JaVez: “When I Was Uptown” has the power to captivate audiences

JaVez is a 23 year old Maryland recording artist who sings, raps, produces, and mixes his own music. The self-taught Baltimore area artist has a penchant for Kanye West, Usher, Jay Z, J. Cole, Kendrick Lamar, and Chris Brown. He also grew up listening to singers like Brian McKnight and R. Kelly. JaVez plans to one day be a successful CEO of a record label and iconic recording artist. JaVez is the true definition of an artist, he isn’t afraid to be himself and put himself out there. The lyrics alone prove that. Add in some fantastic production and the

HR Live At CBGB’s 1984 – an essential part of alternative music and punk culture

HR is most well known as the lead singer of revolutionary reggae punk rock band Bad Brains. In their day Bad Brains could have been easily mentioned in the same breath as The Ramones, The Sex Pistols or The Clash, such was their greatness. Yet the band has evolved many times in its long history, playing across many genres of music including jazz, hardcore punk, alternative rock and reggae. HR has been making music since 1976 with Bad Brains, and along the way until today, he has been acclaimed for his reckless punk screaming just as much as he has

Callum Crighton: “The Rose” – a strong ear-catching melody

Even while everything I know about my musical taste should violently reject the cheese-camp synth pop and adorable mainstream swoon songs of the 80’s, I’ve enjoyed that music ever since I was first tricked into listening to the smooth, velvety crooning of the Brit pop chart invasion during that period. I can’t really explain why I loved that music so much, I guess for the same reason people eat cheesecake: It’s loaded with sugar, almost unbearably sweet, and probably isn’t the healthiest for you, but goddamn if it doesn’t make you feel so good inside when you eat it up.

Virgil Blue: “Pain Of Loss” – gorgeous washes of sound

Virgil Blue has released his debut EP entitled “Pain Of Loss”. Inspired and influenced by Prince and Sade, Virgil, a multi-instrumentalist who started out making music at the age of six, when he picked up the saxophone, produced much of the music that can be heard on this EP. Virgil who recently moved from the suburbs of Detroit to LA has put together 6 smooth trance-like tracks that that flaunts ambient, RnB and trip-hop flavors. If you’re looking for something atmospheric and hypnotizing, then this recording may be of serious interest to you. Fragile, tender and soulful, Virgil Blue’s voice will

Big Chris: ‘Bad Timing’ – high quality production and seamless transitions

After a successful release of his last single ‘F The World’ in Summer of 2016, UK based RnB artist and producer Big Chris releases his newest album ‘Bad Timing’ available via all major media providers. Recorded by Big Chris and John Robinson at Clique Studios, London and Miami Live, Miami. The album mix was finalized by Mixbytrip at Circle House Miami. Inspirations of The Dream, Mike Posner and R Kelly can be heard throughout. This album has some really original, unique, futuristic cuts on it, as would be expected. Big Chris is a more audacious artist than most in the R&B game right now, because he says what

Shellee Coley: “Story Like This” – a maturity that is mesmerizing!

Shellee Coley is a Texas-based singer-songwriter that has released three full length albums. Her current focus is a 5 song book of musical meditations called The Becoming Project that is being released one song or “chapter” at a time by the independent label Red Tree Music Group. Essentially, Shellee has created a unique style that blurs the boundaries between genres and categories. There are recognizable influences from classic songwriters like Paul Simon, Joni Mitchell, Joan Baez, Lennon & McCartney and Bob Dylan, as well as from some more current acts. Coley is able to absorb them all, and filter them through her own sensibilities

All Atomic: “? ? ? (Track With No Name)” builds multiple climaxes and movements

All Atomic is an electronic music producer and artist from Bristol, UK. He has just released his debut for indie label Pink Dolphin Music, entitled – “? ? ? (Track With No Name)”. The majority of listeners will agree that this track is perhaps one of the best examples of wickedly detailed and technically rich techno and house out there. If that is a mouth-full, it should be. All Atomic has defined the amazingly intricate form of electronic dance music that weaves clever beats into unusual and unexpected sounds to create a masterpiece of rhythmic movement and audio ecstasy. It’s

Ice photographer Lliam Greguez Releases Two Acoustic Prog Punk Albums

New York City, New York – Greguez is not only a man who hits the ice with his camera in hand, but a musician who tackles an apartment studio to collaborate in a mix of acoustic and synthesized sounds. So much sound in fact that he’s released not one, but two albums to mitigate some of the imbalances that surround us. Musically Greguez is well-rounded, using its’ power to heal as a trained creative arts therapist at a handful of children’s hospitals in the New York City Area. In conjunction with this work, he unloosed his experimental tendencies to assemble

