“Sunshine” – Artem Cithara (ft. Nicole Elizabeth & Slick Sax) conjures immediate and unflinching imagery

The scene opens to the midnight skyline of a neon city while Slick Sax’s saxophone blows like a whirling cool breeze through the balmy summer air, muting the buzzing fluorescent signs that clamor for attention. All the while, Nicole Elizabeth’s breathy vocals murmur and soar above the four-to-the-floor piano-driven beat on the stunning new feel-good single release from Artem Cithara, entitled “Sunshine”. The track is an appropriate composition from a mysterious artist, songwriter and producer whose only goal is to be taken seriously–not only as an EDM icon, but in the context of finer arts. While much of the electronic music

Sarantos: “Why Ask Why” – uniformly excellent throughout

In a sense, Sarantos is as much a realist as he is a romantic; his best songs are about fearing the worst, hoping for the best, and getting lucky sometimes. His best songs are also about three or four minutes long and loaded with licks and melodies befitting of a great singer-songwriter reared on the musical legends of our time. All of those influences coalesce on “Why Ask Why”, a tight, spirited rock track.  Purely as sound, this track unquestionably succeeds; though AOR is basically a primary color of modern pop at this point, Sarantos’ vocals and lyrical tics are

Boy in the Rain: “Wave” – a fine assemblage of piano mastery

Boy in the Rain is a composer and solo artist. His style draws heavily from classical and romantic periods, stemming from the traditional piano studies of his youth, but incorporates modern styles into a unique contemporary fashion.  His latest album, “Wave,” is a collection of original piano solos. The piano has a chief interest of exploration for many composers. Through the history of music we can even certify the following: static discoveries and dynamic ones. Bartok, for example, in many of his solo piano pieces is always certain when to use an incomplete chord, which register and which inversion to

TALENTDISPLAY DISCUSSES HIS UPCOMING ALBUM, TALKING NICKI/REMY BEEF, 2CHAINZ AND MORE…

TalentDisplay confidently fuses old influences into his raw, modern sound, taking rap to a new intoxicating level. The Los Angeles rapper and songwriter TalentDisplay keeps a unique approach to hip-hop that incorporates the influence of fresh sounds, reality and assorted styles. TalentDisplay blasted on to the music scene in 2006 with his self-titled multi-lingual single. Since then, he has worked with superstar artists Fredro Starr and Ca$his, collaborated on pop, rap and R & B tracks while even spending some time working at Paramount assisting with songwriting and more. TalentDisplay uses the love and support of his fans whom he calls

Kris Woodbird: “Monsters of Heart” – a purveyor of persuasive folk!

Kris Woodbird aka Krister Svensson was born in the south of Sweden. He played and was a part of the punk, new wave and art music scene in Lund before moving to Stockholm. He went on to play drums in various indie bands before getting into vocals and songwriting in a band called Wan Light, which he formed with Magnus Karnock, releasing three albums and two EPs. In 2016 Kris Woodbird began his journey with the release of the single “Alien & River”. This led to the album “Monsters of Heart” recorded in Kris’ apartment by producer Håkan Folkesson from

René Puchinger: “Emotions” – gentle and pensive lyricism mixed with challenging soundscapes

Traditionally, when people think of the classical music, they associate it with the likes of old, boring, and antiquated composers of the 18th and 19th centuries. But if we look just a little harder, we will notice that the landscape and conception behind classical music written today is consistently changing. Today, if you open up newspapers and magazines, they are consistently writing encouraging words about the very best up-and-coming 21st century composers in amongst the Hip hop and pop artists. Record labels that release contemporary classical music, are ever increasing, including up and coming labels such as FatCat, Bedroom Community,

Sean Tibbetts Founder of Metal Band SAULT

Sault (Featuring members of Kamelot and Arcanium) was a creation formed by bassist Sean Tibbetts in 2014 and originally intended to be a solo album, but the project soon morphed into a band project. Sean was introduced to guitarist Curtis Jay by long-time friend Bisquette Bewley while at a tattoo parlor. Curtis was asked to record on a few tracks for the Sault demo. The two instantly knew there was something special in the music they had just created and were driven to start on a journey that would soon lead to a full length album. Next they found a singer in Benjamin Riggs, again via friend, this time in

