it comes to love, life and self-discovery are unmatched right now, in my opinion.

Add in his simple guitar accompaniment, and every song becomes a rich story you will want to hear again and again. There is also a nice flow to the album.

There’s a mile-long list of musicians who’ve used rock and roll to try and transmit there messages and moods, and although it might be something of a stretch to call Kris Woodbird a rocker — maybe ‘purveyor of persuasive folk’ works better — his new album, fits right into that rich tradition.

The songs are tasteful, delicate, and ineffably gentle, never sounding anything other than sincere. The end result is an inestimably worthy collection, one rife with hushed melodies and airy arrangements. Woodbird’s playing squarely in his wheelhouse here, and if its confines can occasionally be asphyxiating, it’s hard not to respect an album that evokes a mood so carefully and confidently.

Although lofty praise might reek of hyperbole, there’s no denying the comforting appeal of Kris Woodbird’s sensitive songwriting, which feels like the musical equivalent of a cozy old sweater.

Some of his work, could easily earn comparisons to tortured Irish troubadour Damien Rice, while his kinder, gentler melodies and warm vocals are more akin to Samuel Beam of Iron & Wine, which he wraps in cozy sound acoustic guitar beds designed to lilt and lull rather than challenge the listener.

The opening title track “Monsters of Heart” catapults listeners into Woodbird’s sublime songwriting abilities and his tranquil voice is tantalizing. With a great mix of intensity and passion, it starts the collection in the best way possible. From there on out what stands out the most is his lyrical genius and how every song paints a beautiful picture in the listener’s mind.

In songs such as “The Worst Man In The World”, “The Woman In Me” and “Hand To Hand Time”, it is difficult to fault the seemingly effortless work he produces. As an artist, Kris Woodbird is certainly gifted in telling a story and you definitely get that with these pieces.

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