ReachingNova: “IT’S ABOUT TIME” reconciles the vices of entertainment with art

The Bronx, NYC creative, ReachingNova is without a doubt one of the smartest, all-round great underground rappers on the block right now. His album “IT’S ABOUT TIME”, features powerful themes and gives amazing personal perspectives on some deep rooted issues and aspirations which inevitably reflect everything happening around ReachingNova, but could so easily apply to any ambitious human being on a serious daily grind, no matter what walk of life they’re in. Each track is superbly produced, and none feel like they don’t belong on this collection. What seperates ReachingNova from his contemporaries is that he’s found way to excel at

Cosmic Zimmer: “Drunk But Not Wasted” – genuinely captivating and moving

Dutch National, Cosmic Zimmer is originally from the Dutch Caribbean and has lived in multiple places. An IT, Commerce and Robotics specialist, he has been making music for 13 years and got his first music lessons from a teacher who studied film scoring at the Berklee College of Music. Cosmic Zimmer was convinced to use his musical talents by a Viennese gastronomy legend and friend, Martin who advised him to record an album. This led to the 10 track collection, “Drunk But Not Wasted”. 70% of the album’s instrumentals were produced during 2014 in Vienna, Austria, while the rest were

Sault: “Seeds Of Power” – This is a Stadium Band!

Sault (Featuring members of Kamelot and Arcanium) was a creation formed by bassist Sean Tibbetts in 2014 and originally intended to be a solo album, but the project soon morphed into a band project. Sean was introduced to guitarist Curtis Jay by long-time friend Bisquette Bewley while at a tattoo parlor. Curtis was asked to record on a few tracks for the Sault demo. The two instantly knew there was something special in the music they had just created and were driven to start on a journey that would soon lead to a full length album. Next they found a singer in Benjamin Riggs, again via friend, this time in the person of singer Kimberley Freeman. Sean, being a member of the symphonic metal band Kamelot, asked his long-time friend and band mate, Casey Grillo, if he would be interested in recording the drum tracks on the Sault album. Casey of course turned out to be a natural fit.

Currently Sault is hard at work finishing their debut album which is to be titled, “Seeds Of Power”. We intercepted a few songs from the album to test the water, and it bangs! The first thing you notice after 3 songs is that Sault has crafted a distinctive sound and whether you call it a style or a formula it is immediately recognizable. And they would make any record label’s job nearly impossible on because out of the 4 songs that I heard taken from the album, all of them could legitimately be rock radio hit singles.

The production showcases the rhythm section of Casey Grillo (drums) and Sean Tibbetts (bass), giving it a driving bottom end while still providing plenty of room to shine for guitarist Curtis Jay. Vocalist Benjamin Riggs doesn’t need to be purposefully given any space, he just steamrolls the tracks with his booming voice.

Judging by these songs, “Seeds Of Power” is going to be one of those few mainstream metal albums that will leave you moshing in your best friend’s living room one minute, and just banging your head the next – neither of which can be trivially discounted in such a genre.

These songs explode with mega drums and monstrous guitar, while Riggs summons demons from the pits of hell to do battle. The mayhem starts with “A Peaceful Moment” – which is anything but. The song quickly establishes how this band can be bone-crushingly heavy and majestically melodic from verse to chorus.

There is no reason why this couldn’t get to the top of the Billboard Chart. “Adonai” kicks off in a more alternative-metal way, with a pumping staccato rhythm, but when Sault hit the chorus, they just can’t help themselves – they’re naturally so fucking catchy they’ve got anthemic choruses tattooed inside their heads. So Riggs cannot avoid the soaring vocals that will have stadiums filled with air-fisting youths in total delirium.

Make no mistake, Sault is a stadium band. There songs call for it…very loudly indeed! When “Guilt” hits its apex and the instruments surge, it creates a musical moment that is, simply put, monumental.  I find myself playing it repeatedly because experiencing this song only once is simply not enough.

It’s very difficult to find an album where each song is one you’ll fall in love with and so far we’re 4 out of 4 here, because “Save Myself” is another intensely immersing sonic experience. With the combination of the dramatic and dynamic instrumentals and enthralling vocals, these songs can almost be considered cathartic given the range of themes covered.

In most stories, there is a buildup of tension and excitement within the plot before the climax. With the climax, the pinnacle of emotional stimulation is achieved which then makes way for the resting conclusion of the story. Sault has successfully translated that essential, audience-grabbing formula into music.

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