K Block’s First Single “Rose Gold” to Be Released Early 2017

Rapper-songwriter K Block’s first upcoming EP Album titled “Poetry in Motion” will be released this year. “Rose Gold” is the first single due to drop early 2017. Born on February 20, 1994 in Chicago, Illinois, Dimitri Dyshaun Drew or more popularly known as K Block is best known for signing with the indie label OUT’DO ENTERTAINMENT Inc. His first EP album is also OUT’DO ENTERTAINMENT’s first release. The 23-year old rapper attended Prosser Career Academy High School in Chicago, but decided to drop out to pursue his passion for music. K Block started putting his music on social media, gaining

LIL J & PASTY WHITE BOY TO PERFORM LIVE AT THE HARD ROCK CAFE BOSTON!

Lil J & Pasty White Boy to perform at THE HARD ROCK CAFE on Thursday April 6. Music Starts at 7:00 pm Show Details: Artists – Lil J and PWB Venue: HARD ROCK CAFE – CAVERN ROOM 22-24 Clinton St. Boston, MA 02109 (All Ages & Bar w/ID) Date – April 6th, 2017 Show Start Time – 7 PM Link to Purchase Tickets: http://www.aftonshows.com/LilJ420

Roger Cole & Paul Barrere: “Lost In The Sound” – when Mother Nature fights back

“Lost In The Sound” is an intriguing song, and a valuable introduction for the uninitiated to the wild range of talents and interests of the duo Roger Cole & Paul Barrere, and is a showcase for their musical virtuosity. From the posing questions of how we will survive what we have done to the earth, to anyone seeing the cover art and understanding all too well the otherwise implied notion of a world returned to a type of wild and barren space vacated of rampant technology and comfortable certainties. “Lost In The Sound” follows the counter-cultural ideas as well as

Omar Bowing: “Sonus Republic” displays staggering amounts of talent and finesse

“Sonus Republic” finds Omar Bowing in top form and is loaded with excellent playing and songwriting. The music on this track is killer Bowing through-and-through with Martin Motnik on bass, Tim Horsley on drums and Tyson Yen on vocals, while Bowing’s guitarviol playing is phenomenal as always. It’s safe to say Omar Bowing really knows how to put out one great recording after the other. Out of every single outstanding song release by Bowing, the one that stands high above every other is “Sonus Republic”. It’s one of his most progressive songs to date and also a demonstration of the band’s musicianship as a whole.

The entire song is one giant crescendo. It starts out slow and steady with ambient, acoustic guitarviol builds in the background. It finally explodes into an inspiring rhythm with a hard electric guitarviol riff in the foreground. The song is really is one of the best songs the band as a whole has ever created and they should be proud of this crowning achievement.

It’s assuring to know that Omar Bowing is not running out of ideas for making music, and when it comes to the lyrical department on this record, he without a doubt shines brightly: “New liberators resonance / Stand for crime intolerance / Progressive intellect dominance / Fight all justice negligence / Respect to others pays off / We’all sounding as one / The empire / Sonus Republic.”

These lines give away that Bowing is creating a mental picture in your head of existentialistic utopia in a modern music driven world. There is no better way to deliver a message of living in this world than the incredibly colorful musical textures and lovely vocal harmonies.

All of these elements carry over into the song which becomes the definition of poetry in motion. It also boasts a stunning combination of psychedelic elements and an energetic rock vibe.

“Sonus Republic” never fails to display staggering amounts of talent and finesse that many bands of the genre could only dream of duplicating. The record is epic, anthemic and has its fair share of rocking moments that should be recognized by the music industry and fans alike.

The record is yet another shining example of Omar Bowing and his band’s ability to evoke moments of genuine emotion and show remarkable musicianship, and singing by lead vocalist Tyson Yen.

All-round Omar Bowing fully realizes his atmospheric side in an unforgettable experience within a vast rollicking soundscape, fantastic production, and sheer emotional power. I’ve said it before and I’ll say it again: no record in the Bowing discography sounds the same. Every time you come to a new record in his growing discography it is an entirely new experience.

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